Assemblage Ltd. Office Chairs and Desk

Designed by Spain's Marc Krusin for Coalesse. The MCM Wrapp chairs are stackable, clean and elegant with a snug winged back and generous contoured seat inclined slightly for comfort and support. Great for office or dining. Polished Trivalent chrome legs. Each with manufacturers labels underneath. Design origin, Spain, 2007 by Marc Krusin. MCM Chairs...

Herman Miller high-back soft pad office chair in black leather, great condition. Stamped with date of manufactured.

Two arm and six side chairs in a midcentury style with curved and open X form backs. The frames were custom ebonized, raised on square tapering legs, splayed in the back. The seats u...

Vintage Italian brown leather and chrome armchairs, 1980s, set of five.

Grab it before it's gone! Sculptural, luxurious, joyous and chic, circa 1960. Our one-of-a-kind Chiavari chair was professionally lacquered in the most perfect hue of blue and its seat expertly reupholstered in a rich cut velvet fabric that features a peacock feather pattern of blue, green and gold. One of our favorite features of this show stopper chair is how the Chiavari curves and spindles are echoed in the shapes of the cut velvet peacock feathers, which have such a novel and inviting texture. If you were to move your hand across the top of the seat, it feels like embossed/raised velvet peacock feathers. Chiavari chairs are absolutely timeless. Yet the finishes on this particular chair add a modern and contemporary style (color and texture) that's fresh and current. A perfect desk chair, dressing room chair...

The Aluminum Group Management height office chair designed by Charles & Ray Eames for Herman Miller is from the Eames Aluminum Group Collection. These distinctive chairs resulted fro...

Magnificent set of twelve English Regency style klismos armchairs or dining chairs made by Baker Furniture. Featuring handcrafted frames covered with dramatic burlwood veneers. The k...

Exceptional set of 12 matching chairs by Steelcase. The chairs feature a bright tubular chrome frame, with black vinyl back and seat cushions. The cantilevered frame design gives the...

Armchair in patinated leather made by Danish Cabinetmaker in 1930s. Great original condition.

A pair of French 1930s beech bridge / office chairs.

Armchair model 3758 A in original red indian leather and mahogany base. Model designed in 1927 for the Danish Museum of Decorative Art, produced by Rud Rasmussen in the 1940’s. Signed with manufacturer’s label to underside: (Rud. Rasmussens Snedkerier). Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Kaare Klint, Harkær, pg. 28-30. Dansk Møbelkunst Gennem 40 Aar: 1927-1936, Jalk, pg. 169. Danish Chairs, Oda, pg. 22-23. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...

Choices, choices! One of two lacquered Chiavari chairs available in our shop, your guests will be green with envy. Sculptural, luxurious, joyous and chic, circa 1960. Our one-of-a-ki...