Antique Mission Furniture by Joe Nevo Paintings

This framed oil painting of an English countryside would make a stunning addition to any room. The dull greens and blues of this painting make for a calm and soothing accent piece. T...

John Stango (born 1958) An original vintage work of art on canvas 31? x 24? unframed and signed “Stango” (lower right). This fine example of Modern American Pop Art from the 1950’s, is inspired by Jackson Square brand cigar advertising poster. The artwork comes from a private collection. “Genuine Jackson Square Cigar” is a painting in the style of vintage advertisements depicting a well-dressed man in a blue suit, playfully riding an enormous cigar, as if it were a rocket or mechanical bull...

Fabulous 19th century oil painting on canvas of a group of four racing pigeons pecking in the grass. The work is unsigned but recalls the influence of artist Edward Henry Windred, fa...

Painting of panther made on canvas, painting made with marble dust and oil. Mixte technical by painter Carole Ivoy.

Oil on canvas of lady with King Charles Cavalier spaniel on lap.

Large Abstract Modernist Three Dimensional Wall Sculpture , hanging / Painting,,, John Tracey ,,, 1977-1979 Artist in Residence, Artpark Lewiston NY. Invited for three consecutive...

Classic Victorian Painting of English Spaniels by Zollikofer

Folk art patriotic shield painting of John Adams, dating to around 1876 and of a large size measuring 41" x 34.5". It is an oil on canvas laid down to boards. There is writing on the back of the boards, but I cannot make out what it says. There is another similar piece to this that features another signer of the constitution in the Smithsonian collection. This piece came from a collection in Portsmouth...

- Gorgeous Edwardian style oil painting of a young girl reclining - Artist has really captured the beauty and elegance of the scene with great skill - We bought this from a dealer at...

Americana Folk Outsider Art oil on canvas by African American Artist, John Jones, circa 1990s-early 2000s, USA. Signed painting depicts man pointing out his Auntie’s behind. Excelle...

A Framed Pair of Water Colour Paintings, English Country Scenes These are lovely colourful pair, they are tastefully framed behind glass, the frames seem to be the original frame...

From an important thirty year old New England collection of American Folk Art Pyrography Robert Ball Hughes (British-American, 1804-1868) This original period framed 1866 pyrography on wood panel was created after the painting by Sir John Gilbert (English, 1817-1897) with detailed description and dedication written on the back of the panel using the same technique. A photographed rubbing of the reverse dedication will be included and is part of this description (photo). Frame: 20 inches high and 28.5 inches wide; Site: 13.25 inches high and 22 inches wide This painting depicts the episode from Shakespeare’s Henry VI Part II Act III Scene V in which Sir John Falstaff inspects the recruits mustered by Justice Robert Shallow and his cousin Silence. Falstaff sits in a chair surrounded by his cronies whilst Bardolph leads Bullcalf forward. Hayman’s treatments of Falstaff reviewing recruits are perhaps among the most successful depictions of a theatrical scene in British painting. The tableau vibrates with the energy that he brought to his Vauxhall supper box scenes of games and dancing, and is filled with the humour and observation of his portraiture. Every figure is in motion and proclaims its own individuality. About Robert Ball Hughes (British-American, 1804-1868) Known as Ball Hughes and also using that as a signature, this man was a sculptor and wax-portrait artist. He was born in London, England, and died in Dorchester, Massachusetts. He studied and exhibited at the Royal Academy in London as well as at the Pennsylvania Academy of the Fine Arts and the National Academy of Design in New York City. He emigrated to New York in 1829, having earned much prestige in England. In New York, he received many commissions for portrait busts in bronze and wax. Among his subjects were John Trumbull, Alexander Hamilton, and Washington Irving. From 1838 to 1840, he worked in Philadelphia and from 1840, worked in Boston. In his final years, he began to produce pyrographic wood pictures (pyro engravings or "poker pictures"), including The Witches of MacBeth (c. 1840), Babylonian Lions (1856), Don Quixote in His Study (1863), The Trumpeter (1864), General Grant...