BG Galleries More Furniture and Collectibles

Vintage 1960's medical office or classroom model diagram of the anatomy of the human G-I system. Wall plaque in hand painted plaster relief. Element...

John Keal for Brown Saltman mahogany side table with trapezoid wedge-shaped top flanking a magazine rack, on tapering dowel leg frame with brass-capped feet. Brown-Saltman decal on u...

"Pucci - A Renaissance in Fashion" by Shirley Kennedy, 1st edition, printed in Japan in 1991. All excellent near perfect condition. Cloth cover. First white page...

Pair of heavy green and blue Murano glass book ends by maestro Luciano Gaspari, circa 1950. Born in Venice in 1913. He studied at the Fine Arts Academy of Venice and Bologna, he was a pupil of Virgilio Guidi and Giorgio Morandi. He participated in a number of Biennales. Luciano Gaspari is a painter who enters into symbiosis with glass production, studies the collections, scientifically verifies the techniques, establishes a deep relationship with great masters such as Alfredo Barbini , Luciano Vistosi , Paolo Martinuzzi, especially Livio Seguso and, later, Pino Signoretto. Become the artistic director of Salviati in 1955, he plays the role with untiring commitment and rigor. Characteristic of his approach is a total mastery and an innovative use of traditional techniques, the ability to look to the past to invent the future, but also to use novelties with courage and imagination, or to "force" common use by transforming, for example, simple bottles in sculptures. He engages in serial productions, in "unique pieces", in sculptures, but also in objects such as plates (including absolutely extraordinary those presented at the '66 Biennale), vases, cups, bottles: in every creation the quality of colors, the balance between brightness, transparency, glows and shadows reveals the intense relationship between the painter's sensitivity and fantasy and a perfect understanding of the potential of glass. 1913. Born in Venice on March 22 in a family of decorators. 1931. After attending the Institute of Art, he made his debut at the collective exhibition of the Opera Bevilacqua La Masa. 1932. He receives the prize for the younger painter at the XVII Venice Biennale. 1933. Student of Virgilio Guidi at the Academy of Fine Arts. 1935. He follows Guidi in Bologna. Here he attends the course of engraving techniques held by Giorgio Morandi, with whom he will remain in correspondence for a long time. 1936. Participates in the Rome Quadriennale and the Venice Biennale. 1937. After completing his studies in Bologna, he returns to Venice. 1938. Participates in the Venice Biennale. 1940. Participates in the Venice Biennale; becomes assistant to Giuseppe...

This is a wonderful piece of suburban folk art and mid-century Americana. It is a vintage 'bench made' table lamp incorporating an actual working electric company meter. When the l...

These night stands or side tables are so French 1950's and evoke the Sanatorium designs of Jean Prouve. They’re actually by Jacques Hitier for Tibauto and were often used in school ...

Lovely pair of French 1950's fer forge and perforated steel neo-classical 'chevets' or nightstands / side tables in the manner of Matthieu Mategot (see original catalog page from Mat...

Miriam Shorr was a water colorist as well as a talented needlepoint artist. All the work she did was to her own design, as she used the yarn in much the same way she used paint. She also worked in ink on rice paper, including the shore birds and the street scape...

1950's French umbrella stand in the form of a folded umbrella with hefty round brass base and nice brass handle and conical grip and dark red enameled...