Alpha 137 Gallery Figurative Sculptures

KAWS Small Lie (Brown), Limited Edition Companion, 2017 Vinyl and Paint. Stated limited edition, exact number unknown. Brand new in original packaging Among KAWS’s signature “Compani...

Yayoi Kusama Original Limited Edition hand signed and numbered Pumpkin (Red), 1998 Painted cast resin on ceramic tile in the original wood box, display plate and paper box Signed and...

KAWS VERY FIRST COMPANION - HISTORIC Uniquely Hand signed by the artist. (the regular edition was unsigned) KAWS Limited Edition 1st Companion (Hand Signed by KAWS), 1999 Painted Ca...

KAWS Together (Blac), 2018 Painted vinyl multiple. Fabricated by Medicom Toy Contained in the original packaging Printed signature stamped on the underside (feet) - see photographs S...

Betye Saar A Handful of Stars, 2016 Bronze with patina and walnut base Signed: Incised signature and numbered 7 × 3 × 2 1/2 inches Unframed Acquired from the International Sculpture ...

After Marcel Duchamp Bicycle Wheel replica from the Philadelphia Museum (estate authorized), 2002 Wheel and painted wood. In original box 11 × 6 1/2 × 3 4/5 inches In original box pr...

Piero Manzoni Merda d'Artista - Merde d'Artiste - Artist's Shit, 2013 Sealed tin can in special offset lithograph paper and shrink wrapped sealed with a fingerprint The artist's sign...

KAWS Cat Teeth Bank (Navy Blue) in original box, 2007 Limited Edition painted cast vinyl 5 × 5 × 1 in Edition of 400, unnumbered Stamped on the underside This long sold out 2007 KAWS...

JANE HAMMOND with ARDEN MASON (Jane Hammond is a renowned contemporary artist and Arden Mason is a celebrated 'plein air" painter) Artist's Palette (from the Estate of Ashton Hawkin...

Ruth Asawa Bronze Flower, 1979 Cast Bronze relief plaque with original presentation box 5 1/4 × 6 1/4 × 1/4 inches Numbered from the Edition of 2500 Signed and dated 'Asawa 1979' (lower edge) incised in the bronze; numbered; stamped "Designed Exclusively for Crown Zellerbach Corporation"; foundry copyright Cast at the Berkley Arts Foundry for Crown Zellerbach Ruth Asawa's estate is represented by David Zwirner. This beautiful, limited edition signed cast bronze flower plaque...

Robert Indiana LOVE (Pink), Artist Authorized, with Incised Indianapolis Museum of Art & Morgan Foundation Stamp and Artist Copyright, 2011 Brushed Aluminum (Pink) and Stamped with M...

Robert Indiana LOVE (Official Artist Copyright and Foundation Stamp), 2011 Brushed Aluminum sculpture (Red) Stamped by artist's estate, Stam...

JAN MARES Jan Mares (Czech, 1953-2005) Signed 3-D Glass American Flag, 2002 Cut, polished, and etched glass 3 × 5 × 2 inches incised signature and date Jan Mares was a celebrated C...

Grisha Bruskin Adam Kadmon (Vision), Signed and signed dedicated to art historian and collector Jacob Baal Teshuva), 1992 Steel Sculpture (Signed, Dated & Dedicated) 6 × 6 × 3 inche...

Romero Britto Friar's Club Award for Tony Bennett, 2016 Mixed Media Enamel and Iron Sculpture on marble base This sculpture is signed by the artist with permanent marker on the base ...

Jenny Holzer USE WHAT IS DOMINANT IN A CULTURE TO CHANGE IT, 2003 Hand Blown Glass Bowl 4 × 10 × 10 inches Edition 68/200 Signed and numbered 68/200 on the underside with Holzer's in...

Howard Kanovitz The People, 1971 3-5 Mixed Media Silkscreen on Plexiglas and aluminum base Signed: Artist's Signature etched on the work and annotated A.P., Edition of 1 (an Artists Proof, aside from the regular edition of 75) 15 × 16 × 1 1/2 inches Signatured etched on the work and annotated A.P. , aside from the limited edition of 75. This excellent 1971 3-D photo realist work "The People" is a multiple based upon a larger work the artist did of people beholding a work of art. Here, we see them only from behind, because they are busy looking at art - a clever photorealist work - art about art - catching people in the process of looking at art. Howard Kanovitz Biography Howard Kanovitz was a leader of Photo Realism: a documenter of style and fashion, depicting members of the art scene at openings, or superimposing known critics and curators onto images of board room meetings. In his particular style, he explored the intersections of painting, photography, fiction, and fact. Kanovitz studied at the Rhode Island School of Design and The Art Studenst League in Woodstock where he worked with Yasuo Kyniyoshi before moving to New York an apprenticing with Franz Kline. As a member of New York’s downtown art scene, Kanovitz painted abstract paintings, which he exhibited at Tenth Street Galleries early in his career. Following his father’s death in 1963, Kanovitz went through family photos, an experience which prompted him to interrogate the relationship between images and perception. At this time, Kanovitz abandoned abstraction in favor of a figurative style and worked arduously in this new direction. These efforts culminated in a 1966 solo exhibition at the Jewish Museum, securing his place as a leader of Photo Realism among artists such as Larry Rivers, Alex Katz, and Chuck Close. His photo based, representational paintings exhibited at the Jewish Museum show were the first to be called “photo-realist” and shocked many in the art community prompting a symposium which was held at the New York Studio School for “downtown artists” to weigh in on this perennial “hot topic”, newly addressed by one of their own. Kanovitz first began using airbrush in 1967, giving his paintings a feeling of photographic perfection. Cut out figures created using this precisionist technique were placed in the viewers space, often in front of Kanovitz’s painted canvas depicting the luminaries of the art world of the time. This type of installation was the centerpiece in the first of several Waddell Gallery shows. Kanovitz has been the subject of many solo museum shows internationally and his work is collected by institutions such as the Whitney Museum of American Art, Metropolitan Museum of Art, Tate Britain, London, and Museum Moderner Kunst, Vienna. -Courtesy Eric Firestone...

Mark Wallinger It's the Thought that Counts, 2001 Mixed media Christmas cracker, colored paper/ cardboard and ribbon with snap Plate signed by Mark W...

Buky Schwartz House in Motion, 1986 Welded steel 10 1/2 × 6 1/4 × 6 1/2 inches This is a unique work The sculpture is an upside down house with two human figures. It is ingeniously ...

Gerald Laing Cat, 1983 Cast bronze (hollow core cast) Bears artists full incised signature, artist's copyright logo, as well as stamped signature on the front, Edition 1/9 13 1/2 × 8 3/4 × 6 1/2 inches A magnificent cast bronze sculpture, rarely seen on the market by Gerald Laing, one of the leading British artists of his generation. Catalogued as CR-406 in the 2017 Catalogue Raisonne published by Lund Humphries and the Estate of Gerald Laing. One of only nine editions. This work was acquired from the Estate of distinguished Pop Art collector Arthur C. Carr of Columbia University , who befriended many of the artists whose works he collected. Editions of this work were exhibited in the following venues: GERALD LAING: SCULPTURE 1968 - 1999 The Fine Art Society 148 New Bond Street London UK 22 March - 15 April 1999 GERALD LAING Albert Totah Gallery 152 Wooster Street New York City New York USA, 24 January - 21 February 1987 GERALD LAING PAINTINGS AND SCULPTURE 1963-1983 Herbert Art Gallery Jordan Well Coventry UK 10 September - 9 October 1983...

Robert Indiana LOVE (Sculpture Stamped with Indianapolis Museum and Artist Stamp), 2009 Brushed Aluminum (Gold) Stamped with Artist's Copyright & Indianapolis Museum of Art/2011 Morgan Art Foundation/ARS, NY Stamped/incised w/text: "Authorized Replica/Robert Indiana/LOVE/Indianapolis Museum of Art/2011 Morgan Art Foundation/ARS, NY 3 × 3 × 1 1/2 inches Unframed Since first appearing on the Museum of Modern Art’s 1965 Christmas card, Robert Indiana’s “LOVE” quickly permeated the popular imagination, appearing everywhere from life-size sculptures to government-issued stamps. The design’s appeal was timeless, yet also emblematic of the idealistic and free-loving 1960s. As art legend has it, Indiana was first bemused and later conflicted about the instant runaway success of his design, worried that it may have ruined his reputation among the art world elite as a one-hit wonder. Despite the artist’s private insecurities, “LOVE” remains one of the most treasured works in 20th-century American sculpture—breaking $4.1 million at auction in 2011. Another edition from this authorized, artist approved series recently sold at Christie's in Paris for over $12,000. LOVE (Limited Edition Artist Authorized, with Incised Indianapolis Museum of Art & Morgan Foundation Stamp and Artist Copyright). This is a limited edition artist authorized miniature of the Indianapolis Museum of Art's giant outdoor...