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Kamasutra I - erotic art, collage, floral tapestry, nude, sensuality in art
Located in New York, NY
Giuseppe Ragazzini's Kamasutra I captivates with its bold exploration of intimacy and sensuality, presented through a fragmented digital collage. The composition features intertwined...
Category
Early 2000s Expressionist Nude Prints
Materials
Archival Paper, Archival Pigment
The Football Players
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in his work. Like many of the issues Aptekar addresses, technology is not without contradiction."
The shocking imagery of juxtaposed human and natural forms with mechanical elements, using clear contours and colors, is certainly not oblivious of Fernand Leger latest work and what he called "the law of contrast". At the same time, the political and social commentary that are a constant inherent component of Aptekar's work has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11.
The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process.
This work "The Football Players...
Category
1980s Expressionist Figurative Prints
Materials
Paper, Screen
Price Upon Request
A Tough Citizen
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...
Category
1980s Expressionist Figurative Prints
Materials
Paper, Screen
Price Upon Request
Hand Into Meat
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...
Category
1980s Expressionist Figurative Prints
Materials
Paper, Screen
Price Upon Request
They Won't Be Stopped
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...
Category
1980s Expressionist Figurative Prints
Materials
Paper, Screen
Price Upon Request
Man Into Machine
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...
Category
1980s Expressionist Figurative Prints
Materials
Paper, Screen
Price Upon Request
Moving Woman
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in his work. Like many of the issues Aptekar addresses, technology is not without contradiction."
The shocking imagery of juxtaposed human and natural forms with mechanical elements, using clear contours and colors, is certainly not oblivious of Fernand Leger latest work and what he called "the law of contrast". At the same time, the political and social commentary that are a constant inherent component of Aptekar's work has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11.
The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process.
This work "Moving Woman" has been conceived while Aptekar was working on a monumental piece of 23 x 45 x 17 feet titled "The Defeat of the City of Plutonium: A Holocaust Prevented". The strong image of a human female naked body depicted as being one of the building parts...
Category
1980s Expressionist Figurative Prints
Materials
Paper, Screen
Price Upon Request
The Coffee Break
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in his work. Like many of the issues Aptekar addresses, technology is not without contradiction."
The use of clear contours and colors, is certainly not oblivious of Fernand Leger latest work and what he called "the law of contrast". At the same time, the political and social commentary that are a constant inherent component of Aptekar's work has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11.
The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process.
This work "Coffee Break...
Category
1980s Expressionist Figurative Prints
Materials
Paper, Screen
Price Upon Request
A Piece of Technology
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...
Category
1980s Expressionist Figurative Prints
Materials
Screen
Price Upon Request
The Rats
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...
Category
1980s Expressionist Figurative Prints
Materials
Paper, Screen
Price Upon Request
The Hot Dog Man
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in his work. Like many of the issues Aptekar addresses, technology is not without contradiction."
The shocking imagery of juxtaposed human and natural forms with mechanical elements, using clear contours and colors, is certainly not oblivious of Fernand Leger latest work and what he called "the law of contrast". At the same time, the political and social commentary that are a constant inherent component of Aptekar's work has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11.
The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process.
This work "The Hot Dog...
Category
1980s Expressionist Figurative Prints
Materials
Paper, Screen
Price Upon Request
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