Bradbury Art & Antiques Figurative Paintings
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A Quiet Evening
By José Royo
Located in Wiscasett, ME
Oil on canvas, signed and dated in the lower right corner. Presented in a carved frame measuring 38.5" x 33.75" overall. The work features a woman reading by lamp light in a very tra...
Category
20th Century Post-Impressionist Figurative Paintings
Materials
Oil
Cairo
By Frans Wilhelm Odelmark
Located in Wiscasett, ME
An oil on canvas signed in the lower right and inscribed with the location in the lower left. Featuring a glimpse of life in Cairo. The painting is presented in what is probably its ...
Category
Late 19th Century Victorian Landscape Paintings
Materials
Oil
The Ballerina
By Pierre Carrier-Belleuse
Located in Wiscasett, ME
Pastel on canvas, signed lower right, measuring 38" x 48.25" including the frame. Pierre Carrier-Belleuse His first studies were with his father, the sculptor Albert-Ernest Carrier-...
Category
Early 1900s Impressionist Figurative Paintings
Materials
Pastel
Preparing the Meal
By Sam Uhrdin
Located in Wiscasett, ME
This oil on canvas is signed and date in the upper left and measures 38" x 45.25" including the frame.
Sam Uhrdin (Swedish School, 1886-1964). Sam Uhrdi...
Category
1940s Impressionist Figurative Paintings
Materials
Oil
Knitting by the Herth
By Sam Uhrdin
Located in Wiscasett, ME
Oil on canvas, signed and dated in the upper left and inscribed on the reverse. Painting features a Swedish girl knitting by the fire. The work has a lovely warm feel to it. Sam Uhrdin...
Category
Mid-20th Century Impressionist Figurative Paintings
Materials
Oil
The Pool Players
By Vincent Campanella 1
Located in Wiscasett, ME
Oil on artist board signed and dated lower right featuring pool players playing a point match in the pool hall. Great WPA feel and texture impasto. Most likel...
Category
1940s Post-Impressionist Interior Paintings
Materials
Oil
Cubist Figure with Broom
Located in Wiscasett, ME
Mid-century cubist oil on masonite signed in the lower right. Presented in what is most likely its original frame and presents well. Original label from Contemporary Arts on E 57th i...
A Distinguished Gentleman
Located in Wiscasett, ME
Oil on canvas, inscribed on the stretcher bar reverse. The painting is presented in a flat black frame that complements it well. Horace Bundy was an itin...
Category
Mid-19th Century Folk Art Figurative Paintings
Materials
Oil
Feeding the Baby
Located in Wiscasett, ME
Oil on canvas, signed upper left. Provenance: Sothebys Amsterdam, Private collection London, Private collection Palm Beach.
His working period was from about 1894 to 1973, successively in Rotterdam, Heeze (Heeze-Leende), Hilversum and Laren. He was educated at the Craft School for decorative painters and received evening lessons at the Rotterdam Academy under the direction of A. van Maasdijk.
He was a member of the Vereeniging Sint Lucas...
Category
Early 20th Century Dutch School Interior Paintings
Materials
Oil
Tea Time
By Frank Bramley
Located in Wiscasett, ME
Signed and dated 92 lower left. Oil on canvas. Frank Bramley British, 1857-1915 Frank Bramley is considered one of the most important artists of the Newlyn School, the group of artists who settled in Newlyn, Cornwall during the 1880s and 1890s, drawn by the light, lifestyle and the example of Alexander Stanhope Forbes, and were at the forefront of 'British Impressionism'. He was particularly ‘in the news’ when his painting of a woman reading in a garden made the astonishing price of $590,000 at Sotheby's New York in late May 1996. As the seminal catalogue of the famous Newlyn School exhibition states, Bramley's reputation has rested for some time on Hopeless Dawn, his major RA exhibition of 1888, and which in recent years has been hung almost constantly at the Tate Gallery. Bramley was born in Lincolnshire and trained at Lincoln Art School, later at Verlat's Academy in Antwerp, from where he went to Venice in 1882-83, where our painting was executed. He first showed at the Royal Academy in London in 1884 (both paintings were Venetian scenes), and it was in the winter of 1884/5 that Bramley settled in Newlyn. He was a quiet and reserved figure, prone to bouts of melancholy. He worked on his own in a tiny studio in an old thatched cottage - the cottage consisted of two rooms, one at ground level (which was the studio) and one which was below ground which was inhabited by a woman who'd lost her arms and who managed to look after a set of tiny children as well as a small potato and turnip shop. Bramley moved to a purpose-built glass studio in 1889. He is known as the master of the so-called 'square-brush technique' which characterizes much of the best Newlyn School work and he used this until 1893, later than most of his colleagues. Bramley was friendly with the great artist Sargent and with him was elected an associate of the Royal Academy in 1894, being elected a full member in 1911. In 1891 he had married, and 4 years later they moved to the Midlands where his work became less socially orientated and more purely decorative. His last years were spent in a London flat...
Category
1890s Victorian Figurative Paintings
Materials
Oil
Warming by the Fire
Located in Wiscasett, ME
Oil on panel, measures 17" x 21" painting and with frame 24" x 27.5". Signed and dated 1885 lower left. Charles Green studied at Leigh’s School of Fine Art and under the engraver, J W Whymper, before quickly establishing himself as a painter and illustrator. Specialising in genre pieces, he joined the Langham Sketching Club and was elected to the Royal Institute of Painters in Water Colours (ARI 1864; RI 1867). His elder brother, Henry Towneley Green, was also a member. His contribution of contemporary subjects to the early numbers of The Graphic were admired by Van Gogh, but he was best known for his depiction of period settings and for his illustrations to The Old Curiosity Shop...
Category
1880s Victorian Figurative Paintings
Materials
Oil
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