Seymour Chwast Figurative Sculptures

Mid 20th Century sgraffito work on plaster by Jean Pierre de Cayeux. The work is signed and dated on the skirt of the card player, bottom right, and on the stretcher of the chair, bo...

"3 Blues Musicians" is an oil-on-wood sculptural painting by artist Luther Tatum. The artist was inspired by Picasso's and Romare Bearden's paintings of...

Important one of a kind painting by Noche Crist (1909 - 2004). A shaped painting titled " Flower Caryatid". Noche Crist imbued her cutouts with more...

A Renaissance man,circa 1930's polychrome painting on a wood plaque . Artist unknown

James C. Litz is a self-taught artist who has a "primitive-naive" style of oil and acrylic paintings that features colorful and humorous characters and scenes. His paintings have a very child-like quality to them and you can see the artist's active imagination at work transforming everyday life into art. In 1994, the fine arts magazine Sunstorm, described him as having a "natural wit and style". Permanent displays: The National and International Vietnam Veterans War Art Museum, Chicago, IL; the American Folk Art Museum, NYC; the President Bush Library, Houston, TX; Museé D'Art Naïf de l'lle De France; the International Folk Art Museum, La Jolla, CA; and the James Fennimore Coopers Museum, Cooperstown, NY. Private Collections: Jackie Gleason (deceased); Roy Rogers (deceased); the Flamenco guitarist Carlos Montoya (deceased); opera singer Patrice Munsel, cellist Lynn Harrell, and Bill Cosby.

An absolutely stunning and unique tryptic by the indelible Giancarlo Impiglia; three hinged panels, hand-cut by the artist into an iconic cityscape with life-size figures. Reminiscen...

The text you see on Medusa XXI’s canvas was taken from real newsfeeds of BBC, CNN and other major media. The series is limited to a total of 21 artworks, and in every new copy of Med...

"Moon" from the famous Series "People", ceramic and acrylic on wood panel, D: 36 inches In Korean culture, the moon is a beacon of hope and wish. Blue Moon i...

Dark & white diptych "People" is comprised of 24,000 handmade pigs. The work has many different topographical features and is visually striking. Each pig figurine measures 0.5" x 1" ...

"Moon" from the famous Series "People", ceramic and acrylic on wood panel, D: 36 inches "Moon" is comprised of 10,000 handmade pigs. The work has many different topographical feature...

"People", 2015, Terra-cotta on wood panel, 48" x 48" x 4 inches "People" is comprised of 12,000 handmade pigs. The work has many different topographical features and is visually stri...

Astounding painting and carving on wood panel by the “Hound of Heaven” artist Robert Gammell. Created 1947. This beautiful work features rich color, gold accents and incredible detail. Signed lower right “R.H. Ives Gammell” and dated ‘47. The subject comes from the imagination of the artist and is titled “Lady of the Seven Sorrows.” The work measures 34 1/2"h x 11 1/4"w and is considered to be one of the artist’s “Puppy Panels.” The ornate frame measures 38 1/2"h x 15 1/2"w x 1 1/4"d. The weight is 9 ½ pounds. A label is attached to the verso listing the work as being an entry for the 1967 Grand National Show with the American Artists Professional League in New York. This detailed and beautiful painting is a work to be treasured. More Information Robert Hale Ives Gammell: After completing his major allegorical sequence, the Hound of Heaven, Gammell felt compelled to revisit certain themes and figurative compositions in later years. His original plan was to display the smaller panels, or "Puppy Panels" as he affectionately called them, between the larger Hound panels. Robert Hale Ives Gammell (1893-1981) was a prolific professional painter working in Boston, Provincetown, and Williamstown, Massachusetts. During the sixty-five years of his career, Gammell painted murals, portraits, landscapes, and still lifes, but the pieces which excited him most were the allegorical works drawn from his imagination. In his diary Gammell wrote that he was “fascinated by the drama of man in his relationship to the forces of the universe and of his own nature.” Over the years he experimented using ancient myths and rituals as well as contemporary symbols in his attempts to articulate images of man’s terror, wonder and yearning in the face of a century of upheaval. Excerpt from Elizabeth Ives Hunter, the God-daughter of R. H. Ives Gammell and the daughter of his assistant, Theodore W. J. Valsam. R. H. Ives Gammell believed in the practice and standards of art should rest on the Gold standard established by the 19th-century French system of learning, as practiced by the Ecole des Beaux-Arts and Academie Julian of Paris. His personal mission was to follow that tradition, so he established his own Studio working with a handful of students at a time. His book ‘Twilight of Painting’ would help define a way back to those lofty goals for future artists, reflecting the uncompromising levels of quality that he embraced, and maintained. Robert Hale Ives Gammell was born to wealth in Providence, Rhode Island and spent the majority of his artistic life in Boston at the Fenway Studios and in Williamstown, MA, where he died in 1981. In 1910, Gammell studied briefly with William C. Loring and Wm. Sergeant Kendall before training in 1913 at Boston's Museum School with Philip Hale, F.W. Benson and Edmund C. Tarbell for a few months. Gammell then went to Provincetown, MA to study with Charles Hawthorn and then to the Academie Julian in Paris and the Academie Baschet until the end of 1914. He was tremendously influenced by the teachings of Tarbell and the work of Joseph DeCamp and William M. Paxton. He was so influenced by the Boston School he vowed to hand down their teaching traditions to generations of students and he did exactly that. Some of the painters who are "Gammellites" are Samuel Rose, Thomas R. Dunlay, Robert Cormier, Richard Lack, Gary Hoffman, Stephen Gjerston, Robert Douglas Hunter, David Lowrey, David Curtis...