Timothy Greenfield-Sanders Art

OMAR TORRES (Mexico City, 1977)
Lives and works in Mexico City The artist produces sets for each piece, which he then photographs. This is what makes Omar Torres’s works spectacula...

Ariane - Signed limited edition archival pigment print - Edition of 10 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free an...

Sunspots - Signed limited edition archival pigment print - Edition of 10 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free a...

Hot fan - Signed limited edition archival pigment print - Edition of 5 Record cover for 'Hot Little Mamma' , London 1981 This image was captured on film. The negative was scan...

Hot fan - Vintage style, Signed limited edition archival pigment print - Edition of 5 Record cover for 'Hot Little Mamma' , London 1981 This image was captured on film. The ne...

Vahina - Signed limited edition archival pigment print - Edition of 5 Room service , Tokyo 2012 Film Festival This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes ( Image size , the white margin is not counted): 40 x 28 cm / 15,75 x 11,02 in - Edition of 10 60 x 42 cm / 23,62 x 16,53 in. - Edition of 5 Laurent Campus...

Ariana Page Russell Morning Glory, 2009 archival inkjet print 26" x 18" unframed 31" x 22.5" framed Edition of 5

The first person to photograph the Huichol in their remote communities in the inaccessible canyons of the Western Sierra Madre was probably the Norwegian anthropologist, Carl Lumholtz. He ventured into their territory in 1895, shortly before the arrival of the French naturalist and ethnographer Léon Diguet, who was also a photographer. Like so many who were engaged with documenting Indigenous peoples across the Americas in those brutal years of expansion and settlement, Lumholtz believed that the disappearance of his subjects was inevitable: “the weaker must succumb to the stronger, and the Indians will ultimately all become Mexicans.” The photographs of the Huichol by Pablo Ortiz Monasterio—taken on some twenty trips over the past three decades—prove that Lumholtz was fortunately, terribly wrong. They reveal abundant evidence of cultural survival (what the Huichol call “la costumbre”), made possible by their extraordinary resistance to the religious, nationalist, and economic forces that have long assaulted—and that continue to assault—Indigenous communities everywhere. Though Ortiz Monasterio is also an outsider, he does not operate—like Lumholtz or Diguet—as an old-fashioned preservationist, nor is he confident in the superiority of Western culture, nor is his work only destined for museum vitrines...

Romantic Couple - Signed limited edition archival pigment print 1988, Edition of 10 This image was captured on film in Paris in 1988. The negativ...

Signed, dated and numbered by the artist (archival label, verso) Digital pigment print on archival paper 16 x 24 in, Edition of 20 30 x 45 in, Edition of 10 40 x 60 in, Edition of...

"Untitled 3" (En Rouge) Photography Edition 2/7 32" x 24" in by Larsen Sotelo Not framed. Ships in a tube. Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin fi...

'Emergence' Limited edition archival photograph. Unframed, hand signed and numbered ________________________________ From your cocoon my darling, Your wings are emerging: Delicate ...