William Perehudoff Paintings

Signed at the reverse monogram 70. Double-sided painting - one scene on front and one scene on the back. William Hansen was a Danish painter who...

Whimsical outsider, Folk Art oil painting by William R. Straly, excellent use of color. Texture and space.

Beautiful mid-century modern acrylic painting. This is in great condition, it does not have imperfections that I can see. It would be a great a...

This painting is a replica of a painting of a museum potriat painting The portrait showcases the style of the 18th century. ) Kurfürst von Hessen. The framed portrait The image is ...

English Victorian (19th Cent) oil painting of a stable scene by William Shayer (1787-1879), signed, in a carved frame.  

A wonderful and quite engaging encaustic painting (the process of which heated wax is mixed with paint to provide texture and expanded color range) by Norwegian born American artist ...

Superb acrylic painting with gold leaf on linen canvas. Unique and signed piece by the french artist Anna P. France, 2022.

Original-colorful acrylic painting on a canvas, wood floating frame. Sigh in the back. Could display in multiy variation. Actual painting size 12x12.

This artwork plunges us into an introspective contemplation where the subtlety of the details explores the limits of abstraction. Judiciously playing with attenuated contrasts and pu...

Exceptional 19th century landscape painting by Important American artist William Keith. Titled "Harvest". Barbizon School oil on canvas painting featuring figures at harvest with cart and oxen. Amazing luminescent sky. Signed lower left corner "W. Keith '96". Retains original museum quality gilt frame. Canvas measure 30"H 50"W. Accompanied with period correct Stereograph black and white photograph depicting actual painting in a parlor with handwritten pencil title "Parlor, Berkeley, Cal. '97". This is a museum quality work of art. William Keith (1838-1911) William Keith became in the late 19th and early 20th centuries a leading Northern-California landscape artist. In fact, he was so well known that he is referred to as the "Dean of California painters" and "California's Old Master." Born in Aberdeenshire, Scotland, Keith came to New York with his family and, apprenticed to a wood engraver. In 1859, he moved to San Francisco where he worked for an engraver and later set up his own engraving business. Studying with Samuel Marsden Brookes in 1863, he determined to become a painter. He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm. After a visit to Paris, he expressed great admiration for "the modern school of French landscape painting including the Barbizon School. During the winter of 1871-1872, the Keiths lived in Boston where they shared a studio with William Hahn. Keith's work received critical acclaim there and in New York at the National Academy of Design. In 1872, he returned to San Francisco. A friendship with naturalist John Muir exposed Keith to many remote places and in-depth knowledge of nature. During the 1870s, he painted several "epic" eight by ten-foot High Sierra views. He also visited Alaska, and his paintings of Alaska were exhibited upon his return to San Francisco in a show at the Bohemian Club, titled 'Dreams of Alaska'. Keith's Alaska works are significant because they are not close transcriptions of actual scenery, but rather are fantasies inspired by Alaska. They are important as they represent a major break from the documentary tradition in landscape painting of Alaska, as they show an interest in capturing its spirit versus just the topography. In 1891, he shared his studio for several weeks with East Coast Tonalist George Inness, Sr. [1825-1894]. Both men painted in a similar style and were followers of the mystical teachings of Swedenborg. Among the locations where Inness and Keith painted together were Monterey and Yosemite, and it was reported they discussed art from every possible angle. Under Inness' influence, Keith painted more than ever in a Barbizon-influenced vein with many sunset and twilight scenes. Keith’s first wife died in 1882, and in 1883, he married Mary McHenry, the first woman graduate of Hastings Law School. They soon went to Europe, and Keith studied portrait painting in Munich with consultations from J. Frank Currier...

Pair of early antique 20th century tonalist pastel landscape paintings by well known listed artist William Henry Chandler (American, 1854-1928). The paintings are of a cottage scene,...

Oil painting on canvas by Chicago artist, William Stebbins. The painting features bright blues and purple tones alongside warm yellow and orange tones. Signed by the artist. Dimensi...