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“Abstract #2”
By Martin Rosenthal
Located in Southampton, NY
Original oil paint on heavy archival paper abstract by the American artist, Martin Rosenthal. Bold, vibrant colors. Signed lower left by the artist and dated 1965. Condition is ver...
Category
1960s Modern Abstract Paintings
Materials
Oil, Archival Paper
“Abstract #1”
By Martin Rosenthal
Located in Southampton, NY
Original oil paint on heavy archival paper abstract by the American artist, Martin Rosenthal. Bold, vibrant colors. Signed lower right by the artist and dated 1967. Condition is ver...
Category
1960s Modern Abstract Paintings
Materials
Oil, Archival Paper
“Abstract in Orange”
Located in Southampton, NY
Here for your consideration is a vibrant abstract in mainly orange with yellow highlights by the California artist Edward Darrell Crisp. Signed with artist monogram lower right. Sig...
Category
1980s Post-Modern Abstract Paintings
Materials
Canvas, Oil
“Abstract”
Located in Southampton, NY
Very unusual and boldly colored original oil on canvas abstract painting done by the Russian artist Gufor Malyanov. Signed in cyrillic verso, dated 1952 and titled in cyrillic “Abst...
Category
1950s Modern Abstract Paintings
Materials
Canvas, Oil
“Untitled”
By John Little
Located in Southampton, NY
Early, original oil on canvas painting by the well known American abstract expressionist artist, John Little. Signed and dated lower right, 1958.
Signed and dated verso. Rose Fried...
Category
1950s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
“Composition Red and Gold”
Located in Southampton, NY
Original oil on canvas painting by the American artist Miriam H. Greenberg. Signed lower right. Titled “Composition Red and Gold” and dated verso, 1988. Condition is very good. Orig...
Category
1980s Post-Modern Abstract Paintings
Materials
Canvas, Oil
“Dreams 5”
By Kathy Buist
Located in Southampton, NY
Original oil on canvas abstract painting by the American artist, Kathy Buist. Signed, titled “Dreams 5” verso and dated 2023. Signed lower right by the artist. Condition is new. Pr...
Category
2010s Abstract Abstract Paintings
Materials
Canvas, Oil
“My Word against Theirs”
By Joseph Conrad-Ferm
Located in Southampton, NY
Original acrylic on canvas painting by Cape Cod, Massachusetts artist, Joseph Conrad Ferm. Signed lower right. Titled, dated and signed verso. Executed in 2011. Condition is exce...
Category
2010s Contemporary Abstract Paintings
Materials
Canvas, Acrylic
“Oranges”
Located in Southampton, NY
Interesting abstract of a stillife of oranges by the American artist, Clifford Johnson. Signed lower left. Titled verso. Condition is excellent. Circa 1970. Presently unframed. ...
Category
1970s Contemporary Abstract Paintings
Materials
Canvas, Oil
“Double Play”
By John Little
Located in Southampton, NY
Strong, vibrant original oil on canvas painting titled “Double Play” by the well known American artist, John Little. Signed and dated lower left, 1963. Signed, dated and titled vers...
Category
1960s Post-Modern Abstract Paintings
Materials
Canvas, Oil
“Abstract Faces”
By Louis Wolchonok
Located in Southampton, NY
Original oil painting on thick fiberboard by the well know American artist Louis Wolchonok. Circa 1960. An abstract with hidden faces in an out of focus dreamlike technique. Condit...
Category
1960s Post-Modern Abstract Paintings
Materials
Oil, Fiberboard
“Art Focus”
By Joseph Conrad-Ferm
Located in Southampton, NY
Original acrylic paint on canvas by the American artist, Joseph Conrad-Ferm. Signed lower right. Signed, titled and dated verso, 2015. Condition is excellent. Presently unframed. P...
Category
2010s Contemporary Abstract Paintings
Materials
Acrylic, Canvas
“Lightride”
By Syd Solomon
Located in Southampton, NY
Here for your consideration is a great example of the artwork of the well known American artist, Syd Solomon. Signed top left. Titled and dated verso 1978. The painting is oil and acrylic paint on mounted synthetic canvas. Condition is excellent. Overall framed measurements are 44.75 by 24.5 inches. Provenance: A Sarasota, Florida collector.
SYD SOLOMON BIOGRAPHY American 1917-2004
Written by Dr. Lisa Peters/Berry Campbell Gallery
“Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.”
--Kurt Vonnegut Jr. from Palm Sunday, 1981
Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris.
Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience.
Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil, Acrylic, Board
“Turning”
By Syd Solomon
Located in Southampton, NY
Original oil paint and acrylic paint on canvas by the well known American artist, Syd Solomon. Signed bottom middle. Titled and dated verso, 1977/1978. The location for the painting is Midnight Pass near where the artist once lived in Sarasota, Florida. Condition is excellent. The painting is housed in its original gallery frame with silver edge. Overall framed measurements are 51 by 38 inches. Provenance: A Sarasota, Florida collector.
American, 1917-2004
SYD SOLOMON BIOGRAPHY:
Written by Dr. Lisa Peters/Berry Campbell Gallery
“Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.”
--Kurt Vonnegut Jr. from Palm Sunday, 1981
Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris.
Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience.
Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil, Acrylic
“Gulfside”
By Syd Solomon
Located in Southampton, NY
Original, oil paint and acrylic paint on canvas by the well known American artist, Syd Solomon. Signed bottom middle by the artist. Titled and dated verso 1983. Condition is excellent. Original gallery floating frame. Overall framed measurements are 38 by 42 inches. Provenance: A Sarasota, Florida collector.
SYD SOLOMON BIOGRAPHY
Written by Dr. Lisa Peters/Berry Campbell Gallery
“Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.”
--Kurt Vonnegut Jr. from Palm Sunday, 1981
Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris.
Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience.
Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...
Category
1980s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil, Acrylic
“Untitled”
By Sid Birnbaum
Located in Southampton, NY
Original raised wood with inset enamel paint artwork by Sid Birnbaum. The painting is done in a abstract cubist style. Condition is very good. Signed and dated verso, 1987. Overal...
Category
1980s Post-Modern Abstract Paintings
Materials
Enamel
“Dune Watch”
By Syd Solomon
Located in Southampton, NY
Here for your consideration is a very well executed early abstract painting by the well known American artist, Syd Solomon. Oil paint on birch ply panel. Signed middle bottom. Signed, titled and dated 1966 verso. The painting was done in East Hampton, New York where Syd Solomon spent his summers. Condition is excellent. Overall framed measurements are 26 by 31.5 inches. Provenance: A Sarasota, Florida collector.
Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris.
Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience.
Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Oil, Board
“Untitled”
By John Little
Located in Southampton, NY
Original oil on canvas painting by the well known abstract expressionist artist, John Little. Signed lower right. Signed and dated 1965 on top stretcher bar verso. Betty Parsons Ga...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
“Open Shell”
Located in Southampton, NY
Original oil on canvas painting by the American artist, Susan Wilmarth. Signed, titled and dated 1973 verso. Condition is excellent. Unframed. Provenance: A Long Island, New York collector.
This painting might of been the 1st part of a diptych to “Open Shell 2” also being sold on my site.
Susan Wilmarth was born in 1942 and is known for her abstract paintings. She exhibited at MoMA in 1972 and her paintings are in many private collections. She was the wife of Christopher Wilmarth...
Category
1970s Post-Modern Abstract Paintings
Materials
Canvas, Oil
“Open Shell 2”
Located in Southampton, NY
Original oil on canvas painting by the American artist, Susan Wilmarth. Signed, titled and dated 1973 verso. Condition is excellent. Unframed. Provenance: A Long Island, New York collector.
This painting might of been the 2nd part of a diptych to “Open Shell” also being sold on my site.
Susan Wilmarth was born in 1942 and is known for her abstract paintings. She exhibited at MoMA in 1972 and her paintings are in many private collections. She was the wife of Christopher Wilmarth...
Category
1970s Post-Modern Abstract Paintings
Materials
Canvas, Oil
“Edge”
Located in Southampton, NY
Original oil on canvas painting by the American artist, Susan Wilmarth. Signed, titled and dated 1973 verso. Condition is excellent. Unframed. Provenance: A Long Island, New York collector.
Susan Wilmarth was born in 1942 and is known for her abstract paintings. She exhibited at MoMA in 1972 and her paintings are in many private collections. She was the wife of Christopher Wilmarth...
Category
1970s Post-Modern Abstract Paintings
Materials
Canvas, Oil
“Untitled”
Located in Southampton, NY
Highly textured acrylic on canvas painting by Susan Wilmarth. Signed verso and dated 1981. Untitled. Condition is excellent. Unframed. Provenance: A Long Island, New York collector.
Susan Wilmarth was born in 1942 and is known for her abstract paintings. She exhibited at MoMA in 1972 and her paintings are in many private collections. She was the wife of Christopher Wilmarth...
Category
1880s Contemporary Abstract Paintings
Materials
Canvas, Acrylic
“Untitled Abstract”
By Nahum Tschacbasov
Located in Southampton, NY
Original mid-century modern abstract oil on canvas painting by the well known Russian/American artist Nahum Tschacbasov. Signed lower right and dated 1945. Condition is very good. P...
Category
1940s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
“Untitled”
Located in Southampton, NY
Original acrylic on masonite abstract painting by Nguyen (Manh Doc) Ducman. Signed and dated 1968 lower right. Condition is good. Provenance: Long Island, New York estate. Presently unframed.
Born in Hanoi, Vietnam in 1934, the artist Nguyen Manh Duc Ducman came to Paris as a young man, where he exhibited his work at the Galerie René Drouin...
Category
1960s Post-Modern Abstract Paintings
Materials
Masonite, Acrylic
“Woman with Birds”
By Nahum Tschacbasov
Located in Southampton, NY
Original post modern acrylic on canvas painting of a woman with birds and a large bouquet of flowers by the well known Russian/American artist Nahum Ts...
Category
1980s Post-Modern Abstract Paintings
Materials
Canvas, Acrylic
“Untitled”
By Iliyan Ivanov
Located in Southampton, NY
Original acrylic on fiberboard painting by the Bulgarian/American artist, Iliyan Ivanov. Signed, and dated verso, 2012. Untitled. This painting is part of the “Memories of Unfinis...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Acrylic, Fiberboard
“Untitled”
By Iliyan Ivanov
Located in Southampton, NY
Original acrylic on fiberboard painting by the Bulgarian/American artist, Iliyan Ivanov. Signed, and dated verso, 2012. Untitled. This painting is part of the “Memories of Unfinis...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Acrylic, Fiberboard
“Abstract, 1954”
By Irene Zevon
Located in Southampton, NY
Oil on canvas abstract painting by the American artist, Irene Zevon. Signed lower right and dated 1954. In very good condition. Not presently framed. Provenance: Estate of the artis...
Category
1950s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
“Abstract Sailing, 1945”
By Nahum Tschacbasov
Located in Southampton, NY
Oil on academy board by the Russian/American artist Nahum Tschacbasov. Signed and dated lower left, 1945. Condition: Excellent. Presently not framed.
Biography :
Russian-America...
Category
1940s Modern Abstract Paintings
Materials
Oil, Fiberboard
“Abstraction, 1962”
By Irene Zevon
Located in Southampton, NY
Original oil on canvas painting by Irene Zevon. Traces of spray paint in several areas as part of the painting done by the artist. Signed and dated lower right, 1962. Condition: Ver...
Category
1960s Post-Modern Abstract Paintings
Materials
Canvas, Oil, Spray Paint
"Acrobat"
By Nahum Tschacbasov
Located in Southampton, NY
Circa 1950
Signed top right
Newly matted with natural oak frame
Sight size 13.75 x 8 in.
Overall size with frame 21 x 14 in.
Category
Mid-20th Century Modern Abstract Paintings
Materials
Paper, Oil Pastel
"Red Fish"
By Dina Gustin Baker
Located in Southampton, NY
Dina Gustin Baker studied at the Philadelphia college of Fine Art as well as the Art Students League in New York. This work acrylic on paper is evocative of her colorful palette and ...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Acrylic, Board
"Untitled"
By Sidney E. Zimmerman
Located in Southampton, NY
Sidney E.Zimmerman
USA (1926-2007) studied at the Brooklyn a Museum of Art after returning from Europe during WWII. In 1950, he studied with Morris Kantor and Vaclav Vytlacil at the ...
Category
1960s Modern Abstract Paintings
Materials
Oil, Board
"Untitled"
By Clayton Mitropoulos
Located in Southampton, NY
This abstract oil on canvas painting was done in 2005 and was exhibited at RVS Fine Art the same year. In good condition and housed in a contemporary gold gilt frame. Overall size 2...
Category
21st Century and Contemporary Abstract Expressionist Abstract Paintings
Materials
Oil, Canvas
"Surreal Woman"
By Nahum Tschacbasov
Located in Southampton, NY
Circa 1945
Signed lower left
Unframed
Category
1940s Post-Modern Abstract Paintings
Materials
Oil
Man and the Moon
By Nahum Tschacbasov
Located in Southampton, NY
Oil on canvas. Signed lower right Tschacbasov. Original painting by Nahum Tschacbasov. Condition is excellent. Presently unframed. Provenance: Estate of the artist Nahum Tschac...
Category
1970s Post-Modern Abstract Paintings
Materials
Canvas, Oil
"Big Catch"
By Nahum Tschacbasov
Located in Southampton, NY
Oil on canvas
Signed and dated top right 1972
Painting exhibited at the National Arts Club, New York
Nahum Tschacbasov Retrospective, June 2013
Category
1970s Post-Modern Abstract Paintings
Materials
Oil, Canvas
"Buried Standing Up"
By Nahum Tschacbasov
Located in Southampton, NY
Oil on canvas
Painting exhibited at the National Arts Club, New York
Nahum Tschacbasov Retrospective, June 2013
Category
1970s Post-Modern Paintings
Materials
Oil, Canvas
"Orange Face"
By Rolph Scarlett
Located in Southampton, NY
Circa 1945
Signed lower left
Sight size 12 x 10.5 in
Overall size in newly matted one inch wide black frame 25.5 x 21.5 in
Category
1940s Modern Abstract Paintings
Materials
Gouache, Paper
"Untitled"
By Nahum Tschacbasov
Located in Southampton, NY
Oil on canvas
Signed and dated lower right 1982
Painting exhibited at the National Arts Club, New York
Nahum Tschacbasov Retrospective, June 2013
Category
1980s Post-Modern Paintings
Materials
Canvas, Oil