Antyki Koneser Sp. z o.o. Religious Items

Unique hand carved church statue of Jewish prophet, John the Baptist, circa 1850. When you think of the life of Saint John the Baptist (or Baptiste as it is spelled here) then you can only come to the conclusion that in fact he was one of the most important human beings in the history of the world in general and of Christianity in particular. Saint John is sometimes depicted with a lamb to symbolise his recognition of Jesus as the Son of God. When John baptised Jesus in the River Jordan he said 'Behold, the Lamb of God'. In this case the sculptor chose to portray a standing lamb which is a rare feature and this antique was obviously carved in the Baroque Style. This Style is less detailed (or some would say 'more naive') than for example the Renaissance Style, but there are many collectors who love and collect this Style. Also, because it was most used in antique churches all over Europe and this Style also is most used in antique religious paintings of the old masters. Just like with 17th century Baroque Saint...

This scarce depiction of Jesus Christ was painted presumably in Moscow in early 19th century. The icon is painted in the author's (improvisational) manner, which differs from the rec...

Stunning and practical size, multi purpose Gothic chest / box from a monastery. This here Gothic chest is one of the smallest yet most stylish we ever had the pleasure of offering. ...

Christ Pantocrator, A silver-gilt and cloisonné Enamel Russian Icon Moscow, 1892 Icon: 23.5cm high x 20cm wide x 4cm depth. Case: 26.5cm high x 23cm w...

A scarce Baroque Period Spanish altarpiece retablo / reredo, by (attributed) Luis Salvador Carmona (1708-1767), depicting thorn crowned Christ crucified / Cristo crucificado hand carved, polychromed wood with forged iron nails, mounted on later plaque. This rare antique religious work / object of art, circa 1750, most likely commissioned by the Catholic Church of Spain, destined to be prominently displayed as an altarpiece / retablo or as part of a much larger reredo, directly behind the main altar at a Spanish or Continental European Catholic Church (French, Italian, Iberian, Portuguese) The Crucified Christ, displayed mounted on a later faded red fabric upholstered shaped backboard plaque with textured gilt border. The exceptional hand sculpted, carved, gessoed, polychrome painted figure depicting bloodied Jesus, with crown of thorns atop his head, only wearing a undulating shaped cloth around his loin, arms extended and feet crossed, spear head form iron nails through both. The verso covered in an old paper printed backing with metal hook hardware at top for wall hanging. Dimensions (approx): Overall: 22" High, 14.5" Wide, 3.25" Deep Figure only: 16" High, 10" Wide, 3" Deep Historical background: Artist: (attrib) Luis Salvador Carmona (1708, Nava del Rey – 1767, Madrid) was a Spanish Baroque sculptor who came from a family of artists, including uncle of Manuel Salvador Carmona. He was sent to be trained in Madrid in the workshop of Juan Alonso...

Mid-20th century turned Jesus Christ figure of made of plater. Made in Olot, Spain. In original condition, with minor wear consistent with age and u...

Very beautiful Russian icon with a processional cross in its center from the 17th century We can see that the icon was created to accommodate the processional cross with the Chris...

A fine antique Russian icon of The Protection of the Mother of God, Pokrov Moscow School 19th century The Protection Icon depicts the Mother of God appearing above congregants a...

Mid-20th century turned Jesus Christ figure of made of wood. Made in Olot, Spain. In original condition, with minor wear consistent with age and use, ...

A rare Russian five color polychrome enamel bronze travel icon depicting scenes from the life of the Prophet Elijah including the Fiery Ascension. The border in cornflower blue enamel and scrolled foliate elements topped by the Old Slavonic inscription- Obraz Sviatovo Proroka Ulii- Image of the Holy Prophet Elijah. In the upper left corner is of the hand of God on a white enamel background signifying the clouds. To the right is the Fiery Ascension of Elijah with his dynamic winged horses on a background of finely hand chased flames with stylized wind gusts. The Prophet holds the reigns in his right hand and reaches out with his left to his follower Elisha with a mantle for the parting of the waters of the river Jordan. The river Jordan takes center stage in the icon as a dramatic element - a wide swath of flowing waves with the scenes from the life of Elijah depicted to its left: The Prophet Elijah in the wilderness; Elijah hides in the desert and is fed by an Angel; and Elijah and Elisha crossing the river Jordan parted by Elijah's mantle. This scarce icon is especially significant for the Old Believers tradition. The Old Believers were the chief makers of bronze icons, created by using fire rather than painted by hand. The veneration of the Prophet Elijah, who through his sacrifice, was able to call for fire from heaven manifests a special connection for the sect. Fire, ogon in Russian, was viewed as a purifier and a link to the Last Judgement and the end of the world. Polychrome enamel icons...

This antique religious icon is unsigned, but presumed to have originated from Italy and date to approximately 1920 and done in the period Art De...

JESUS CHRIST CRUCIFIED 19th Century Italian Sculpture in ivor... Christ and table in carved ivory. Cross in Brazilian rosewood, carved...