Mid-century Domus S.R.L.S Furniture

Danish modern 1960s ceramic vase/jar produced by Soholm Pottery. Original label in Danish on the neck and stamped on base, reference number 3308.

Midcentury Green, White and Black Striped Ceramic Vase by Serra. A beautiful striped glazed ceramic vase Manufacured by Cerámicas Serra, Spain, 1960s Designed by Josep Serra. This colorful terracotta ceramic vase has stripes in green, black and shades of gray on a white background. Signed ' Serra' underneath. It can be placed alone used as decorative vase or flower vase but it would be nice also as a part of a collection of ceramic vase. Measures: 25 cm height x 11.5 cm diameter About Serra: Serra ceramics factory was a well known ceramics catalan manufacturer with three generations of ceramists. The workshop was founded by Antoni Serra one of the first ceramists in Spain who found an artistic ceramics workshop/studio. Josep Serra with his brothers Antoni and Enric followed his father in the art of ceramics at Can Famades, the new Studio at Cornellà, Barcelona. Josep Serra became the Manager at Cerámicas Serra at the 1930s. The Serra brothers participated in different exhibitions and awards. Jordi Serra...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

Ceramic (Grés) centerpiece designed and produced by Carlo Zauli in 1970. Unique piece. Signed. Biography: Carlo Zauli (Faenza, 1926-2002) is one of the great names in post-war ...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

Behold the vibrant charm of this 1960s Belgian ceramic vase, a true testament to artistic exuberance. A kaleidoscope of colors – orange, blue, and green – splash across its surface i...

This pair of glazed ceramic vases was manufactured by the pottery master Carlo Zauli in the 1960s. Irregular and rough surface is the hallmark of the artist. Ref. AA.VV. Carlo Zau...

Decorative vase realized in a warm gray stoneware with band decorations, designed and manufactured by Carlo Zauli in 1960s. Signature engraved visible...

Vaso scultureo Italiano in ceramica disegnato e prodotto dall'artista Carlo Zauli, firmato sotto la base Zauli Faenza, Italia anni 50.

This ceramic vase was made in Germany, circa 1960. It was produced during the period of West German Pottery, a postwar ceramics style known for its expressive nature and experimentat...

Ceramic (Grés) centerpiece designed and produced by Carlo Zauli in 1970. Unique piece. Signed. Biography: Carlo Zauli (Faenza, 1926-2002) is one of the great names in post-war Italian sculpture. Like other masters of previous generations, from Martini to Fontana and Leoncillo, his technical training was in the field of ceramic art. Zauli moved away from its formal principles in the sixties, however, when his work moved towards a complex form of sculptural research of great expressive richness. The shift from informal territories towards a reasoning about geometrical forms as rhetorical structures brought him into the heart of the sculptural debate of those years. The solo exhibition at the Montenapoleone Gallery of Milan in 1957 fitted in perfectly with other works that were part of a trend towards an integration of the arts (frieze for the palace in Baghdad, 1958; frieze for the government printing office...

Italian ceramic vase by Carlo Zauli (circa 1970s). A modernist piece which has borrowed its classical shape from antiquity. Like an ancient amphora without handles, the vase has a ca...