Tina Trumpp Nude Photography

Louise - Signed limited edition archival pigment print , Louise Bourgoin french actress, 2006 Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Pho...

Charlotte - Signed limited edition archival pigment print, Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid- and lig...

Edition of 25 4 Girls sitting on bed and brushing hair in an old french palace. The artist, photographer and director Iris Brosch, living between New Y...

Limited Edition 25 More sizes on request The photographic work of the internationally well-known Austrian photographer Andreas H. Bitesnich is captivating by its beauty and aestheti...

Librije #20, 2011 [From the series Need to be] Self-portrait published in my book The Eyes of the Fox, 2018 Digital archival pigment print on beautiful PHOTO RAG ® ULTRA SMOOTH pap...

Burned (Self Portrait), 1999 Edition of 2/10, 20x20cm Print on Velvet Watercolor, 310gsm, No OBAs, Bright White, Acid Free based on the Polaroid. Signature label and Certificate. N...

An underwater black and white photograph of topless young woman with beautiful breasts. Original digital archival pigment print signed by the artist. Limited edition of 24. Paper s...

Archival pigment print Signed and numbered, recto 20 x 24 inches, sheet (Edition of 7) 11 x 14 inches, sheet (Edition of 20) This photograph is offered by ClampArt, located in New York City. About the artist: Rick Day is an American photographer based in New York City, who names Bruce Weber, Herb Ritts, and Victor Skrebneski as influences. His work concentrates on fashion advertising photography and video—his fashion spreads and images have been published in numerous publications across the world including “ELLE,” “Details,” “Vogue Italia,” “Männer,” “DNA,” and “GQ.” Day has produced four photography books since 2008, with BelAmi being the most recent (all published through Bruno Gmünder...

Edition of 25 A naked tattooed girl with a venetian mask in front of her face is posing on a table in an old venetian palace. The artist, photographer an...

Tales of Bitter Doom - 9 digital Prints, based on 9 Polaroids mounted on Dibond - gloss coating, 30x30cm each, installed 100x100cm, Edition 1/7, 2008. Hand signed & numbered on the back by artist This piece will be exhibited at the Bombay Beach Biennale in the newly founded Polaroid Museum in it's permanent collection. The Museum opens its doors in March 23rd, 2019. In Bombay Beach she presents a selection of nine scenes from the kinky Tales of Bitter Doom, a photo story about domination and submission, a tale about a wizard, as a Deus ex Machina...

An underwater black and white photograph of topless young woman with beautiful breasts. Original digital archival pigment print signed by the artist. Limited edition of 24. Paper s...

#Girl Manoeuvres - 01 from the series Dunderwear - 2007 26x20cm edition of 7 . Archival C-print based on the Polaroid , on beautiful on Fine art bright white by Hahnemuhle framed in a shadow Frame (white oiled wood) Hand signed & numbered by the artist. Carmen De Vos - Artist Statement Flying Freelance Portrayer. Purveyor of Exquisite Photographic Peculiarities. Chroniqueur and Archiver. Founder and Editor-in-Chief of the late TicKL-Magazine. The Belgian artist Carmen De Vos is a slow photographer. She registers, portrays and thinks up odd stories. She shoots Polaroids to frame these mental escapades, they get so easily out of hand. She enormously longs for what she’s afraid to loose: real human contact, the slowness of being and creating, the tangibility of materials. Almost without exception she uses old Polaroid camera’s, long time expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results - such as colorisation, deformation, unsharpness - which she could never have predicted on forehand with any certainty, because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic. All by themselves. Which merrily surprises her. Or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections. Once upon a time she found herself guilty of home-crafted mischiefs for TicKL, her English art porn Polaroid magazine. She never really got cured from naughtiness. She can’t help but traveling back to these blessed times of free-love photography...