Sitzendorf Porcelain Factory Urns

19th century pair of French figural glazed porcelain vases / urns with exterior gilt painted design scene details. Each vase / urn is in good condition. No chips, cracks, or restoration observed. Minor wear consistent with age / use. Each one stands about 19.5 inches tall x 8 inches wide X 4.5 deep pair of French figural porcelain...

Mid-19th century large Dresden gold gilt with painted scene design details porcelain decorative urn / vase. The urn / vase is in good antique condition. M...

An incredible and truly monumental 19th century Meissen Porcelain Covered urn emblematic of autumn. This is one of the most incredible and sp...

France, circa 1860 A pair of mid ninetieth century urns decorated with maritime scenes, painted with ships and palm trees in a fantasy landscape, with stylised handles and bearded m...

19th Century English Derby porcelain urn.

An exceptional matching pair of exhibition quality bisque porcelain urns / vases, very fine French work, elegant Louis XVI style, finished with luxurious Neoclassical taste, the magnificent, richly decorated ovoid form antique urns / vases adorned in sumptuous finely gilded, chiseled and chased ormolu mounts. Made in France in the late 19th century, having shaped rope twist handles rising above classical female mask mounts decorating the sides, bands of decadent gold-tone gilded bronze floral garland and ribbon draped laurel swags flanked by exuberant scallop-shell running ornamentation, complementing the matte white color of the bisque porcelain. The waisted neck and slightly flared rim with simple decoration, the waisted pedestal base ornamented with stylized acanthus leaves in gilt bronze, leading to a cavetto square white marble socle encircled with stepped scrolling foliate festoon ornamental gilt...

19th Century French Paris Porcelain Campaign Urns. Beautiful pair purchased in France. Age appropriate wear, see detailed photos or message us with questions. Please see photo with d...

A very fine German 19th century porcelain and gilt-bronze mounted Potpourri Urn-Vase with Lid, attributed to Meissen. The ovoid white porcelain urn, decorated on all sides and lid wi...

19th century French Sèvres-style porcelain gilt bronze mounted covered decorative urns / vases with gilt gold painted scene design details. Each urn is in good condition with wear co...

19th century gilt bronze mounted hand painted and crafted porcelain pair decorative covered urn / vase. Each urn features decorated figural design with bronze side handles with Greek mythological scenes. Each one in great antique. Minor wear consistent with age. Undersigned with blue beehive mark...

Cobalt blue and gold with two cartouches on the lid each with a winged cherub and a dove signed E. Froger. Perforated bronze strap with handles which is attached to the bottom of the...

A museum quality early 19th century Paris porcelain urn. The twin handled vase sits on a rectangular porcelain base (modelled as part of the vase), which is decorated on all four sides with finely painted scenes titled 'Gene de Corrinte', 'Gene de Mytilene', 'Gene de Sparte', and 'Gene de Chiu' in reference to various Greek city states. The ovoid body of the vase is richly decorated with Greek key and stylized acanthus designs over and below a large gilt framed oval cameo of Athena on one side and a similar cameo on the other side bearing an undecipherable name. The overall background colour scheme of the vase is dark red/burgundy and dark emerald green, two colours which were more commonly used by the Dagoty factory in Paris than other porcelain manufacturing firms at the time. The vase is unsigned. Note: Pierre Louis Dagoty's porcelain was characterized by the use of vivid colours and the thick application of burnished gold leaf. He borrowed from the repertoire of Neoclassical ornament but his designs also included Egyptian and Chinoiseries motifs. Dagoty's elegant ceramics won him the patronage of Empress Joséphine. At the height of production, in 1807, he employed over a hundred workers, and exported his wares to Russia. After the fall of the First French Empire in 1814, manufacture continued under the Duchesse d'Angoulême, the only surviving child of Louis XVI and Marie-Antoinette. Between 1816 and 1820, Dagoty worked in partnership with François Maurice Honoré. In 1817. Dagoty and Honoré received a commission from President James Monroe...