Wesley Wright Art

'Fall Fog, Approaching'. Contemporary landscape painting, Cornwall Original Artwork, Unframed _________________ Heavy skies moving in over the autumnal landscape of West Cornwall: a ...

Illustration for book by Michał Rusinek 'Belvedere for children' JOANNA RUSINEK Printmaker, illustrator of children's books, author of press ill...

Marius Bauer (1867-1932) ‘Devotie in de Woestijn’ (Devotion in the Dessert near the pyramids of Gizeh, circa 1919) Signed lower right and titled lower left Watercolour on paper, H...

Illustration for book by Michał Rusinek 'Belvedere for children' JOANNA RUSINEK Printmaker, illustrator of children's books, author of press ill...

'Ebren Ha Dor, Shifting Sky'. Contemporary landscape painting, Cornwall Original Artwork, Unframed _________________ The dancing light and rapidly changing skies, hung high above the the landscape of West Cornwall: a harshly beautiful peninsula, jutting out into the wild tireless ocean, shaped and moulded by powerful salt laden Atlantic winds. Criss-crossed by ancient, tangled hedgerows marking the stories of the leathered, labour-roughened hands worn like the granite, coloured as the bronze bracken covered land they toiled endlessly to tame, carving spaces of sanctuary against the raw elements. A plein air painting from the series 'Ebren ha Dor' (Meaning 'Sky and Earth in Cornish). In this series, Sophia's fluid expressive style captures the immediacy of the changing light in the seasonal landscapes, whilst exploring flux and balance in the nature of all things: The freedom of the air and solidity of the soil; Of human narratives written in the wild landscapes; in the sensual interplay of light and shadow. They capture an essence of the equilibrium between wild raw energy and serene stillness; chaos and harmony; and the enduring and the effervescent. Acrylic ink on handmade rough edge watercolour paper Signed in pencil to the lower right corner 30 x 30cm / 12 x 12 inches __________________________ About The Artist Sophia Milligan is a contemporary multidisciplinary artist, exploring discourses on permanence & evanescence; the eternal, cyclical absolutes of birth & death; motherhood & childhood; and ancient immutable connections. With resonating ripples of intuition and instinct Sophia illuminates the presence of the ordinary, creating moments of sublime present. 'Born among the wild cliffs and tempestuous seas of west Cornwall, I grew with the intimate details in the twisting lanes and the intense changing light throughout the turbulent seasons. I formed a primordial connection with a deep instinctual sense of being part of the natural narrative, and wherever in the world I may be, this connectivity underpins my practice. Like the wind sculpted hawthorns and sensual coves of weather worn granite, I have been shaped by the powerful energy entwined in this ancient raw environment.’ ‘We are the stories of the journeys that came before. I weave into my work the tales of transitory circumstance; of struggle and survival; of forms and textures holding records of evolutionary millennia. I paint, I draw: with marks, mixtures, photography, words; the raw earth; the restless oceans; the whispered breeze. I work with time, and the immeasurable spaces of experience within, giving subtleties of existence a pause for contemplation. There is beauty in such poignant breaths. All moments are significant, every pebble of now forms the vast mountain of yesterday, and the great realm of tomorrow's possibilities'. Sophia has a 1st class honours Bachelor of Arts Degree in Visual Arts and World History, and a Masters Degree in Contemporary Visual Arts. Her work is held in prestigious international private collections, and exhibitions of her interactive, immersive installation, photography and mixed media works include 'Tabula Rasa', London; 'Superlative', Plymouth; 'Transition', Newlyn; The Eden Project, Cornwall; The European Parliament, Brussels; Kew Gardens, London; and 'The Cameraless Film Festival', Chicago. _________________________________ Modern . Landscape . Contemporary . landscape . Stone . Cornwall . Sky . Yellow . Blue . Green . Brown . Rural...

'Ebren Ha Dor, September, Softening'. Contemporary landscape painting, Cornwall Original Artwork. Framed ready to hang _________________ The dancing light and rapidly changing skies,...

Neapolitan gouaches appeared in the eighteenth century when tourism in the Naples area was developing: the discoveries of Herculaneum and Pompeii made this city a mandatory stop on the Grand Tour, the journey made by wealthy Europeans to complete their education. Generally small in size for ease of transport and affordable in price, these gouaches were the ideal travel souvenir that these tourists of the early days were bringing back to capture the idyllic landscapes they had discovered during their journey and to share them with family and friends upon their return at home. The Bay of Naples and the eruptions of Vesuvius are the favourite themes of these views. Here we have a view of the Ovo Castle, which was rebuilt on the island of Partenope, in the middle of the Bay of Naples and about a hundred metres from the shore by the Normans in the 12th century on antique ruins...

Southern Landscape with View of a Castle and Ships passing by Pen and brush in brown and black over pencil, brown and grey wash, 17,5 x 22,7cm Plain black moulding with golden pearl ...

FRANÇOIS MATHURIN ADALBERT, BARON DE COURCY (1805-1839) 'Le Negrito à l’ancre. Dans le port de la havanne' Indistinctly signed lower left Titled on the mount Pencil and watercolour, heightened with white, on paper, 24.8 x 34.6 cm Literature: The present watercolour will be illustrated in: - Prof. Manuel Garcia’s projected book on the disease and the slave trade provisionally titled “Fighting the Yellow Demon of Fever: The Struggle against Disease in the Illegal Slave Trade”. - Prof. Micael Zeuske’s forthcoming Global history of slave trade. Exhibited: Mexico City, 1998, Palacio Virreinal, El Barón de Courcy, illustrationes de un viaje, 1831-1833, no. 108 Note: Baron de Courcy was in the Caribbean in late 1832 and early 1833, following his tour of Mexico in 1832, on the last leg of his “Grand Voyage...

Stanislaw Sobolewski (born in 1952) Studied philology at the Jagiellonian University (1971-1976) and painting under prof. Zbigniew Grzybowski at the Academy of Fine Arts (1974-1979)....

Carlo Brancaccio ( Naples 1861 – 1920 ), The visit of the King of Persia Mozaffar al-Din Shah Qajar to the Ostend hippodrome Watercolor on paper cm 74,5...

DARIUSZ ANISZEWSKI (born in 1972) Polish painter. He graduated from the Art School in Gdynia Orłowo and then studied painting under the guidance of prof. Antoni Fałat and prof. Andrz...