Terry Evans Abstract Photography

Also available 50 x 70 in. $9,500, edition of 10. Christine Matthäi was born in Germany. She lives and works between Shelter Island, New York, Germany and the Bahamas. Her LIGHT an...

German-born Christine Matthäi’s fascination with photography and film began during her early teenage years. She studied and graduated from the Fashion Institute of Technology in Ber...

Sonata (Deconstructivism) - 2015 - about the narrative potential of images. 20x24cm, Edition of 10, digital C-Print, based on a Polaroid, Artist Inventory 20273. Signature label ...

Also available 50 x 70 in. $9,500, edition of 10. Christine Matthäi was born in Germany. She lives and works between Shelter Island, New York, Germany and the Bahamas. Her LIGHT an...

Also available 50 x 70 in. $9,500, edition of 10. Christine Matthäi was born in Germany. She lives and works between Shelter Island, New York, Germany and the Bahamas. Her LIGHT a...

alternative photo - done on assignment in Cape Hatteras Signed lower right, numbered, 3/15 dated

Breathing I (Deconstructing) - 2015 - about the narrative potential of images. 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid, Artist Inventory 15835. Signature...

Also available 50 x 70 in. $9,500, edition of 10. Christine Matthäi was born in Germany. She lives and works between Shelter Island, New York, Germany and the Bahamas. Her LIGHT an...

Also available 50 x 70 in. $9,500, edition of 10. Christine Matthäi was born in Germany. She lives and works between Shelter Island, New York, Germany and the Bahamas. Her LIGHT an...

Dawn (Deconstructivism) - 2015 - about the narrative potential of images. 20x24cm, Edition of 10, digital C-Print, based on the Polaroid, Artist Inventory 20272. Signature label...

Since its construction, Mitchell Funk has been chronicling the Twin Towers, of the World Trade Center. More specifically, he has been recording how light affects and transforms the two giant monoliths. Like us all, Mitchell was inspired by the formidable presence of the two buildings. Living in Brooklyn Heights with great views of lower Manhattan gave him a special advantage and opportunity to assemble some of the most iconic Twin Tower images ever taken. To Mitchell Funk, the Twin Towers, of the World Trade Center were the perfect synthesis of commerce and art. Most modern architecture is simply functional. Minoru Yamasaki's Twin Towers were in fact something quite radical. They were a steel and glass expression of Minimalism on the grandest scale in human history. Everything in the towers was stripped down to its essential quality with nothing extraneous added ….. except light. The way the buildings reflected light made them unique and inspired Mitchell to record them in color for 32 years. Although, the exterior was actually made of a very reflective blue/grey stainless steel the warm light of daybreak and sunset could change their color and transform them from buildings into and mystical monumental sculptures. With the help of the sun as a key player, Mitchell’s images of the Twin Towers progress from the mystical to the spiritual as they reflect the sun’s intense golden energy. Under these conditions, one could argue, that the Twin Tower housed the same type of divine energy as the adjacent churches. In the wake of the 9/11 tragedy, one could interpret Twin Tower sunset images differently. A sunset can be a symbol for the end of the day or simply The End. The 1969 image “Dead End” is a visual prognostication. The North Tower is under construction in the background and in the foreground, Mitchell has framed it between two street signs that read Dead End. In Mitchell’s Twin Tower photographs, he is not taking a tourist picture that says “here I am on the Brooklyn Heights Promenade...

Into the dark (Deconstructivism) - 2020 - about the narrative potential of images. 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid, Artist Inventory 4600. Signat...