Yvonne Jacquette Drawings and Watercolor Paintings
to
1
1
Overall Width
to
Overall Height
to
2
1
1
2
1
1
1
1
1
1
1
1
1
2
2
2
1
13
844
408
305
282
2
2
Artist: Yvonne Jacquette
Metropolitan Fantasy - City at Night with Pulsing Lights
By Yvonne Jacquette
Located in Miami, FL
Yvonne Jacquette uses pastel on a heavy rag paper to depict an ariel city scene at night with pulsing lights. There is a heavy texture to the paper and the surface is rich and vibra...
Category
1990s American Modern Yvonne Jacquette Drawings and Watercolor Paintings
Materials
Pastel, Rag Paper
"Tokyo Diptych, " Yvonne Jacquette, Japanese Urban Cityscape Nocturnal Aerial
By Yvonne Jacquette
Located in New York, NY
Yvonne Jacquette (American, b. 1935)
Tokyo Diptych, 1985
Pastel on paper
Overall 17 1/4 x 28 1/2 inches
Signed lower center
Provenance:
Carey Ellis Company, Houston, Texas
Brooke Alexander, New York
Collection of an American Corporation
Exhibited:
New York, Brooke Alexander, Yvonne Jacquette: Tokyo Nightviews, April 5 - May 3, 1986, n.p., illustrated; this exhibition later traveled to Brunswick, Maine, Bowdoin College Museum of Art, Yvonne Jacquette: Tokyo Nightviews, June 27 - August 24, 1986.
Yvonne Jacquette has a preference for high places, a circling plane, a penthouse window, an aerie from which to watch the world. Her work has often depicted the city and man-made landscape from the vantage of angels. It is a privileged perspective, long loved by photographers, who were perhaps the first to recognize the geometric grandeur of the city below. That grandeur structures Jacquette's images but is not its full content. Her work attempts to resolve the visual and emotional pardoxes of the modern metropolis. Only from the tower is there the possibility of order and context. And unlaced beauty.
Jacquette first visited Japan in 1982. Nighttime Tokyo, its cars and crowds and canyons of loud Vegas neon, made a vivid and bewildering impression on her. The neon signs, pulsing, scaling the walls of high rises, fascinated the artist, "like Times Square spread over miles." Her fascination was equal parts marvel, confusion, and curiosity—the sparks of art. She returned to Tokyo in May of 1985, choosing hotel rooms with expansive vistas. From these views Jacquette excerpted images for a series of pastel night scenes. The basic forms and colors of each drawing were blocked in during night sessions by the window. She worked in the dark, selecting colors by flashlight. In daylight, she sharpened the geometry and corrected ambiguous passages. She refined the drawings further in the studio until the images read clearly. Photographic correctness was not important. The finished drawings are complete statements, not simply preparatory sketches for paintings. They have the authority of expert witness. In clear, discreet jots of pastel they record the performance of seeing, each touch of color attesting to a moment's close scrutiny.
Yvonne Jacquette was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew up in Stamford, Connecticut. She attended the Rhode Island School of Design, Providence from 1952 to 1955, when she moved to New York City. Her late husband was photographer Rudy Burckhardt, and the couple were part of a circle of artist friends that included Fairfield Porter, Alex Katz, Red Grooms, and Mimi Gross. She continues to live and work in New York City, as well as in Searsmont, Maine.
A flight to San Diego in 1969 sparked Jacquette’s interest in aerial views, after which she began flying in commercial airliners to study cloud formations and weather patterns. She soon started sketching and painting the landscape as seen from above, beginning a process that has developed into a defining element of her art. Her first nocturnal painting...
Category
1980s American Modern Yvonne Jacquette Drawings and Watercolor Paintings
Materials
Paper, Pastel
Related Items
A Vibrant, Colorful Mid-Century Watercolor of Village Rooftops by Rudolph Pen
Located in Chicago, IL
A Vibrant, Colorful Mid-Century Watercolor of Village Rooftops by Noted Chicago Artist, Rudolph T. Pen. Depicting a tropical hillside village of terracotta rooftops nestled beside a...
Category
Mid-20th Century American Modern Yvonne Jacquette Drawings and Watercolor Paintings
Materials
Paper, Watercolor
H 18 in W 23.75 in D 0.013 in
A Colorful, Panoramic Mid-Century Modern View of Nazaré, Portugal by Rudolph Pen
Located in Chicago, IL
A Colorful, Panoramic Mid-Century Modern View of the famed fishing village (and renowned surfing locale) of Nazaré, Portugal by Rudolph Pen. Painted in the 1960s, this vivid waterco...
Category
Mid-20th Century American Modern Yvonne Jacquette Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Pastel, Watercolor
H 12.5 in W 25.5 in D 0.13 in
A Striking 1940s Classical Landscape Watercolor with Arches and Rooftops, Mexico
Located in Chicago, IL
A Striking 1940s Landscape Watercolor with Classical Architectural by Noted Chicago Modern Artist, Rudolph T. Pen. Most likely completed during the artist's trip to Mexico in 1944 a...
Category
1940s American Modern Yvonne Jacquette Drawings and Watercolor Paintings
Materials
Paper, Watercolor, Gouache
H 14 in W 22.5 in D 0.13 in
Mid-Century Modernist Watercolour On Paper, Trees At Buckfast Abbey
Located in Cotignac, FR
Early 1960s work on paper of a group of trees at Buckfast Abbey in Devon, England, by Alban Atkins. Signed bottom left, titled and dated to the reverse. There is also a collection or accession number to the backboard.
Atkins has captured the sculptural nature of the tree trunks as they have grown in the landscape giving the work a feeling of living, writhing things as well as an abstract feel in the composition.
Atkins was one of the group of important artists chosen and commissioned by Sir Kenneth Clark...
Category
1960s Modern Yvonne Jacquette Drawings and Watercolor Paintings
Materials
Paper, Pastel, Ink, Watercolor
H 30.75 in W 23.25 in D 1.5 in
A Vivid, Expansive Watercolor of Mexico, Summer Landscape with Country Villa
Located in Chicago, IL
A Vivid, Expansive Watercolor of Mexico, "Summer Landscape with Country Villa" by Noted Chicago Modern Artist, Rudolph T. Pen. Most likely depicts a picturesque country estate near ...
Category
Mid-20th Century American Modern Yvonne Jacquette Drawings and Watercolor Paintings
Materials
Paper, Watercolor
H 11.5 in W 29 in D 0.13 in
A Vibrant Modern Watercolor, "Garden in a City Park" by Noted Artist Rudolph Pen
Located in Chicago, IL
A Vibrant, Colorful Modern Watercolor, "Garden in a City Park" by Noted Chicago Artist, Rudolph T. Pen. Painted in the 1960s, most likely depicting a city garden in Europe, Mexico o...
Category
Mid-20th Century American Modern Yvonne Jacquette Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Watercolor
H 18 in W 23.75 in D 0.13 in
"Hydrangeas, " Walter Inglis Anderson, Mississippi Southern Illustrator, Flowers
Located in New York, NY
Walter Anderson ( American, 1903 - 1965)
Hydrangeas, circa 1950
Mixed media on paper
11 x 8 1/2 inches
Provenance:
Luise Ross Gallery, New York
Private Collection, New Jersey
Acquired from the estate of the above, 2021
Walter Anderson firmly believed that quality art was an important part of life and should be made available to everyone. As he said, "There should be simple, good decorations, to be sold at prices to rival the five-and-ten." Noticing that only poor quality art was available in stores and little was available for children, he resolved to make art which could be reproduced easily and sell inexpensively — linoleum block prints. This technique enabled him to provide affordable, quality art.
The technique of linoleum block printing is a simple concept; however, it requires much skill and talent to actually produce memorable art. Anderson purchased surplus "battleship linoleum," thicker than ordinary linoleum with a burlap backing for better support, to create his blocks. During the mid-1940s, he created almost 300 linocuts working in the attic of the sea-side plantation house, Oldfields, his wife's family home in Gautier. Masses of linoleum chips accumulated at the foot of the attic stairs as he often worked night and day. He began with sketching out a design directly on the linoleum. Once he had carved the image into the surface, he used the back of faded, surplus stock wallpaper that a friend sent him, laying long strips on top of the inked linoleum. A roller made of sewer pipe filled with sand served as his press. When the print was completed, he often colored it by hand with bold strokes and vivid colors. The prints were sold at Shearwater Pottery, the family business, for a mere dollar a foot.
But "what about a well-designed fairy tale for a child's room?" he asked himself. Since there was a lack of affordable art for children, much of his work with linoleum blocks focused on subjects for children. He depicted fables and fairy tales ranging from Arabian Nights, to Germany and the Grimm Brothers' Rapunzel, to the French story of The White Cat, to the Greek tales such as Europa and the Bull, and to tales from China, India, and other cultures. Anderson also created "mini" books featuring the alphabet and Robinson Cat. The blocks are not only alive with the story being depicted, but they are also filled with designs taken from Best-Maugard's Method for Creative Design. Swirls, half-circles and zig-zag lines fill every available space on the linoleum block making them come alive and capture their audience.
But fairy tales, children's verses and the "mini" books, consisting of about 90 blocks, were not the sole subject of Anderson's linoleum block prints. In total, he created approximately 300 linoleum blocks with subjects ranging from coastal flora and fauna, coastal animals, and sports and other coastal activities. Anderson even created linoleum blocks to be used to print tablecloths and clothing, some worn by his own children. Color and subjects of the linoleum block prints were not the only things that got them noticed.
In 1945 when Anderson was creating these prints, the standard size of linoleum block prints was only 12 by 18 inches. These small dimensions were due to the common size of the paper available and the restrictions made by national competitions. Since Anderson used wallpaper...
Category
Mid-20th Century American Modern Yvonne Jacquette Drawings and Watercolor Paintings
Materials
Paper, Crayon
A Charming 1940s Watercolor of Mexico w/ Cathedral and Rooftops by Rudolph Pen
Located in Chicago, IL
A Charming 1940s Watercolor of Mexico with Cathedral and Rooftops by Noted Chicago Artist, Rudolph T. Pen. Most likely completed during the artist's trip to Mexico in 1944 after rec...
Category
1940s American Modern Yvonne Jacquette Drawings and Watercolor Paintings
Materials
Paper, Watercolor, Gouache
H 12 in W 22.5 in D 0.13 in
"New York City Skyline View from the East River, " Lionel Reiss, Jewish Artist
By Lionel Reiss
Located in New York, NY
Lionel S. Reiss (1894 - 1988)
New York City Skyline View from the East River
Watercolor on paper
13 x 19 inches
Signed lower left
In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.”
Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo.
After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.”
In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality.
A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...
Category
1940s American Modern Yvonne Jacquette Drawings and Watercolor Paintings
Materials
Paper, Watercolor
An Innovative Mid-Century Modern Landscape by Noted Chicago Artist, Rudolph Pen
Located in Chicago, IL
A Unique, 1960s Mid-Century Modern, European City View Watercolor by Noted Chicago Artist, Rudolph T. Pen. Artwork is formatted in a trapezoid shape, an innovative compositional dev...
Category
Mid-20th Century American Modern Yvonne Jacquette Drawings and Watercolor Paintings
Materials
Paper, Watercolor
American Scene Industrial Modern Lamp Magazine Illustration Mid-Century c. 1930s
By Antonio Petruccelli
Located in New York, NY
American Scene Industrial Modern Lamp Magazine Illustration Mid-Century
Antonio Petruccelli (1907 - 1994)
Oil Terminal
Lamp Magazine, published, c. 1930s.
15 3/4 X 12 inches (image)
18 X 14 inches board
Gouache on board
Signed lower right
unframed
BIOGRAPHY:
Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests.
In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s.
‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune.
Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
Category
1930s American Modern Yvonne Jacquette Drawings and Watercolor Paintings
Materials
Gouache, Board
1930s American Modernist Colorado Winter Landscape Watercolor, Trees, Mountains
Located in Denver, CO
This 1938 watercolor painting by American Modernist artist Turner B. Messick depicts a serene winter landscape, likely set in Colorado. The scene features a bare tree in the foregrou...
Category
1930s American Modern Yvonne Jacquette Drawings and Watercolor Paintings
Materials
Watercolor
H 24.25 in W 21.5 in D 1 in
Previously Available Items
Shinjuku Pleasure District, Tokyo (Japan cityscape)
By Yvonne Jacquette
Located in Wilton Manors, FL
Yvonne Jacquette (b.1934). Shinjuku Pleasure District, Tokyo, 1985. Pastel on brown handmade paper, sheet measures 22.25 x 26.75 inches; 30 x 33.5 framed. Signed lower right. Excellent condition. Provenance: Mellon Bank Corporate Collection; Brooke Alexander Gallery.
Biography:
Born Pittsburgh, PA, 1934
Education
1952-56 Rhode Island School of Design, Providence, RI
Solo Exhibitions
2016 Yvonne Jacquette: Paintings 1981-2016, DC Moore Gallery, New York, NY
2015 Yvonne Jacquette; Aerials, Seraphin Gallery, Philadelphia, PA
2014 Yvonne Jacquette: The High Life, DC Moore Gallery, New York, NY
2010 Yvonne Jacquette, Aerials: Paintings, Prints, Pastels, Center for Maine Contemporary Art, Rockport, ME
Yvonne Jacquette, DC Moore Gallery, New York, NY
2009-10 Yvonne Jacquette: The Complete Woodcuts, 1987 – 2009, Mary Ryan Gallery, New
York, NY; Springfield Art Museum, Springfield, MO.
2008 Picturing New York: Nocturnes by Yvonne Jacquette, Museum of the City of New York, New York, NY
Yvonne Jacquette, DC Moore Gallery, New York, NY
2006 Yvonne Jacquette: Arrivals and Departures, DC Moore Gallery, New York, NY
2005 Yvonne Jacquette: Paintings and Works on Paper, Springfield Art Museum, Springfield, MO
2003 DC Moore Gallery, New York, NY
2002-03 Aerial Muse: The Art of Yvonne Jacquette, Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, CA; Colby College Museum of Art, Waterville, ME; Utah Museum of Fine Arts, Salt Lake City, UT; Hudson River Museum, Yonkers, NY
2000 Yvonne Jacquette – Evening: Chicago and New York, DC Moore Gallery, New York, NY 1998 Yvonne Jacquette: Maine Aerials, Art Gallery, University of Southern Maine, Gorham,
ME
Paintings and Works on Paper by Yvonne Jacquette, Hollins Art Gallery, Hollins College, Roanoke, VA
1997 Yvonne Jacquette: Vantage on High, DC Moore Gallery, New York, NY
1996 Yvonne Jacquette Frescoes, Caldbeck Gallery, Rockland, ME
1995 Yvonne Jacquette: Paintings and Pastels, 1992-1994, Brooke Alexander, New York, NY
1992 Yvonne Jacquette: Frescoes, Monotypes, Pastels and Prints, Brooke Alexander, New York, NY
1991 Yvonne Jacquette: Aerial Views, Rudy Burckhardt: Photographs, Jewett Hall Gallery, The University of Maine at Augusta, Augusta, ME
Yvonne Jacquette, Elizabeth Galasso Fine Art Leasing, Ossining, NY 1990 Drawings and Monotypes, O’Farrell Gallery, Brunswick, ME
Paintings, Frescoes, Pastels 1988-1990, John Berggruen Gallery, San Francisco, CA; Brooke Alexander, New York, NY
1988 Looking Down: Prints by Yvonne Jacquette, Joe and Emily Lowe Art Gallery, Syracuse University, Syracuse, NY
Yvonne Jacquette: Paintings and Pastels: New York Triptychs, Brooke Alexander, New York, NY
1986 Yvonne Jacquette, Tokyo Nightviews, Brooke Alexander, New York, NY; Bowdoin College Museum of Art, Brunswick, ME
Yvonne Jacquette: Works on Paper, Barbara Krakow Gallery, Boston, MA
1985 Yvonne Jacquette, Yurakucho Seibu/Takanawa Art, Tokyo, Japan
1984 Yvonne Jacquette: Recent Paintings and Works on Paper, John Berggruen Gallery, San Francisco, CA
1983 Currents 22. Yvonne Jacquette: Recent Drawings and Pastels, St. Louis Art Museum, St. Louis, MO
Yvonne Jacquette: Drawings and Pastels 1982-83, Brooke Alexander, New York, NY
1982 Yvonne Jacquette: Paintings and Drawings, Brooke Alexander, New York, NY
1981 Yvonne Jacquette: Paintings and Pastels, Brooke Alexander, New York, NY
1979 Yvonne Jacquette: The Night Paintings, Brooke Alexander, New York, NY
1976 Yvonne Jacquette: Paintings, Drawings and Monotypes, Brooke Alexander, New York, NY
1974 Yvonne Jacquette: 22nd Street, Brooke Alexander, New York, NY Yvonne Jacquette: Paintings, Fischbach Gallery, New York, NY
1972 Tyler School of Art, Philadelphia, PA Fischbach Gallery, New York, NY
1971 Yvonne Jacquette: Recent Paintings, Fischbach Gallery, New York, NY 1965 Swarthmore College, Swarthmore, PA
Selected Group Exhibitions
2017 The American Dream: Pop to the Present, The British Museum, London, United Kingdom New York, New York, Nassau County Museum of Art, Roslyn, NY
Dust on Butterflies’ Wings, A Pastel Invitational, Jerald Melberg Gallery, Charlotte, NC Painted Landscapes, Heritage Museums & Gardens, Sandwich, MA
2016 Boundless Nature: Real and Imagined, DC Moore Gallery, New York, NY
Masterworks on Paper, Portland Museum of Art, ME
Differing Views: Rackstraw Downes, Richard Estes, Yvonne Jacquette, Andrew Lenaghan and Rod Penner, George Adams Gallery, New York, NY
2015 Edith Schloss (1911-2011): Myths and Mountains, A Retrospective, Sundaram Tagore Gallery, New York, NY
Maine Collected: Contemporary Selections from the Permanent Collection, Bates Museum of Art, Lewiston, ME
Multiverse, DC Moore Gallery, New York, NY
Marks Made: Prints by American Women Artists from the 1960s to the Present, Museum
of Fine Arts, St. Petersburg, FL
2014 The Annual 2014: Redefining Tradition, National Academy Museum, New York, NY
2013 Impressions: Selections from Stewart & Stewart, 1980 to Present, Ann Arbor Art Center, Ann Arbor, MI, November 30-January 6, 2013
Maine Women Pioneer Exhibition: Homage, Art Gallery at University of New England, Portland, ME
2012-2013 The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA
2012 Paved Paradise, DC Moore Gallery, New York, NY
The Annual: 2012, National Academy Museum & School, New York, NY Forms of Realism, Pennsylvania Academy of the Fine Arts, PA
2011 Remembering 9/11, Yale University Art Gallery, New Haven, CT
Island Press: Three Decades of Print Making, Mildred Lane Kemper Art Museum,
Washington University, St. Louis, MO
2010 Couples: Parallel Journeys, ART in Embassies Exhibition, United States Embassy, Tel Aviv, Israel
Paintbox Leaves: Autumnal Inspiration, Hudson River Museum, Yonkers, NY Oblique/Acute, Brattleboro Museum and Art Center, Brattleboro, VT
Neither Model nor Muse: Women as Artists, The McNay, San Antonio, TX
Paintbox Leaves: Autumnal Inspirations, Hudson River Museum, Yonkers, NY
2009 URBAN: Cityscapes from the Permanent Collection, Huntington Museum of Art, WV
Art at Colby: Celebrating the Fiftieth Anniversary of the Colby College Museum of Art, Colby College, Waterville, ME
Trees, DC Moore Gallery, New York, NY
Lives of the Hudson, The Frances Young Tang Teaching Museum and Art Gallery at
Skidmore College, Saratoga Springs, NY
Near and Far: Contemporary Fine Prints, Birmingham Bloomfield Art Center, Birmingham, MI
Night, Alexandre Gallery, New York, NY
Different at Every Turn: Contemporary Painters of the Hudson River, February 4 – March 31, 2009, CW Post Campus of Long Island University, Greenvale, NY traveled to: Kingsborough Community College, Brooklyn, April 8 – 28, 2009; Lake Champlain Maritime Museum, Vergennes, Vermont, May 23 – June 28, 2009; Albany Institute of History & Art, NY, July 3 – August 23, 2009; SUNY Potsdam, NY, September 17 – October 17, 2009; US Military Academy at West Point, NY, October 29, 2009 – January 10, 2010
2008 Evening Light, DC Moore Gallery, New York, NY
Painting Structures: Specificity and Synthesis, List Gallery, Swarthmore College, Swarthmore, PA.; traveled to The Painting Center, New York, NY, April 12 – May 17, 2008
to: Night, The Hunter College Art Galleries, New York, NY 2007-08 Urban Landscape,” Susan Maasch Fine Art, Portland, ME
2007 The Constructed Landscape, Farnsworth Art Museum, Rockland, ME
2007 Portland Museum of Art Biennial, Portland Museum of Art, Portland, ME
2006 Lines of Discovery: 225 Years of American Drawings, The Columbus Museum of Art,
Columbus, OH
Painting Summer in New England, Peabody Essex Museum, Salem, MA
Biennial Juried Exhibition, Center for Main Contemporary Art, Rockport, ME
Vinalhaven Press Prints from the Bowdoin College Museum of Art Collection, Center for Maine Contemporary Art, Rockport, ME
Contemporary Maine Monotypes, Chocolate Church Arts Center, Bath, ME
A Century of Maine Prints: 1880s – 1980s, Portland Museum of Art, Portland, ME
American Matrix: Contemporary Directions for the Harn Museum Part II, Samuel P. Harn Museum of Art, University of Florida, Gainsville, Fl.
Metropolis: The Global Outlook: Depictions of International Urban Environments, obby Program Exhibition, David, Polk and Wardell/Shorenstein, New York, NY
Twice Drawn, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY
Contemporary Maine Monotypes, Chocolate Church Arts Center, Bath, ME
To Know The Dark: American Artists’ Visions of Night, Yale University Art Gallery,
New Haven, CT
2005 Collaboration in Print: Stewart & Stewart Screenprints 25th Anniversary, Detroit Institute of Arts, Detroit, MI
Disegno: The One Hundred and Eightieth Annual Exhibition, The National Academy of Design, New York, NY
Very Early Pictures: An exhibition of drawings made by Contemporary Artists When They were Children, Luckman Gallery, California State University, Los Angeles, CA
Contemporary Women Artists, Indiana State University, Terre Haute, IN
The City, Contemporary Views of the Built Environment, Lehman College Art Gallery,
Bronx, NY
2004 Women Artists of the Twentieth Century, Sweet Briar College, Anne Gary Pannell Art Gallery Collection, Sweet Briar, VA, 2008
National Drawing Invitational, Arkansas Arts Center, Little Rock, AR
Over 100 Years of New York City in Art, Spanierman Gallery, New York, NY
Night New York, Elizabeth Harris Gallery, New York, NY
New York, New York, Marlborough Gallery, Madrid, Spain. Traveled to CajaGranada. NYC, DFN Gallery, New York, NY
2003 Kaleidoscopes, Red Gallery, Savannah College of Art and Design, Savannah, GA
My Mother’s An Artist, Ernest Rubenstein Gallery, The Educational Alliance, New York,
NY
178th Annual Exhibition, National Academy of Design, New York, NY, 2003
Mapping Maine: Four Contemporary Views, Portland Museum of Art, Portland, ME
I Love New York, Mary Ryan Gallery, New York, NY
Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY
Challenging Tradition: Women of the Academy, 1826-2003, National Academy of Design Museum, New York, NY
The Way They See It, DC Moore Gallery, New York, NY
Collector’s Show and Sale, Arkansas Arts Center, Little Rock, AR
The Power of Wings, Duke University Museum of Art, Durham, NC
Defying Gravity: Contemporary Art and Flight, North Carolina Museum of Art, Raleigh, NC
2002 Crisis Response, The RISD Museum, Providence, RI
New York City, Caldbeck Gallery, Rockland, ME
Looking at America, Yale University Art Gallery, New Haven, CT
Past, Present, Future, Center for Maine Contemporary Art, Maine Coast Artists, Rockport, ME
2001 Up on the Roof, The New York Historical Society, New York, NY
Varieties of Maine Realism, curated by Carl Little, The Blum Gallery, College of the
Atlantic, Bar Harbor, ME
176th Annual Exhibition, National Academy Museum, New York, NY
Portland Museum of Art Biennial, Portland Museum of Art, Portland, ME
Fresh/Fresco: Contemporary fresco painting, The Educational Alliance Ernest Rubenstein Gallery, New York, NY
ReAppearance: Realism in Contemporary Art, Simmons Visual Arts Center, Brenau University Galleries, Gainesville, GA
2000 The Likeness of Being: Contemporary Self Portraits by Sixty Women, DC Moore Gallery, New York, NY
On Paper: Katherine Bradford, Alison Hildreth...
Category
1980s Realist Yvonne Jacquette Drawings and Watercolor Paintings
Materials
Pastel
H 22.25 in W 26.75 in D 2 in
Yvonne Jacquette drawings and watercolor paintings for sale on 1stDibs.
Find a wide variety of authentic Yvonne Jacquette drawings and watercolor paintings available for sale on 1stDibs. You can also browse by medium to find art by Yvonne Jacquette in crayon, paper, pastel and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Yvonne Jacquette drawings and watercolor paintings, so small editions measuring 15 inches across are available. Customers who are interested in this artist might also find the work of Frank Wilcox, Reginald Marsh, and Charles Ragland Bunnell. Yvonne Jacquette drawings and watercolor paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $18,000 and tops out at $25,000, while the average work can sell for $21,500.