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The Painter Speaks Abstract Expressionist Print
By Alex Lazard
Located in Queretaro, Queretaro
Title: The Painter Speaks
Watercolored four-color print on hand-made 100% cotton paper, engraved wood by Alex Lazard. Signed, titled and numbered in pencil. In excellent condition....
Category
21st Century and Contemporary Abstract Figurative Prints
Materials
Watercolor, Woodcut
Always Shadow
By Alex Lazard
Located in Queretaro, Queretaro
Title: SIEMPRE SOMBRA - Always Shadow
Etching and soft-ground etching on hand-made paper, in four colors, 2017. Edtion of 5 printed on 100% cotton paper. Signed, titled and numbere...
Category
21st Century and Contemporary Abstract Expressionist Abstract Prints
Materials
Etching
Title: "Ebodio" - Wood Engraving Portrait Printed on 100% Cotton Paper
By Alex Lazard
Located in Queretaro, Queretaro
Title: "Portrait of Ebodio"
Ebodio was a peasant who worked in the fields while abstract expressionist artist, Alex Lazard lived in Acapulco, México. Lazard was amazed at the number...
Category
21st Century and Contemporary Neo-Expressionist Portrait Prints
Materials
Color, Dye Transfer, Cotton
"Portrait of a Poet" four-color print engraved on metal by etching in colors
By Alex Lazard
Located in Queretaro, Queretaro
Title: Portrait of a Poet
Etching and soft-ground etching, in colors, 2017. Edtion of 30 printed on hand-made 100% cotton paper. Signed, titled and numbered in pencil. In excellent ...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Etching
Portrait of a Painter
By Alex Lazard
Located in Queretaro, Queretaro
Title: Portrait of a Painter
Etching and soft-ground etching, in colors, 2017. Edtion of 30 printed on 100% cotton paper. Signed, titled and numbered in pencil. In excellent condit...
Category
21st Century and Contemporary Abstract Expressionist Abstract Prints
Materials
Etching
Shadow
By Alex Lazard
Located in Queretaro, Queretaro
Title: Amigos
Etching and soft-ground etching, in colors, 2017. Edtion of 5 printed on 100% hand-made cotton paper. Signed, titled and numbered in pencil. In excellent condition.
...
Category
21st Century and Contemporary Abstract Expressionist Figurative Prints
Materials
Etching
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Michael David Singer; born 1954, is an American painter. Born in Reno, Nevada, David's family relocated to Brooklyn, New York, where he was raised. He attended SUNY Fredonia for one year and in 1976 received a B.F.A. from Parson's School of Design. Michael David is classified as an abstract painter, best known for his use of the encaustic technique, which incorporates pigment with heated beeswax. He is also known for his works in mixed-media figure painting, photography and environmental sculpture. His work is included in the permanent public collections of the Metropolitan Museum of Art, the Guggenheim Museum, the Jewish Museum in New York, the Museum of Contemporary Art in Los Angeles, and the Los Angeles County Museum of Art, among others.
In 1976 David, erotic photographer Roy Stuart and Fredonia friend Richie Stotts formed a band called The Numbers, with David on bass. The group was a fixture in New York's early punk rock music scene, playing in clubs alongside punk pioneers Television, Blondie and the Ramones. David also played bass with punk innovators Jerry Nolan of The New York Dolls, Cheetah Chrome of The Dead Boys, Marky Ramone, Peter Gordon, David Van Tieghem and the free-improvisation noise music group Borbetomagus.
In 1977, The Numbers were approached by impresario Rod Swenson, who was seeking musicians to form a backing band for singer Wendy O. Williams, whose radical persona he sought to exploit as punk music and performance art. The Numbers became The Plasmatics but the attention David began to gain as an important voice in the art world caused him to leave the band to pursue his burgeoning painting career.
David's first one-man show was in 1981 at the historic Sidney Janis Gallery. That year he was awarded a Guggenheim Fellowship, at the time the youngest artist ever to do so, and in 1982 was awarded an American Academy of Arts and Letters prize. He went on to exhibit at galleries worldwide and was represented by Knoedler & Co. for the next 25 years.
David is best known for using the encaustic technique of painting, which uses pigment combined with heated beeswax. David built his early career on abstraction and religious iconography, which formed the bulk of his output until 1999. Since then he has also experimented with representational painting and traditional photography.
In 2000, he developed the "Chortens" and "Populations" series, about which prominent art historian and critic Donald Kuspit writes: "They are enigmatic works, all the more so because of the way their innumerable details form singularly monumental, intimidating wholes. Dense yet delicate, awesome yet intimate, they convey the fragility as well as grandeur of sheer being. Layer upon layer of paint piles up like layer upon layer of coral, but the textural result is more epic, not to say startling, than any coral island, and virtually any other existing abstract expressionist painting (upon which they are stylistically founded)."
In 2001, David developed bi-lateral neuropathy due to being poisoned by gases released by overheated beeswax used in the encaustic process. The disease left him with partial paralysis of his legs, slowing the production of his painting for a number of years. That year, David began painting one of his best-known series, the "fallen Toreadors", inspired by 19th century French Realist painter Édouard Manet's "The Dead Toreador" of 1864.
In 1993, David experimented at the "20x24" Polaroid studio in Manhattan, which resulted in a series of portraits of playwright Edward Albee and of friend Jackie Gross, which would become the ongoing "Jackie" series of mixed-media works. When neuropathy rendered him unable to paint during 2003, he returned to the 20x24 camera and shot large-format Polaroids inspired by Caravaggio; nude men and women dressed as Toreadors, and religious imagery.
In 2002, David began to develop The Greenhouse Project, an evolving "architectural construct" based on historical American Antebellum greenhouses built using the actual glass negatives sold to starving farmers in the post-American Civil War South. David has indicated that each greenhouse will, through the display of photography and use of social networking, create a forum and exhibit for ideas and artifacts related to civil and human rights; the specifications of each greenhouse particular to the community in which each is built.
David's work was reviewed in Artforum and Art in America, and is considered one of the last links to the New York School of painting. David may be the most innovative master of immediate surface since the abstract expressionists. He has acknowledged his debt to Abstract Expressionism, but he has transformed it. Where the abstract expressionist paintings of the forties and fifties seem like modern cave paintings, as their crude, unfocused, often meandering, turbulent painterliness suggests, and as such to reinstate prehistory, David seems to turn the cave into a temple, as his more considered, concentrated, indeed, dense, contemplative painterliness indicates, so that his paintings have the aura of post history.
SELECT GROUP EXHIBITIONS
2010-2011 “Post Mammalian Tension, Michael David & Scott Browning”, Bill Lowe Gallery, Atlanta, GA
2006 “Unspoken Connections,” The Lowe Gallery, Santa Monica, CA
2004 The Lowe Gallery, Atlanta, GA
1999 “Waxing Poetic: Encaustic Art in America,” Montclair Art Museum, Montclair, NJ
“Forty Years of American Drawings,” Raab Galerie, Berlin, Germany
1997 “Michael David and James Hyde,” Margulies Taplin Gallery, Coral Gables, FL
1996 “Different Sides: Drawings/Photographs/Prints/Paintings/Sculpture,” Knoedler and Company, New York, NY
1994 “Michael David: Paintings / Nicholas Pearson: Sculpture,” Margulies Taplin Gallery, Boca Raton, FL
1991 “Working with Wax: Ten Contemporary Artists,” Tibor de Nagy Gallery, New York, NY
1989 “Projects and Portfolios: the 25th Print National,” The Brooklyn Museum, Brooklyn, NY
“Important Works on Paper,” Meredith Long and Company, Houston, TX
“New Editions,” Pace Prints, New York, NY
1988 “Golem! Danger, Deliverance, and Art,” The Jewish Museum, New York, NY
1987 “Monotypes,” Pace Editions, New York, NY
“Working in Brooklyn / Painting,” The Brooklyn Museum, Brooklyn, NY
“Art Against AIDS,” benefit exhibition Knoedler and Company, New York, NY
“Jewish Themes: Contemporary American Artists,” Spertus, Chicago, IL
1986 “First Impressions: Recent Monotypes by 15 Artists,” Allan Frumkin Gallery, (Charles Arnoldi, Pat Steir etc)
“Saints and Sinners: Contemporary Responses to Religion,” De Cordova Museum, Lincoln, MA
“Jewish Themes: Contemporary American Artists,” The Jewish Museum, New York, NY
“Public and Private American Prints Today,” Brooklyn Museum, Brooklyn, NY
1985 “A Decade of Visual Arts at Princeton: 1975-1985,” The Art Museum, Princeton University, Princeton, NJ
1984 “Cunningham Dance Benefit,” Leo Castelli Gallery, New York, NY (Robert Rauschenberg, Arman etc)
Twelve Abstract Painters, Siegel Contemporary (Elizabeth Murray, Melissa Meyer, Leon Polk Smith etc.)
“Small Paintings,” Jeffrey Hoffeld Gallery, New York, NY
1982 “Elaine de Kooning’s Inadvertent Collection,” Elaine Benson Gallery, Bridgehampton, NY
1981 “New Visions,” The Aldrich Museum of Contemporary Art (James Biederman, Louisa Chase,Mel Kendrick etc.)
1980 “Seven Young Americans,” Sidney Janis Gallery, New York, NY (Sean Scully, Thornton Willis...
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Squash scarce Abstract Expressionist woodcut print from European portfolio S/N
By Judy Pfaff
Located in New York, NY
Judy Pfaff
Squash, 1985
Woodcut on wove paper
Signed, numbered 78/85, dated and titled on the front with artist's and publisher's blind stamps.
21 3/4 × 29 3/4 inches
Publisher
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"Johnny Cash Mugshot" Print on canvas 39 x 36 inch Ed. of 75 by Gerard Marti
By Gerard Marti
Located in Culver City, CA
"Johnny Cash Mugshot" Print on canvas 39 x 36 inch Ed. of 75 by Gerard Marti
Giclee print on canvas
Stretched on wooden bars.
Signed and numbered by the artist.
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H 39 in W 36 in D 1.5 in
The Universe Mender I by David Salle orange blue and red watercolor stye etching
By David Salle
Located in New York, NY
A delicate, translucent iteration of David Salle's kaleidescopic layers which are usually painted in large scale. Eyes etched in a liquid ocean of blue and orange aquatint form the ground for a nude woman...
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Figurative Couple India Ltd Ed A/P Linocut Print Tender Days II Turquoise Brown
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...
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H 31.11 in W 21.66 in
Hot Lake (2nd State), Etching by James Rosenquist
By James Rosenquist
Located in Long Island City, NY
Artist: James Rosenquist, American (1933 - )
Title: Hot Lake (2nd State)
Year: 1978
Medium: Aquatint Etching, Signed and numbered in pencil
Edition: 78
Size: 23 in. x 40 in. (58.42 c...
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