Ynez Johnston Landscape Prints

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Craig McPherson captures a night view of the neon lights from commercial signs reflected in the water at Ocean Terminal in Kowloon, as seen from the terminal of the Star Ferry to cen...

This lithograph is part of my private collection. It is original and pencil signed and numbered by the artist.

’Labyrinth’ By William Crozier Medium - Carborundum printmaking, collagraph process Edition - 47/80 Signed - Yes Size - 509mm x 407mm Date - 2007 Condition - Excellent. 10 out of 10....

'Field' is an original linocut by Wisconsin-based artist Schomer Lichtner. The composition presents fields of flowers, trees and grasses below a cloudy sky, but rendered with Lichtner's quintessential abstract sensibilities. This print is one from a series that each depict abstracted subjects in black silhouette, taking pleasure in the materiality of the linocut technique. The free forms of the plants resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. The prints from this series are unusual because of how below the image, Lichtner also includes his Chinese seal and a linocut remarque of a cow, each of which act as an additional signature of the artist on the artwork. Linocut in black and red on Permalife white wove paper 4.5 x 6 inches, image 11.5 x 8.75 inches, sheet 16.5 x 13.63 inches, frame Signed in pencil, below image, lower right. Edition 1/100 in pencil, below image, lower left. Chinese signature stamp in red, below image, lower right. Remaque of a cow in red, below image, lower right. Permalife watermark to paper. Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a silver-finish wood moulding. Overall excellent condition with no creases or discoloration. Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows...

A Sunset in Ireland. 1863. Etching and drypoint. Schneiderman catalog number 47 state vii/xiv. 5 1/2 x 8 1/2 (sheet 6 7/8 x 9 1/2). An extremely rich impression with drypoint burr, p...

Ruth Kerkovius (Latvian/American 1921-1970) "Village in Southern Italy" Edition 10/30, Landscape Etching/Drypoint/Aquatint signed and numbered in Pencil, 16.25 x 24.75, Late 20th Century, 1967 Colors: Black, Brown, Blue, White, Red She was born in Latvia in 1921. She received her early training in Munich, Germany, working in theatre Costume History and Design, and in painting before she came to America. Once in New York she studied at the Art Students League, the School of Visual Arts, the Pratt Graphic Art Center under Frasconi, and then continued at Pratt on a fellowship to work under Michael Ponce de Leon...

David Shapiro (American, b. 1922) Waterfall I (de-accessioned from the Denver Art Museum), 1979 Spit-bite etching, drypoint and carborundrum on Lanaq...

Each print signed and numbered in pencil by the artist Total edition: 92: 75 with Arabic numerals; 10 Artist's proofs with Roman numerals; 7 Hors Commerce with Roman numerals Image...

Lift ground and hard ground etching and engraving on Murillo white wove paper, 18 x 24 inches (455 x 608 mm), full margins. Signed, dated, titled and numbered 60/100 in pencil, lower margin. Printed and published by the artist. In very good condition with minor age tone and scattered light surface soiling on the verso. Framed handsomely in an original Kulicke welded aluminum frame with the embossed maker's mark. [Milton 61]. Milton revisited this image in 1974 during an experiment to explore collage and the process of contact printing a high resolution photo-transparency directly onto a copper plate. He printed a small detail transparency of Mornings with Judd onto the existing plate, alongside it's larger self, and broke through to a new photo-resist approach, which Milton described as "piquant and irresistible," in his essays appearing in Robert Flynn...

Signed, titled and numbered in pencil by the artist. Edition size 50. Christian Bozon was born in Lons-le-Saunier, France in 1969. He was trained at the Art School of Besancon and t...

Ravaux used the rule of threes to show 3 pieces of Christmas ivy floating below three sources of light. Christine Ravaux is a Belgian artist who uses nature in much of her work whic...