Allinson Gallery, Inc. Abstract Prints
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February -- Orchid. (Nigatsu - Ranjo no saku).
By Shiko Munakata
Located in Storrs, CT
February -- Orchid. (Nigatsu - Ranjo no saku). 1956. Woodcut with hand-applied color from the verso. Kodansha vol.9 No. 125. 17 x 13 (sheet 18 1/4 x 21 1/2). Series: Calender in the ...
Category
Mid-20th Century Modern Landscape Prints
Materials
Watercolor, Woodcut
Little Hall's Island.
By Kerr Eby
Located in Storrs, CT
Little Hall's Island. 1940. Etching and sandpaper ground. Giardina 199. 10 x 15. Edition 100. Little Hall's Island is located off the coast of Friendship. Maine. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby. Housed in a 16 x 20-inch archival mat.
Eby was an Associate of the National Academy NA (1930); National Academy of Design (1934); Society of American Etchers; Chicago Society of Etchers; Philadelphia Society of Etchers; National Institute of Arts and Letters. Kerr...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Etching
A Sunset in Ireland.
By Seymour Haden
Located in Storrs, CT
A Sunset in Ireland. 1863. Etching and drypoint. Schneiderman catalog number 47 state vii/xiv. 5 1/2 x 8 1/2 (sheet 6 7/8 x 9 1/2). An extremely rich impression with drypoint burr, p...
Category
19th Century Modern Landscape Prints
Materials
Drypoint, Etching
Love Apple (Black background)
By Jane Martin VonBosse
Located in Storrs, CT
Love Apple (Black background). 1967. Linoleum cut printed in brown, red, orange, black and tan. 19 1/2 x 12 1/2 (sheet 22 1/2 x 14 3/16). A vivid impression printed on wove paper pap...
Category
1960s American Modern Still-life Prints
Materials
Linocut, Color
Fragment
By Noriko Yanagisawa
Located in Storrs, CT
Fragment. 2001. Etching, aquatint and mezzotint. 11 1/2 x 10 3/4 (sheet 20 1/2 x 15). Edition 30, #7. A fine impression printed on the full sheet with deckle edges. Presentation prin...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Aquatint, Mezzotint, Etching
Ciel Gris I (Grey Sky I)
By (after) Georges Braque
Located in Storrs, CT
Ciel Gris I (Grey Sky I). 1959. Lithograph printed in colors. Vallier, Dora. Braque. The Complete Graphics, London 1988, page 294, 9 x 2 3/4 (sheet 15 x 11).
This is not a copy. It...
Category
Mid-20th Century Cubist Abstract Prints
Materials
Color, Lithograph
Ciel Gris II (Grey Sky II)
By (after) Georges Braque
Located in Storrs, CT
Ciel Gris. 1959. Lithograph printed in colors. Vallier, Dora. Braque. The Complete Graphics, London 1988, page 294, No. 1033. 9 x 3 3/8 (sheet 15 x 10 3/4). One of about 3000 imp...
Category
Mid-20th Century Cubist Abstract Prints
Materials
Color, Lithograph
A note on the Latin preface to Eric Gill's introduction for his Engravings, 1929
By Eric Gill
Located in Storrs, CT
SHEWRING, Walter. "A NOTE ON THE LATIN PREFACE TO ERIC GILL'S INTRODUCTION TO HIS ENGRAVINGS, 1929." San Francisco: Black Vine Press, 1964. Large folio, (388x279mm - 15 1/4 x 11 inches), 2 leaves French-folded (folded twice) to make a 4-page booklet, printed in red and black with one of Gill's initial letters from the Four Gospels. (Gill, Corey & Mackenzie, Eric Gill a bibliography 636.33) Printed by Harold Seeger & Albert Sperisen for a joint meeting of the Roxburghe-Zamorano Clubs.
This is a reproduction of the original text with Gill's annotations printed in red and grey. Housed in the 15 1/2 x 11 1/2-inch envelope that accompanied the work.
Walter Shewring (2906-1990) was educated at Bristol Grammar School and Corpus Christi College, Oxford, Shewring became a Catholic in 1928 and went to Ampleforth to teach classics the same year. The school's much-revered headmaster, Paul Nevill, used to tell pupils that it was "a great luxury" to be taught by such a noted classics teacher.
His love of classics was not, though, confined to the classroom, and he composed much Latin and Greek prose, even publishing a volume of his .own work, Versions (Oxford .University Press).
Shewring was involved, in his youth, with Eric Gill's community at Pigotts in Buckinghamshire, and through Gill, he came to know such notables as Ezra Pound, Hilaire Belloc...
Category
1920s Modern Interior Prints
Materials
Wood, Engraving, Woodcut
Charing Cross Bridge from My Window
By Joseph Pennell
Located in Storrs, CT
Charing Cross at Night. 1909. Mezzotint. Wuerth 510. 11 7/8 x 10 (sheet 15 x 10 3/4). Edition probably 30. Printed on 'Rome'cream laid paper, probably fr...
Category
Early 20th Century American Modern Landscape Prints
Materials
Resin, Aquatint
From the Weather Bureau. New York, New York.
By Stow Wengenroth
Located in Storrs, CT
"From the Weather Bureau. February 1940. Lithograph printed in black and cream. Stuckey catalog 106. state i. Two stone printing. 10 1/8 x 17 (sheet 16 x 21 5/8). Edition 40 in this ...
Category
1940s American Modern Landscape Prints
Materials
Lithograph
The Arthur Williams Estate
By Earl Horter
Located in Storrs, CT
The Arthur Williams Estate. c. 1916. Etching and drypoint. 4 3/4 x 9 (sheet 8 x 10 7/8). A rich impression printed on dark cream wove paper. Water stai...
Category
Early 20th Century American Modern Landscape Prints
Materials
Etching
Rooftop
By Armin Landeck
Located in Storrs, CT
Rooftop. 1941. Engraving. Kraeft 84. 4 7/8 x 8 7/8 (sheet 8 7/8 x 12 3/4). Edition 100. Provenance: estate of David Llewellyn Reese, New York. A rich impression printed on white wove...
Category
1940s American Modern Landscape Prints
Materials
Engraving
Skyline, New York
By Martin Lewis
Located in Storrs, CT
Skyline, New York. 1919. Etching and drypoint. McCarron 36. 8 7/8 x 10 3/8 (sheet 12 1/4 x 14 . 11 recorded impressions (intended edition 50. Lewis states that he destroyed 6 of the ...
Category
1920s American Modern Abstract Prints
Materials
Drypoint, Etching
Love Apple (Brown background).
By Jane Martin VonBosse
Located in Storrs, CT
Love Apple (Brown background). 1967. Linoleum cut printed in black, red, orange, brown and tan. 16 1/2 x 12 1/2 (sheet 21 3/4 x 15). Edition 18. A vivid impression printed on wove pa...
Category
1960s American Modern Abstract Prints
Materials
Linocut
Hybrid Fertility
By Jane Martin VonBosse
Located in Storrs, CT
11 3/4 x 8 5/8 (sheet 12 1/4 x 16). Edition 20, #5. A fine impression printed on green Ingres d'Arches laid paper. Signed, titled and numbered in pencil. Housed in a 20 x 16-inch ar...
Category
Mid-20th Century American Modern Abstract Prints
Materials
Linocut
Demolition No. 1
By Armin Landeck
Located in Storrs, CT
Demolition No. 1. 1940. Drypoint. Kraeft 80. 4 7/8 x 8 7/8(sheet 12 x 13 7/8). Edition 100. Provenance: estate of David Llewellyn Reese, New York. A rich impression with tonal wiping...
Category
1930s American Modern Landscape Prints
Materials
Drypoint, Etching
Edge of the Woods.
By William Harry Warren Bicknell
Located in Storrs, CT
Edge of the Woods. 1916. Drypoint. 7 7/8 x 9 3/4 (sheet 10 7/16 x 13 1/8). A rich impression in printed on Japanese paper with an oak leaf watermark. Signed and annotated '3rd state'...
Category
Early 20th Century American Modern Landscape Prints
Materials
Drypoint, Etching
Standard Oil Building.
By Joseph Pennell
Located in Storrs, CT
Standard Oil Building. 1923. Etching. Wuerth 817. 12 1/4 x 9 1/4 (sheet 13 1/2 x 10 1/16). Edition probably 50. A glowing impression, printed by the artist on antique cream wove paper. Signed and annotated 'imp' in pencil. Housed in a 20 x 16-inch archival mat
proof printed by the artist. $875.
26 Broadway" is the home of the Standard Oil...
Category
Early 20th Century American Modern Landscape Prints
Materials
Etching
Royal Insurance Building of Canada. (Royal Globe Insurance Company Building)
By Louis Conrad Rosenberg
Located in Storrs, CT
Royal Insurance Building of Canada. (Royal Globe Insurance Company Building) 1927. Drypoint. 12 x 6 1/2 (sheet 17 1/2 x 10 1/2). A rich impression with selective plate tone printed in black/brown ink on cream wove paper. Signed in pencil. Housed in a 20 x 16-inch archival mat, suitable for framing.
Rosenberg's first published print of 1927 was a drypoint of the Royal Insurance Building of Canada in New York. From his personal journal, we know that it was executed on January 18th in London and that 108 proofs were printed on 'modern' paper and signed.
The alternate name of the building is the Royal Globe Insurance Company Building. It is located in the financial district of Manhattan, 150 William Street to Gold...
Category
1920s American Modern Landscape Prints
Materials
Drypoint
Farmyard
By Herbert Gordon Warlow
Located in Storrs, CT
Farmyard. c. 1925. Etching and drypoint. 5 1/2 x 11 (sheet 10 x 15 1/4). Edition 75, #54. A rich impression with plate tone printed on cream wove paper. Signed and numbered in pencil...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching
The Dart
By William Hugh Canning Montgomerie
Located in Storrs, CT
The Dart. c.1920. Drypoint. Brinton 11. 7 1/2 x 12 7/8 (sheet 10 7/8 x 17). A rich impression with plate tone printed on white wove paper. Signed in pencil.
The River Dart is a riv...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint
Temples of New York
By Christopher R. W. Nevinson
Located in Storrs, CT
Temples of New York. 1919. Drypoint. Leicester 44, Guichard 26, Black 55. 7 3/4 x 6. Edition 50. New York set. Trinity Church facade from the back, which faces Wall Street. Illustrat...
Category
1910s Futurist Landscape Prints
Materials
Drypoint
Open Action.
By Kerr Eby
Located in Storrs, CT
Published edition, not trial proof
Open Action. 1926/1928. Etching. Giardina 124. 7 x 15 1/8 (sheet 12 3/4 x 15 1/4). Trial proof, prior to the edition of 90. A rich, tonal impressi...
Category
1920s American Modern Landscape Prints
Materials
Etching
Dark House (Philadelphia).
By Earl Horter
Located in Storrs, CT
c. 1932. Aquatint. 10 1/4 x 11 (sheet 12 5/8 x 15 1/2). A rich impression printed with plate tone on countermarked French wove paper. Unsigned; annotated 'Dark House (Aqua)' in Horter's hand. Another impression is in the Library of Congress. Housed in a 16 x 20-inch archival mat, suitable for framing.
Earl Horter...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Etching, Aquatint
Mill Near the Grand Chartreuse, Dauphiny
By Sir Frank Short
Located in Storrs, CT
Mill Near the Grand Chartreuse -- Dauphiny (after the drawing by J.M.W. Turner, R.A., 1775-1851.) 1886. Mezzotint. Hardie 9.ii. Image 7 3/8 x 10; plate 9 x 11 7/8; sheet 12 5/8 x 17 ...
Category
1880s Modern Landscape Prints
Materials
Mezzotint
Grand Canal, America (Electrical Buildings at Night)
By Gerald Geerlings
Located in Storrs, CT
Czestochowski 31. 11 3/4 x 8 7/8 (sheet 12 x 18). Edition 100. Presentation print for the Chicago Society of'Chicago Fair 1933. A rich impression with t...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Acrylic, Drypoint
American Cathedral (The Woolworth Building).
By John Taylor Arms
Located in Storrs, CT
American Cathedral (The Woolworth Building). 1921. Etching. Fletcher 107. 17 x 6 5/8 (sheet 21 1/2 x 9 1/8). Edition 75. Provenance: estate of David...
Category
1920s American Modern Landscape Prints
Materials
Etching
Approaching Storm
By Armin Landeck
Located in Storrs, CT
Approaching Storm, Manhattan. 1937. Drypoint. Kraeft 65. 9 1/8 x 8 3/8 (sheet 15 3/4 x 14 7/8). Edition 100. Provenance: Estate of David Llewellyn Re...
Category
1930s American Modern Landscape Prints
Materials
Drypoint
Manhattan Nocturne
By Armin Landeck
Located in Storrs, CT
Manhattan Nocturne. 1938. Etching and drypoint. Kraeft 70. 7 1/8 x 11 7/8 (sheet 10 1/2 x 15 1/4). Edition 100. Presentation Print of the Society of American Etchers, 1938. Provenanc...
Category
1930s American Modern Landscape Prints
Materials
Drypoint, Etching
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Located in San Francisco, CA
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About the artist:
Ron Pokrasso has been an exhibiting artist, printmaker and educator for more than 40 years. He received his MFA degree from Pratt Institute in 1975 and has had over 50 solo exhibitions and has participated in more than 175 group shows. His work is in public, private, and corporate collections throughout the U.S. and abroad and is represented by several galleries nationwide as well as being featured in numerous books.
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SOLO EXHIBITIONS
202056Trees and Music, Mentors, Friends and Family: Remarque Print Studio, Albuquerque, NM
2019 Santa Fe Studio Tour: Galisteo Street Studio, Santa Fe, NM
2018 Santa Fe Studio Tour: Galisteo Street Studio, Santa Fe, NM
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2016 Emptying Drawers and Clearing Racks: Timberwick Studios, Santa Fe, NM
2015 Fun With Music and Art: Joseph Gierek Fine Art, Tulsa, OK
2014 Color Breaking Barriers: The SF Gallery, San Francisco, CA
123456Transferring Ink 3: Janice Griffiths Gallery, Fallbrook, CA
2011 Ron Pokrasso and Colleagues: Quad Gallery, Riverside, CA
2010 Zane Bennett Gallery, Santa Fe, NM
123456Recurrence of Memory: Center for Contemporary Printmaking, Norwalk, CT
2009 New Works: Craighead Green Gallery, Dallas, TX
2007 Denise Roberge Gallery, Palm Desert, CA
123456Lynne Fine Art, Scottsdale, AZ
2006 Lynne Fine Art, Scottsdale, AZ
2005 Deloney Newkirk Gallery, Santa Fe, NM
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2004 Deloney Newkirk Gallery, Santa Fe, NM
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2003 Galerie Municipale/ C.I.M., Chamaliers, France
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2002 Los Milagros Print Studio, Oklahoma City, OK
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2001 Deloney Newkirk Gallery, Santa Fe, NM
2000 Deloney Newkirk Gallery, Santa Fe, NM
1999 Famous for His Trees: Deloney Newkirk Gallery, Santa Fe, NM
1998 Patricia Carlisle Fine Art, Santa Fe, NM
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1997 Patricia Carlisle Fine Art, Santa Fe, NM
1996 In the Eyes of the Beholder: Waxlander Gallery, Santa Fe, NM
1995 Works on Paper: Arts Exclusive Gallery, Simsbury, CT
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1994 Amos Joseph Fine Art, Santa Fe, NM
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1993 Amos Joseph Fine Art, Santa Fe, NM
1992 New Monotypes: Franz Bader Gallery, Washington, DC
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1991 Works on Paper: Wenniger Graphics, Boston, MA
123456Franz Bader Gallery, Washington, DC
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1990 Works on Paper: White Gallery, Tbilisi, Georgia, USSR
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1989 Recent Work: Riverside Art Museum, Riverside, CA
123456Founders Gallery, Guilford College, Greensboro, NC
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1988 Barclay Simpson Gallery, Lafayette, CA
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1986 Fresh Start II, ‘86: Beverly Gordon Gallery, Dallas, TX
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2013 Revisiting: Ten Years of the Visiting Artist Series at ASLD, Carson Gallery, Denver, CO
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