Taylor White Art

This bold reinterpretation of Leonardo da Vinci’s Mona Lisa comes from Diego Tirigall, an artist whose rise in the contemporary art world is garnering significant attention. Drawing ...

In "Matisse Blue Nude—Drop a Like," Tirigall masterfully bridges classical art and contemporary urban expression. This striking interpretation transforms Matisse's serene figure into...

Diego Tirigall’s "Matisse Blue Nude—Give Me a Match" is a bold, expressive reimagining of a classical masterpiece, infused with the raw energy of street art and the hyper-connectivit...

Diego Tirigall's "Mona Lisa, Gioconda 2" introduces an exciting dimension to his reinterpretations of classical art, featuring his first-ever round canvas at 80x80 cm. This unique fo...

Quaker is a piece that fuses expressionism with the raw energy of street art, creating a canvas full of meaning and contradictions. Made with mixed media, the painting features a rei...

"DopiGram" is a striking artwork by Diego Tirigall that delivers a sharp critique of modern digital culture. Reimagining the iconic Campbell’s soup can as "DopiGram", the piece trans...

"Fish, Skull & Bone" by Diego Tirigall blends contemporary symbolism with the raw energy of street art. Inspired by Basquiat and Richard Hambleton, the painting explores life, death,...

Mat Tomezsko's "NOW" series of mixed media street art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an...

Artist's statement: "Separate from the tar paintings I have been doing, I am creating a series of work in which I am channeling some of the things I have always loved about Cy Twombly along with qualities of a painting I saw in a local collection by a Cuban painter that I really admired and have thought about a lot since. Of course both share a graffiti quality; Twombly was the first to work with a sort of automatic drawing, beginning in the 1950s, and what he did opened up this new language for countless painters. You still see traces of it in so much contemporary art. Antoni Tapies has been a big influence on me as well, and you can see some of him in this work as well. I limited the color palette in this one as a sort of exercise in discipline, since it is easy to let color get away from you in a painting like this one. There are areas of three-dimensional paint that help flatten the picture plane and restrict the eye from reading depth into the painting; they function in the same way as Barnett Newman's 'zips' and Susan Rothenberg's lines across some of her horse images...

Artist's Statement: "This painting harkens back to a series called "Gridish" that I created over the past couple of years, comprising similar rectangular shapes with complex surfaces incorporating tar, house paint, enamel safety paint and other materials. Here, though, the forms are isolated in negative space rather than stacked in a grid, which gives them a more iconic quality." “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

Comes framed and ready to hang in professional wood black floater frame. This painting was a Finalist in the Grey Cube Gallery's City Art International Art Exhibition: "Out of all ...

The artist constructs his spirit animal through mixed media. 48" x 60" Spray Paint, Oil, Construction Paper, Acrylic, Pastel, Marker