Victor Moscoso Art

Stunning silk screen print from the limited 1990 run authorized by Lichtenstein’s estate after his iconic painting Kiss V (1964). Very good vintage condition. M...

Original midcentury abstract art exhibition poster with wonderful vivid colors of blue, red, green, beige, etc... Very decorative, signed by t...

Original art exhibition poster by listed Spanish artist Antoni Clave from his Ginza Japan show. This interesting poster clearly depicts one wonderful work by this brilliant artist....

An incredibly rare and charming British Double Crown poster for the 1967 Walt Disney animated classic 'The Jungle Book,' based on Rudyard Kipling's 1894 book of the same name, and th...

Original vintage 1960's advertising poster, 'CAMPARI' by Piatti. Year 1966 Dimension: 90 x 128cm Condition Excellent Artist Piatti Format Linen-backed This poster is in excell...

A colorful and bright vintage psychedelic poster declaring " Love Is Where It's At " picturing a imp floating in the air . Designed by Nan...

"The Putting Green" - Figurative Landscape 20th century lithograph copy (restrike) of an original painting by British artist Douglas Adams (English, 185...

Considered the quintessential and definitive Bond film, the third instalment in EON Productions' James Bond series set the template for many of the subsequent films, with its tongue in cheek humour, extensive use of gadgets and technology and multiple foreign locations. The first Bond blockbuster, 1964s 'Goldfinger' was also the first Bond film to utilise a standalone pre-credits sequence, the first to employ a pop star to sing the theme song and the first to win an Academy Award. The plot saw 007 uncover a plot to contaminate the United States gold reserve at Fort Knox while investigating the smuggling activities of powerful gold magnate Auric Goldfinger. This stunning poster designed by prolific Swedish...

Great poster of the heavens. Original color. Good condition. Published by Alexander Gross Unframed.

Vintage Swedish engineering instructional diagram chart or poster. Unframed. String hanger. Highly collectible ephemera from 1950's Sweden.

Finely detailed late 19th century chromo-lithograph portrait of a violinist street musician by John George Brown (British, 1831-1913). Many of Brown’s paintings were reproduced in lithography (Chromo-lithograpy), as is the case with the one offered here. Presented in a rustic antique Oak wood frame with giltwood fillet. Image, 15.63"H x 10.63"W. John George Brown was a British citizen and an American painter born in Durham, England. His parents apprenticed him to the career of glass worker at the age of fourteen, in an attempt to dissuade him from pursuing painting. He studied nights at the School of Design in Newcastle-on-Tyne while working as a glass cutter there between 1849 and 1852, and evenings at the Trustees Academy in Edinburgh while working at the Holyrood Glass Works between 1852 ad 1853. After moving to New York City in 1853, he studied with Thomas Seir Cummings at the National Academy of Design where he was elected a National Academician in 1861. Brown was the Academy’s vice-president from 1899 to 1904. Around 1855, he worked for the owner of the Brooklyn Glass Company, and later he married the daughter of his employer. His father-in-law encouraged his artistic abilities, supporting him financially, letting Brown pursue painting full-time. In 1866, he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904. Brown became famous for his depictions of street urchins found of the streets of New York (bootblacks, street musicians, posy sellers, newsboys, etc.). Brown’s art is best characterized as British genre painting...

A wild vintage psychedelic rock show poster with a creature banging on a drum advertising a dance concert at the Ark . The bands playing at the event ...