Wynn Bullock Abstract Photography

This black and white abstract photograph is unique. Betsy Kenyon works in a darkroom with light and shapes. There is no negative, making each artwork one ...

Gelatin Silver Print, signed, titled, and dated on verso in pencil. Great Condition. Matted to 16x20"

Edition 15, framed Chromaluxe Original 1972 Porsche 911 Targa A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with radiograph...

Spectators in silhouette viewing an immense display of vintage camera flash accessories. By Kristy Sparrow, an American, Paris-based photographer. Signed and numbered by the artist. Presented in a black wood frame. Image, 20"H x 30"W. Kristy Sparow has had a lifelong love affair with photography. After many years developing her career in Los Angeles, she made the move to Paris in 2009 where she has been consistently working at the top of her trade in fashion, music, and entertainment, with images regularly seen in major media around the world. She has worked the runway for most major designer brands, including the CBS live Victoria’s Secret Fashion Show, and on behalf of the Arab Fashion Council, she was the solo photographer at the end of Saudi Arabia’s first-ever 2018 fashion show in Riyadh. Chanel, Estée Lauder, Justin Timberlake and The Leonardo DiCaprio Foundation are among those on her client list. Kristy has received many Best Of acknowledgements for her work, and feels fortunate for the opportunities to travel and to be a part of many memorable moments—including a weekend in Switzerland photographing...

"Moon Over", an abstract black & white photograph after Ansel Adams by Bill Clark (American, 20th Century). Signed "Bill Clark" and dated "1996" lower right. Titled "Moon Over" lower...

Signed and dated verso 1961 Matted with archival board. Not framed The Art Institute of Chicago, Gift of Richard L. Menschel

“Bryant Park” New York, Giclee Print, Limited Edition Creator: Hatice Besun Creation year: 2021 Dimension: 42 x 28 External Dimension( with white border) : Height: 43.6 inch Weigh...

Merce Cunningham Dance Company 50th Anniversary Photography Portfolio Edition of 40 91.5 x 76.5 cms (36 x 30 1/8 ins)

This floral landscape photo has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian ph...

Painted Concrete - Large Scale Textural Photograph Detailed macro photo by Bill Clark (American, 20th Century). Clark has taken a photograph of concr...

Signed and dated on the front of the mount. Limited edition of 35. Number 17 of 35. From the “Twenty Photographs, 1970-1977” Portfolio.

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...