Bermingham and Co Asian Art Furniture

Japanese Meiji porcelain Kutani vase hand painted with decorative and a figural panel dating between 1868 and 1912. The elegantly shaped tall ...

Monumental pair of antique Chinese late Qing to early Republican period Famille Rose Porcelain vases. The vases of baluster form with appli...

A pair of large Meiji period Satsuma Rouleau vases Japanese, Late 19th Century Height 54.5cm, diameter 24cm These beautiful Satsuma-ware vases were made ...

This finely decorated Qing-period rose medallion or rose mandarin bowl is beautifully hand-painted with four vignettes depicting courtly scenes.

Finely made, the figure stands serenely, dressed in an elaborate pleated robe and headband inlaid with tiny colored mirrors. Finely gilt with patches of red clay visible. The figure ...

the body of this small marvelous vase is painted with a scene of a puppet show vendor with his wood backpack, on top of the backpack there are toys and dolls, he is surrounded with a group of 6 children, and on the background you can see a village. on the other side of the vase there is an amazing painting of flowers and on the sides there are two amazing strong pine trees, the amorphous background is decorated in a "Tortoiseshell" color and design that gives it a real character and which is quite rare to see on satsuma pottery. all the vase is over richly overpainted over the glaze with gold, which gives it its depth and realism. signed Kyoto Kinkozan zo, and sealed Kinkozan zo Kyoto’s Satsuma: The painting technique used in Kyoto’s Satsuma-style ware is said to be the invention of the sixth generation Kinkōzan Sōbei (1824–1884). The Kinkōzan were a famous family of Kyoto Awataguchi potters who made ceramics that were used at Shōren'in, a temple closely tied to the imperial family, and by the shoguns of the Edo government. In fact the shogun is said to have granted them the name Kinkōzan. With the upheavals at the end of the Edo period, however, and the reforms of the subsequent Meiji government, the potters lost their traditional patrons and had to develop new markets. Just at that time, the visit of a certain Westerner is said to have decided them to embark on overseas trade. By 1870, they had perfected Kyō Satsuma...

A good pair of large antique Japanese Meiji period porcelain lidded jars, circa 1880. The jars having ribbed dome shaped lids topped with lion-dog (Komainu) finials, the baluster shaped jars also of corresponding ribbed form. The lids and jars are skillfully hand-decorated in the Imari palette with blue & iron red floral decoration over a white body, on one side are a pair of floral cartouches on another side is a fan shaped cartouche. Condition is very good indeed, no damage or restoration, a very handsome pair of 19th century Japanese Imari lidded jars...

A stunning all natural genuine tiger's eye sculpture depicting a dragon chasing a ball. The sculpture is made with a whole slab of natural Tiger's Eye with fantastic iridescence. Fin...

An antique Chinese famille rose fencai porcelain saucer dish, finely painted with a peony blossom in a rocky garden scene with bamboo and a scrolling ...

Meiji Period Diminutive Satsuma Baluster Vase. This Japanese Satsuma vase from the late Meiji period is hand painted and gilt decorated with a Japanese landscape in exquisite detail...

These are a very decorative pair of cloisonné vases, made in Japan and dating to the 19th Meiji Period, circa 1875. The vases have a good baluster shape with a circular form. They...

A vintage Thai carved wooden monk statue with red, black and gilt finish, inlaid mica and Abhaya Mudra (fear dispelling) gesture. Immerse yourself in the s...