Shoji Hamada Decorative Objects

A very fine vintage handcrafted Studio Pottery miniature tenmoku glazed vase by renowned potter Atsuya Hamada (Japanese, 1932-1986) and made at the Leach Pottery in St Ives, Cornwall...

An American Midwest collection of four small Chinese ceramic vases covered in peach-bloom glaze circa Qing Dynasty, 19th century, possibly earlier. The set consists of three vases of...

A ceramic vase in tapered square form made by Japanese studio Seikozan circa 1890-1910s (late Meiji Period). One of the many artist studios that specialized in satsuma ware, Seikozan...

Japanese Meiji porcelain Kutani vase hand painted with decorative and a figural panel dating between 1868 and 1912. The elegantly shaped tall ...

Large Awaji pottery vase with sprigged chrysanthemums and green and white glazes, circa 1930. Measures: 18 1/4" high, 9 1/2" diameter. Excellent condition.

A large Vietnamese altar vase with dramatic flaring neck and bold dragon motif. The black ground sets a striking stage for a dynamic design that unfurls across the surface—an undulat...

Very unique tall Japanese vase with abstract pattern in a variety of brown tones. The deepest brown glaze is raised, giving the vase a wonderful tac...

A contemporary studio ceramic vase made by Japanese potter Ken Matsuzaki (1950-). The vase showcases distinguished "moon flask" form with shoulder loops. The moon flask form was widely recorded first in Tang Dynasty China, most likely arrived from the Mideast countries via the silk road. It was originally used as drink vessel for the nomads and the loops were used to tie it to the horse-centered owner. The exotic form persisted in Chinese ceramic production through Ming to Qing dynasty. The form is unusual in Ken Matsuzaki's work. The artist covered the vase with a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern in left by ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but interestingly it also paid homage to Sancai pottery in Tang Dynasty when green glaze was prominently used to drip and splash onto the pottery. Viewing the vase, one can see in this harmonious piece, the innovative reinterpretation of ancient aesthetics that cross the cultures, geology and time. The base is marked with the artist's signature. The vase comes with an inscribed tomobako storage box with the artist's bio and wrapping cloth with seal. The vase measures 8.6"h x 7"w x 2"d. Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...

A mid-20th century Japanese Satsuma vase with figures. Satsuma ware is a style of Japanese earthenware originally from the Satsuma region of what is today southern Kyushu. There are two distinct categories of this ware: The original plain dark clay early Satsuma...

If you are looking for something special, we recommend buying items selected by Brood. We sell a carefully selected range of old Japanese items. We have seen tens of thousands of ite...

A Japanese lidded ceramic jar from the kiln of Onda Yaki, circa 2007. The stoneware jar impresses the viewer with a robust bulbous form. and exuberantly splashed and dripped glaze in...

A very large and exuberantly decorated Japanese Satsuma millefleur covered vase, marked Satsuma, Showa period, mid 20th century, Japan. The large vase of attractive baluster form, with a slightly splayed foot, narrow waist, and tapered body with high shoulders and short neck. The vase topped by a domed cover with a large finial shaped like a hoju, the wish fulfilling jewel. The vase decorated all over in a dense field of flowering blossoms - peony, lotus, and chrysanthemum - in a design known as millefleur, or a thousand flowers. The flowers freely and cheerfully painted in various colors of red, white, orange, green, blue and yellow, with raised white enamels...