William Cotton Art

Contemporary realistic figurative mixed media drawing PROVENANCE Exhibited at Katarzyna Napiorkowska Gallery. The Gallery is a primary representative for this artist. The Gallery o...

"Duchándome June 5th" by Celso Castro-Daza From the Duchándome Series Watercolor, pastel, and ink on archival paper Sheet size: 19.5 in. H x 13.75 in. W 2018 Drawing on paper is ...

Elegant mid century figure study in pastel on brown paper depicting a seated nude woman with a hat and rose, by by American artist Louis Nadalini (Italian, 1927-1995). Signed Nadalini upper right. Presented in a simple wood frame, with new mat and new foam core backing. Image size: 29"H x 19.5"W. Signed and dated "Nadalini 85" lower right. Unframed. ARTFORUM article: Louis Nadalini In the last couple of seasons, San Francisco has lost several of its galleries. Some others have just recently begun operating but often with an entirely new group of artists. Some members of those apparently secure gallery stables that went out of business have found their way into other stables, but a larger group is without a place to show. I decided to look into such a person’s studio in my endeavor to find out what is really happening in the Bay Area art world. I went to see Louis Nadalini. His latest painting continues with the lattice of slats protruding forward with two variations of the painting painted on the sides of the slats which are viewable when standing to either side. This was always a very abstract method and he had quite often painted pure abstractions which centered quietly into hypnotic devices of exceptional color richness, but which gave a kaleidoscopic change as you moved past it. Untitled #42 (the most recent painting) has subject matter and was done in a much more painterly way. The side variations were flat in color, and there were some elements seen only in the side views, a skeleton’s arm and a black hand, for example. Nadalini says that he may abandon the lattice altogether if it gets in his way, but so far it seems to work better than it did with the abstractions. He is enthusiastic about the work he is doing, felt very free about making changes, and was, at the same time still happy about work from several years ago and unwilling to think that older work and new work should not be exhibited together. He hasn’t been thinking about galleries for a while. Nadalini goes to sea periodically which gives him time for contemplation as well as for renewing his resources. by —Knute Stiles...

"Woman Figure" is an original erotic ink and colored pastels drawing on ivory-colored paper, glued on white paper, realized by Anonymous Artist of the XX Century. In excellent cond...

French Mid Century Picasso Influenced stylised zoomorphic female nude drawing, oil crayon on paper, Paris School, signed and dated 1963. The work is presented in a chrome period fram...

Contemporary realistic figurative mixed media drawing on cardboard by Polish artist Andrzej Szypluk. Monochromatic drawing of a female in nude. PROVE...

This collection of drawings is part of our exhibition Charles Goeller: A Wistful Loneliness. 1. Paradise Lost (But His Doom) Crayon on paper, 17 ½ x 12 ½ inches (image), 22 x 15 inc...

This drawing is part of our exhibition Charles Goeller: A Wistful Loneliness. Crayon on paper, 11 5/8 x 9 inches (image), 14 x 11 inches (sheet), Signed lower right, Matted, but no...

Gloria Dudfield Driver with Hard Hat 1960s Gouache and Oil Pastel on Paper 27"x36" unframed $700 *Custom framing available for additional charge. Please expec...

Contemporary realistic figurative mixed media drawing on cardboard by Polish artist Andrzej Szypluk. Monochromatic drawing of a female in nude. PROVE...

Bold nude pastel drawing by Albert Hutson (American, 1923-1994). A woman is reclined on a soft red surface, leaning up against a yellow pillow. The model is skillfully sketched, with quick but confident marks. Hutson has captured the character of the model in her expression and posture, both of which appear relaxed and natural. Al Hutson retired from military service in 1974, moved to San Francisco, and enrolled in art school at the California College of Arts and Crafts. In 1978 he earned his BFA degree with distinction in drawing and painting. His work as a figurative artist was in the medium of pastel drawing, and he had an intense and abiding affinity for works on paper. Signed, dated, and titled twice in the lower right corner ("Al Hutson Danielle 89") Presented in a new off-white mat with foamcore backing. Mat size: Paper size: 19.75"H x 25.5"W Albert L. Hutson (American, 1923-1994) had two careers: first as a professional military officer, and second as an artist and member of the Board of the Graphic Arts Council in San Francisco. He was born in 1923 in Portsmouth, Virginia, into a family with a long military tradition. His father and maternal grandfather were Annapolis graduates, and his paternal grandfather served in the Civil War. Colonel Hutson graduated from Staunton Military Academy in 1941 shortly after World War II began. He later earned an undergraduate degree in history from the University of Nebraska in the late 1960s. As a young second lieutenant in World War II, he served with the First Armored Division in the Italian Campaign, starting with the Battle of Anzio, and participated in the liberation of Rome. His interest in art began at this time when his commanding officer introduced him to Italian art. Al Hutson retired from military service in 1974, moved to San Francisco, and enrolled in art school at the California College of Arts and Crafts. In 1978 he earned his BFA degree with distinction in drawing and painting. His work as a figurative artist was in the medium of pastel drawing, and he had an intense and abiding affinity for works on paper. A graduate of the Fine Arts Museums docent [tour guide...

Milton Clark Avery (1885 - 1965) March Avery in a Beret, 1951 Black crayon and graphite on cream wove paper 11 x 8 3/8 inches Signed and dated lower left; ...