Arthur T. Kalaher Fine Art Landscape Prints
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“Holland”
Located in Southampton, NY
Original offset colored lithograph travel poster titled “Holland” by the Dutch artist, Paul
Erkelens. Signed in the print lower right and dated 1945. Published by Dejong & Company,...
Category
1940s Post-Modern Landscape Prints
Materials
Lithograph
“Haughton in the County of Nottingham” (Near Newark Upon Trent)
By Johannes Kip
Located in Southampton, NY
An original hand colored engraving by Johannes 'Jan' Kip (1653-1722) of Haughton in the County of Nottinghamshire, one of the seats of Prince John Duke of ...
Category
Early 1700s Academic Landscape Prints
Materials
Engraving
“Returning Home”
By Hermanus Jan Hendrik Rijkelijkhuysen
Located in Southampton, NY
Original etching on Ingres laid paper (watermarked, see last photograph) attributed to the hand of the well known Dutch artist, Hermanus Jan Hendrik Rijkelijkhuysen. No visible signature. Sheet size 9.25 by 12 inches. Sight size 7 by 9 inches. Under glass. Circa 1875. Condition is excellent. Professionally matted and framed in a walnut colored frame with gold leaf edge. Overall framed measurements are 12.75 by 14.5 inches. Gallery label verso. Provenance: A Sarasota, Florida collector.
Biography:
Hermanus Jan Hendrik Rijkelijkhuysen (1813-1883) was a landscape painter and etcher. Rijkelijkhuysen spent most of his life working in the vicinity of his birthplace Utrecht. Inspired by the polders on the one hand and the Utrechtse Heuvelrug on the other, he mainly painted and etched water...
Category
1870s Academic Landscape Prints
Materials
Laid Paper, Etching
“On the Seine, Paris”
Located in Southampton, NY
Original aquatint engraving of working river barges on the Seine in Paris, France. A horse drawn cart is seen loading or unloading product. Circa 1900. ...
Category
Early 1900s Academic Landscape Prints
Materials
Paper, Mezzotint
“Flower Seller, Notre Dame”
Located in Southampton, NY
Very nice original hand colored copper plate etching (aquatint) by the Hungarian born artist, Marianne L. Almasy. Depicts a Parisian flower girl selling her bouquets with the iconic...
Category
1980s Academic Landscape Prints
Materials
Archival Paper, Etching
“Paris-London”
Located in Southampton, NY
Very nice original hand colored copper plate etching (aquatint) by the Hungarian born artist, Marianne L. Almasy. Depicts London with its double buses in the foreground and scenes o...
Category
1980s Academic Landscape Prints
Materials
Archival Paper, Etching
“On the Seine, Paris”
By Hans Figura
Located in Southampton, NY
Original aquatint etching of working river barges on the Seine in Paris, France. A horse drawn cart is seen loading or unloading product. Circa 1900. Si...
Category
Early 1900s Academic Landscape Prints
Materials
Archival Paper, Aquatint
“Flower Picking”
By Myles Birket Foster
Located in Southampton, NY
Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches.
Biography
Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster.
Life and work
Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News.
On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades.
Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...
Category
1880s Impressionist Landscape Prints
Materials
Lithograph, Watercolor, Gouache
“Tending the Sheep”
By Myles Birket Foster
Located in Southampton, NY
Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches.
Biography
Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster.
Life and work
Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News.
On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades.
Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...
Category
1880s Impressionist Landscape Prints
Materials
Watercolor, Gouache, Lithograph
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