Yoshitomo Nara Abstract Sculptures

"The ideal state is not one which everyone has access to the same amount of wealth, but in proportion to their contribution to the general wealth" This piece was handmade in the hea...

The two artists and industrial designers, Ampi Arozarena and Elena De La Fuente describe form and color as their core of exploration. They admire the dual identity the two elements c...

Nocturnal Parts is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Sander Martijn Jonker. It is a relief consisting of two open spherical parts with an intriguing matte black finish, perhaps a bit mysterious but very beautifully made. It can be hanged in two different ways, with the opening between the two spherical elements either facing away or facing the observer. Depending where the light comes from one might decide for the one or the other hanging method. Sander Martijn Jonker (1977, Netherlands) graduated from the St. Joost School of Art & Design in Den Bosch, The Netherlands. He primarily makes three-dimensional reliefs that play with the tension between abstraction and representation, surface and space. Light, shadow and their elusive ever-changing properties play an important role. Although the resulting works are abstract, he uses everyday reality as a starting and/or reference point. His work is created through forms of manipulation, distortion, repetition and simplification. Some works arise from the repetition of a simple movement or form, others are made by exploring how far he can go with the deformation and manipulation of the material, after which he captures and preserves the shape. He experiences daily life as uncontrollable and at times confusing. In order to cope with that, he is always looking for patterns and has gradually developed various rituals and ways of control, hoping they can offer him certainty and reassurance. His work and person are inextricably connected. He makes the things he makes because he doesn’t have a choice. He is trying to get a grip...

BM Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base 27" x 10" x 11" "I am an artist, a sculptor not ...

BILLY, 1975, epoxy painting on riveted fiberglass and aluminum, titled signed and dated verso . Gallery label from Obelisk Gallery, Boston, MA Tom Holland (born 1936 in Seattle, Was...

This hanging fabric piece was hand made in the heart of Mexico City. The neutral colors are perfect for any modern space designed. This art work brings serenity to the viewer. It rel...

This charming little guy is a hand painted 1/1 resin "Xeno" (the other/foreigner) by Chris Solcz. Chris' creative process is heavily influenced by the idea of the flow state of mind, where he aims to intuitively express realms of consciousness and the subconscious...

Rheann Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base 35" x 6" x 5" "I am an artist, a sculptor no...

The two artists and industrial designers, Ampi Arozarena and Elena De La Fuente describe form and color as their core of exploration. They admire the dual identity the two elements c...

This is an elegant yet modern and abstract work of art. The two artists were inspired by the ups and downs in life. How there is always a light shinning at the end of the tunnel and ...

This charming little guy is a hand painted 1/1 resin "Xeno" (the other/foreigner) by Chris Solcz. Chris' creative process is heavily influenced by the idea of the flow state of mind,...

Resin cast geodes and cracked slate in a wooden frame by Paige Smith. This piece measures 18in x 18in, with a depth of 1-5/8in. Paige Smith AKA A Common Name, is a multi-disciplinary artist and designer who lives and works in Los Angeles, CA. Smith is most notable for creating “Urban Geode,” a street art series of sculptures that resemble geodes, made entirely of paper and resin casts. Always interested in geology, Smith started to notice the nooks and crannies in the sides of buildings, walls, and abandoned phone booths within her community of the Historical Arts District (in Los Angeles). Seeing this as an opportunity to create, Smith took street-art to a whole new level. Since beginning the project, she has created large-scale installations for well-known brands such as The Standard, Hollywood; The Viper Room...