Sarah Parsons Landscape Paintings

Unknown/Unidentified Artist "Untitled: Shipyard/Ship Building", Abstract Oil on Canvas, 16 x 20, Late 20th Century Colors: Blue, White, Red, Green, Brow...

Antique American modernist abstract oil painting by Ervin B. Nussbaum (1914 - 1996). Oil on canvas. Framed. Signed. Dated 1950. Artist Bio: Ervin B. Nussbaum was born in Co...

Vintage American modernist landscape oil painting. Oil on canvas, circa 1940. No signature found. Displayed in a period modern frame. Image, 20"L x 16"H.

Contemporary abstract landscape oil painting titled "Water #424" by Louise LeBourgeois. Size: 12 x 12 inches. Oil on panel. Muted orange, earth tones. LeBourgeois’s paintings are in...

"This painting was exhibited as part of the Normandie Impressionniste alongside works by Gustave Courbet, Valtat..." In the evocative tableau of the "Seaside Symphony Under Stormy Sk...

Very impressive and amazing mid 1900s abstract expressionist oil painting. Oil on canvas. No signature found. Framed.

Antique American modernist abstract oil painting. Oil on canvas, circa 1950. Signed on verso. Displayed in a period frame. Image, 18"L x 20"H.

Ekaterina Ermilkina’s original, abstract fine art paintings are created using a skillful combination of applying and removing oil paint with a palette knife on canvas. Her inspirations are the expressionistic skylines of big cities like Manhattan, Philadelphia, or Chicago filled with colorful skyscrapers. The urban, scenic views are abstracted and rich with vivid and textured layers. Ermilkina’s emotional architectural patchwork and mosaic cityscapes radiate a life of balance and positive energy. This artwork measures 12 inches high by 48 inches wide. Ermilkina carefully adds thick cube-like dots of oil paint with a palette knife in distinct patterns onto the surface, adding an intricate three-dimensional texture to her oil paintings. The color spots partially blend into a fuller range of background tones and give the artworks a significant depth. She signs the front of the artwork and paints the sides as a continuation of the front. It does not require framing. It is wired and ready to hang. Convenient local Los Angeles delivery. Affordable Continental U.S. and international shipping are available. Born in 1975, Saratov, Russia, Ekaterina Ermilkina now lives and works in New Jersey. She grew up in the beautiful city of Yalta in Crimea on the North coast of the Black Sea, where in 1985 she enrolled as a student to the School of Art of F.Vasiliev, graduating in 1991. After her first introduction to fine art in Yalta, in 1992, Ekaterina Ermilkina moved to Saint-Petersburg, Russia. In 1998 she received her MFA from State Art and Industry Academy. The unique beauty and rich culture of the city inspired her to paint cityscapes. In late 2005, Ermilkina moved to the U.S. Her works has been presented in various solo and group exhibitions in international galleries and art fairs and have been collected throughout the United States, as well as Canada, Germany, France, Switzerland, Japan, Hong Kong, and Russia. Her artworks pop with color and motion, casting a candied haze across the urban landscape. “I am focused on art all my life. It makes me optimistic, full of energy and happy. The vivid colors of Crimea where I grew up, the beautiful marine of the Black Sea, inspired me to paint for the rest of my life. I believe that paintings can reflect our desires for beauty, poetics and perfection.” Artspace Warehouse has been representing and exhibiting Ekaterina Ermilkina's original oil paintings since 2013. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artspace Warehouse Los Angeles, CA EXHIBITIONS 2023 “Urban Ecologies: Cities Are Built for Art”, Artspace Warehouse, Los Angeles, CA 2022 Paper Mill Playhouse, Millburn, NJ 2022 Affordable Art Fair, New York, NY 2022 Alcheringa, IIT Guwahati, India 2021 Affordable Art Fair New York 2021 Port Authority Bus Terminal, New York, NY 2021 “The Real Presence”, Artspace Warehouse, Los Angeles, CA 2020 High Point Market, North Carolina 2020 Hamptons Virtual Art Fair 2020 Six Summit Gallery, Westbrook CT 2019 Affordable Art Fair New York, NY 2019 Artspace Warehouse, Los Angeles, CA 2019 Leo House, Chelsea, New York City, NY 2019 David Parker Gallery, New York City, NY 2019 High Point Market, NC 2018 Affordable Art Fair, Hong Kong 2018 Artspace Warehouse Gallery, Los Angeles 2018 Gallery 104, New York, NY 2018 Discovery in the Details, SMI, Montclair NJ 2018 Windows, SMI New Jersey 2018 State of the Art, Montclair NJ 2017 Affordable Art Fair New York, NY 2017 Kölner Liste Contemporary Art Fair, Köln, Germany 2017 New York Fashion Week, NY 2016 Affordable Art Fair, Amsterdam 2016 Affordable Art Fair Hong Kong 2016 AAF New York, NY 2016 Kunstwarenhaus Zurich, Switzerland 2016 ART & LEF Gallery, Groningen, Netherlands 2016 Love Park, Philadelphia, PA 2016 Bluestone Fine Art Gallery, Philadelphia, PA 2016 Artspace Warehouse, Los Angeles, CA 2016 Art Leaders Gallery, MI 2015 Affordable Art Fair Singapore 2015 Artspace Warehouse Los Angeles, CA 2015 Bluestone Fine Art Gallery, Philadelphia, PA 2015 Art Leaders Gallery, MI 2015 Art Design Consultants Gallery, Cincinnati, OH 2015 Dorma Design Center New York City, NY 2015 Main Line Art Center, Haverford, PA 2015 Love Art Fair Toronto, Canada 2015 Affordable Art Fair New York, NY 2015 Berkshire Real Estate Art...

An abstracted landscape of the artist's local pond.

The view across St Ives harbour.
 Colin Taylor’s expressive paintings are created with oil, acrylic, pastel and charcoal on linen. Wooden Tray Frame Oil Acrylic Paint,Linen, pastel...

Appropriately called the "Mosaic" period for important historical artist Carl Holty, this is a super example! His color use during this time frame was lively as he always used sky b...

An original oil on canvas by noted Scottish artist William Gear which dates to 1981. Entitled early Spring it is a vibrant and fresh art work with lovely colouring. Signed, dated and titled verso. Provenance. William Gear estate. Royal Birmingham Society of Artists 1981. Condition. Oil on canvas, 48 inches by 32 inches. Excellent condition. William Gear (1915-1997). Few British painters have played an active role in the modern abstract movement of post-war Europe. William Gear was the most passionate and committed exception. He continued the tradition of the Edinburgh-Paris axis established by J.D. Fergusson, Samuel Peploe and others, spending vital years between 1947 and 1950 living and working in Paris. Significantly, in recent years, he received the greatest acclaim in France, Germany and the Netherlands. He was born in 1915 in Methil, Fife, into a mining family; the particular landscape of "pitheads, the sea, rocks, castles, trees, storms and poverty" marked his earliest identity with a place and probably remained the most influential to his art. Years later he recalled as a schoolboy visiting the local art gallery in Kirkcaldy and seeing 12 colourful still-lifes by Peploe. Art-history lessons during student years at Edinburgh College of Art, in particular Byzantine classes under David Talbot Rice, also influenced his concern for structure. This had as much to do with the formal language of painting as sheer delight in the medium itself. Gear never missed an opportunity to show people the merits of a well-constructed painting. On a travelling scholarship in 1937, he chose to study with Fernand Leger, described by Gear as "a keystone for me, seldom abstract, rather a degree of abstraction". The Second World War interrupted these formative years and, by 1940, Gear had joined the Royal Corps of Signals. Dispatched to the Middle East, he still had the discipline to paint - mostly works on paper of damaged landscapes - with exhibitions in Jerusalem, Tel Aviv, Cairo as well as Siena and Florence. His naturally robust and tenacious temperament was profoundly affected by visiting Bergen-Belsen, and this certainly influenced the later experiments with the black armature. As the British officer in Celle, working for the Monuments, Fine Arts and Archives Section of the Control Commission, he focused on securing the safety of the Berlin Art Collection in Schloss Celle, and organised an important series of modern art exhibitions, including the rejected work of Karl Otto Gotz...