Antichita Castelbarco Figurative Sculptures
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Virgin And Child Franco-catalan Sculptor 13th-14th Century Wood Spanish
Located in Riva del Garda, IT
Virgin and Child
Franco-Spanish sculptor from the Catalan/Pyrenean area
Late Middle Ages, 13th-14th century
Carved oak, flat back
Height: 67 cm
Fascinating and rare wooden sculpt...
Category
15th Century and Earlier Old Masters Sculptures
Materials
Wood
Venetian Blackmoor Sculpture Venice 18th Century Wood
Located in Riva del Garda, IT
Antique Venetian Blackmoor sculpture
Venice, early 18th century
Carved, lacquered and gilded wood
Height 155 cm.
Good overall condition, old repainting
Original wooden sculpture d...
Category
18th Century Old Masters Sculptures
Materials
Wood
Saint Barbara France 16/17th Century Sculpture Wood Religious Old master Art
Located in Riva del Garda, IT
High relief panel depicting 'Saint Barbara'
Southern France, 16th-17th century
Polychrome carved wood with traces of gilding
64 x 32 cm.
(good condition, with minor missing and cra...
Category
16th Century Old Masters Sculptures
Materials
Wood, Wood Panel
Wooden Sculptures Roman Soldiers Rome 18th Century Italy Art Gold
Located in Riva del Garda, IT
Wooden sculptures depicting a pair of full-length Roman soldiers
Rome, 18th century
Carved and gilded wood (walnut?)
Dimensions: Maximum height (at lance) 62 cm./ Maximum width: 28 ...
Category
18th Century Old Masters Sculptures
Materials
Gold
Antique Sculpture Female Moor Venice 19th Century Gold Italy
Located in Riva del Garda, IT
Antique sculpture of a female Moor with flowering cornucopia
Venice, 19th century
Carved, lacquered and gilded/silvered wood
Total height 202 cm (column base 82 cm, figure 120 cm)
...
Category
19th Century Old Masters Sculptures
Materials
Gold
Pair Carved Gilded Mirrors Gold Wood Venice 18th Century Italy Quality Baroque
Located in Riva del Garda, IT
Pair of carved and gilded mirror cabinets 'in the manner of Sansovino'
Venetian (or Tuscan) carver active in the 18th century
Carved and gilded wood
Total frame measurements: 86 x 6...
Category
18th Century Old Masters Sculptures
Materials
Gold
Pair Sculptures Winged Angels Wood Tuscany 17/18th Century Old master Gold Art
Located in Riva del Garda, IT
Pair of sculptures depicting two winged angels in carved wood
Tuscany, late 17th century
Carved, gilded and polychrome wood
Dimensions: Height 64 cm - ...
Category
17th Century Old Masters Sculptures
Materials
Wood
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Eighteenth-century Grand Tour marble bust of Faustina the Younger
Located in London, GB
Signed and dated: ‘F. Harwood Fecit 1764’
Collections:
Probably commissioned by Alexander Gordon, 4th Duke of Gordon (1743-1827);
Probably by descent at Gordon Castle, Banffshire to c.1948;
Possibly acquired by Bert Crowther of Syon Lodge, Middlesex;
Jacques Hollander (1940-2004);
Christie’s, 5 December 2013, lot 101;
Private collection;
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Literature:
John Preston Neale, Views of the seats of noblemen and gentlemen, in England, Wales and Scotland, London, 1822, vol.I, unpaginated.
This marble copy of an ancient bust in the Musei Capitolini usually identified as Faustina the Younger, the daughter of Antoninus Pius and future wife of Marcus Aurelius, was made in Florence by Francis Harwood in 1764. Harwood was one of the most prolific suppliers of decorative marbles for the Grand Tour market and this finely worked example demonstrates the quality of luxury goods available to travellers to Italy. So often anonymous, this unusually signed and dated example, raises questions about the status of marble copies in the period and of sculptors such as Harwood who are known principally for ornamental work.
Harwood’s origins remain obscure. He is documented living in Palazzo Zuccari with Joshua Reynolds and the Irish sculptor Simon Vierpyl at Easter 1752, he had certainly settled permanently in Florence by the following year, when he is recorded working with Joseph Wilton. He was admitted to the Florentine Academy on 12 January 1755 (as pittore Inglese, although he was described as scultore in the matriculation account). After Wilson returned to England in 1755 Harwood appears to have worked in a studio near SS. Annunziata with Giovanni Battista Piamontini who had made life-size copies of The Wrestlers and The Listening Slave for Joseph Leeson in 1754. In 1758 both sculptors were contracted to make a statue and a trophy to complete the decoration of the Porta San Gallo, Harwood completing a statue of Equality, installed the following year.
By 1760 Harwood was on the brink of his most productive period as a sculptor, producing copies of celebrated antiquities for the ever-increasing audience of Grand Tour travellers and for the domestic market in London. In 1761 Harwood met the young architect James Adam who was in Italy specifically to make contact with suppliers for Robert Adam’s burgeoning practice back in Britain. The Adams offered a remarkably cohesive design package to their clients, encompassing not just architecture, but fixtures, fittings and furniture as well. Harwood was able to supply the brothers with marbles for their new interiors. At Syon, for example, Harwood produced a full-size copy of Michelangelo’s Bacchus for the new dining room the Adams had designed for Hugh Smythson, 1st Duke of Northumberland.
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