Art 1900 Abstract Sculptures

In WARM CIRCLE QUILT, Natalie Harrison draws on the historically domestic crafts of molding and quilting to create a new work of collage. Shaping yell...

Luminosité changeante II is a unique medium size contemporary modern sculpture painting relief by French-Dutch artist Olivier Julia. The relief is made f...

In FLOWER TAPESTRY 2, Natalie Harrison draws on the historically domestic craft of tapestry to create a new work of collage. Through adhering leftover...

Kinetic Bronze Sculpture by Gianfranco Meggiato. In his work, Meggiato gets inspiration from the most mysterious city on Earth, city where he was born, lives and works - Venice. Spa...

ARMAN 1928 - 2005 Bronze sculpture, 2004 Polished bronze with black patina, 2004, stamped with foundry stamp and numbered, published by Venturi Arte, Bologna Signed and numbered...

abstract three-dimensional wall sculpture, acrylic and wood on panel carved pieces of wood painted in shades of white, grey and beige with an accent of mint green. 18 x 20 x 2.5 inches, can be oriented vertically or horizontally Dynamic and graphic wall sculpture...

In BLUE CIRCLE QUILT, 1, Natalie Harrison deconstructs both the historically domestic crafts of molding and quilting and her own personal creative history to create a new work of collage. Shaping multicolored, leftover paint from her past work through a candy mold...

Mahogany roots with gold leaf The Ingravidesa Sculpture Alliance is formed by an international group of sculptors and designers who collaborate to create abstract sculpture inspired by nature. They often work together for months on monumental projects. The pieces are the result of collaborations where each artist and craftsman are invited to assist in the creation of these sculptures. Their mahogany and teak root sculptures...

24 x 42 inches Wood strips carefully carved and hand painted in acrylic with black, beige, and dark blue hues, adhered to a wood panel that measures 24 x 42 inches. This modern thre...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Double Contour du Blanc (artist inventory no. 811) is a unique medium size contemporary modern abstract geometric painting on wood panel relief by French artist Henri Prosi...

"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...