Yves Brayer Portrait Prints

Lithograph by C.W. Anderson from 1948 folio edition, All Thoroughbreds. Published by Harper & Brothers, New York, 1948. Nebraskan born Clarence William Anderson...

Lithograph by C.W. Anderson from 1948 folio edition, All Thoroughbreds. Published by Harper & Brothers, New York, 1948. Nebraskan born Clarence William Anderson...

(after) Bernard Buffet Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimension...

The Box at 'Faustus'. 1929. Drypoint. 11 x 8 7/8. Edition 100, #39. Signed, titled, and numbered in pencil. A rich impression printed on the full sheet of pale blue/green-toned wove paper. Signed in pencil. A tongue-in-cheek image of the devil in the opera box...

Oliver St. John Gogarty. 1935. Etching. Fletcher 78. 6 7/8 x 5 1/2 (sheet 11 1/4 x 8 3/8). Edition 100. 75 intended for the Cuala Press, Dublin. A rich impression, printed on cream-...

9 5/16 x 8 1/4 (sheet 15 1/4 x 12 3/4). Toning in the image; otherwise good condition. A rich impression with plate tone printed on cream wove paper. Signed in pencil. Housed in a 20...

Lithograph by C.W. Anderson from 1948 folio edition, All Thoroughbreds. Published by Harper & Brothers, New York, 1948. Nebraskan born Clarence William Anderson...

HOMAGE TO SIGMUND FREUD, is an original hand drawn, stone lithograph by the American artist/sculptor Chaim Gross. HOMAGE TO SIGMUND FREUD was hand proofed and printed from hand drawn lithographic stones on archival Arches paper in shades of warm yellow for the background texture and red brown for the master drawing. HOMAGE TO SIGMUND FREUD is a surrealistic portrait composition depicting Sigmund Freud's face(one portraying him with spectacles) surrounded by symbolic imagery including swirling birds, a child opening a heart-shaped lock, an embracing couple, fingers and bare leg. HOMAGE TO SIGMUND FREUD expresses an intriguing variety of visualized psychological references. This original, hand printed lithograph measures 18.5" x 22", registration marks are visible in print margins as evidence of the master printer's use of age-old printing methods first utilized in fine art lithography printmaking. HOMAGE TO SIGMUND FREUD is unframed, in excellent condition, pencil signed, dated and inscribed B.A.T., Trial Proof aside from the edition by Chaim Gross. Edition was published in 1976 as a fundraiser for the Hebrew University in Israel. Print size - 18.5 x 22 in., unframed, very fine condition, from the master printer's private collection Printer - Joseph Kleineman, J K Fine Art Editions Co. NYC Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921. In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more bronze...

Signed. Numbered line etching Norman Kingsley Mailer (January 31, 1923 – November 10, 2007) was an American novelist, journalist, essayist, playwright, film-maker, actor, and libera...

Lithograph on arches paper. Hand signed, dated titled and numbered in pencil by the artist. From the deluxe edition of 125. Image size 32 x 25 inches. Sheet size 36 x 26.5 inches. ...

CIGAR - Champion Horse Portrait 1997 by the contemporary woman artist and distinguished realist painter Jenness Cortez, is an original hand drawn limited edition lithograph printed using hand lithography techniques on archival paper 100% acid free. CIGAR is a lifelike, realistic equine portrait depicting the superstar thoroughbred racehorse Cigar, who was two-time Horse of the Year winner, a member of the National Racing Hall of Fame, and arguably the greatest racehorse of the 1990s. CIGAR, a visually impressive handmade lithograph, displays an appealing neutral color palette in shades of warm copper brown, grays, and charcoal black on a light slate blue background. Print size - 29.5" x 25", unframed, excellent condition, pencil signed by Jenness Cortez Image Size - 26" x 21" Edition size - 250, plus proofs Year - 1997 Printer - JK Fine Art Editions Co., NJ High quality hand drawn lithograph, classic equine portrait, sporting art print pencil signed by Ms. Cortez on lower margin, First-rate hand crafted print, not a commercially mass photo reproduced poster or digital reproduction. ABOUT THE ARTIST: Jenness Cortez is a mid-career artist with astonishing talent. Born 1944 in Indiana, Jenness Cortez began her formal art studies at the age of sixteen under the guidance of noted Dutch painter, Antonius Raemaekers...

Garton catalog 15 state .ii. 5 x 4 (sheet 7 3/4 x 6 1/2). Edition about 55 published by XXI Gallery. Illustrated: Fine Prints of the Year, 1925; Print Collector's Quarterly 16 (1929): 88. A fine impression with plate tone printed on cream wove paper with full margins. Signed, dated and annotated 'fec et imp' (designed and printed) in pencil, indicating a proof printed by Drury. Housed in an archival 20 x 16-inch mat. Head of a Negro was the artist's diploma print for his acceptance as a member of The Royal Society of Painter-Etchers in 1928. Printmaker, painter and teacher. Born Brockley, London 1903 (full name Paul Dalou Drury), son of the architectural sculptor, Alfred Drury...