Bradbury Art & Antiques Interior Paintings
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Preparing the Meal
By Sam Uhrdin
Located in Wiscasett, ME
This oil on canvas is signed and date in the upper left and measures 38" x 45.25" including the frame.
Sam Uhrdin (Swedish School, 1886-1964). Sam Uhrdi...
Category
1940s Impressionist Figurative Paintings
Materials
Oil
Knitting by the Herth
By Sam Uhrdin
Located in Wiscasett, ME
Oil on canvas, signed and dated in the upper left and inscribed on the reverse. Painting features a Swedish girl knitting by the fire. The work has a lovely warm feel to it. Sam Uhrdin...
Category
Mid-20th Century Impressionist Figurative Paintings
Materials
Oil
The Pool Players
By Vincent Campanella 1
Located in Wiscasett, ME
Oil on artist board signed and dated lower right featuring pool players playing a point match in the pool hall. Great WPA feel and texture impasto. Most likel...
Category
1940s Post-Impressionist Interior Paintings
Materials
Oil
Feeding the Baby
Located in Wiscasett, ME
Oil on canvas, signed upper left. Provenance: Sothebys Amsterdam, Private collection London, Private collection Palm Beach.
His working period was from about 1894 to 1973, successively in Rotterdam, Heeze (Heeze-Leende), Hilversum and Laren. He was educated at the Craft School for decorative painters and received evening lessons at the Rotterdam Academy under the direction of A. van Maasdijk.
He was a member of the Vereeniging Sint Lucas...
Category
Early 20th Century Dutch School Interior Paintings
Materials
Oil
Tea Time
By Frank Bramley
Located in Wiscasett, ME
Signed and dated 92 lower left. Oil on canvas. Frank Bramley British, 1857-1915 Frank Bramley is considered one of the most important artists of the Newlyn School, the group of artists who settled in Newlyn, Cornwall during the 1880s and 1890s, drawn by the light, lifestyle and the example of Alexander Stanhope Forbes, and were at the forefront of 'British Impressionism'. He was particularly ‘in the news’ when his painting of a woman reading in a garden made the astonishing price of $590,000 at Sotheby's New York in late May 1996. As the seminal catalogue of the famous Newlyn School exhibition states, Bramley's reputation has rested for some time on Hopeless Dawn, his major RA exhibition of 1888, and which in recent years has been hung almost constantly at the Tate Gallery. Bramley was born in Lincolnshire and trained at Lincoln Art School, later at Verlat's Academy in Antwerp, from where he went to Venice in 1882-83, where our painting was executed. He first showed at the Royal Academy in London in 1884 (both paintings were Venetian scenes), and it was in the winter of 1884/5 that Bramley settled in Newlyn. He was a quiet and reserved figure, prone to bouts of melancholy. He worked on his own in a tiny studio in an old thatched cottage - the cottage consisted of two rooms, one at ground level (which was the studio) and one which was below ground which was inhabited by a woman who'd lost her arms and who managed to look after a set of tiny children as well as a small potato and turnip shop. Bramley moved to a purpose-built glass studio in 1889. He is known as the master of the so-called 'square-brush technique' which characterizes much of the best Newlyn School work and he used this until 1893, later than most of his colleagues. Bramley was friendly with the great artist Sargent and with him was elected an associate of the Royal Academy in 1894, being elected a full member in 1911. In 1891 he had married, and 4 years later they moved to the Midlands where his work became less socially orientated and more purely decorative. His last years were spent in a London flat...
Category
1890s Victorian Figurative Paintings
Materials
Oil
Related Items
Historical genre oil painting of three gentlemen at a table
By Frank Moss Bennett
Located in Moreton-In-Marsh, Gloucestershire
Frank Moss Bennett
British, (1874-1952)
Papers to Discuss
Oil on canvas, signed & dated 1922
Image size: 13.5 inches x 19.5 inches
Size including frame: 20.25 inches x 26.25 inches
A finely painted scene by Frank Moss Bennett depicting three gentlemen in 18th century costume conversing at a table. One of the men, dressed as a lawyer, looks over a document whilst the others smoke from clay tobacco pipes.
Frank Moss Bennett was a portrait and genre painter who was born in Liverpool on November 15, 1874. He was the son of the Iron Founder Henry Mellor Bennett who was also became mayor of Liverpool. His family’s wealth enabled him to receive a good education, initially with a governess and then at Clifton College in Bristol. His talent for art emerged at a young age, however it was not until he left Bristol that he decided to follow a career in painting.
He moved to London in 1892, most likely with his family who went to live in Croydon after his father’s retirement. There he studied at the Slade School of Art where he was taught by Henry Tonks and John Singer Sargent. He also met fellow artist Eddie Wells who became his friend, travel partner and brother-in-law. He later attended the St John’s School of Art and in 1896 entered the Royal Academy school, winning a gold medal and a scholarship to travel. He began exhibiting at the Royal Academy from 1898 with a work entitled ‘A Book Plate’, continuing to exhibit there until 1929. He also exhibited at the Paris Salon, the Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolour.
In 1900, Bennett used his scholarship money to go on a painting expedition to Italy with his friend Wells. On his return he lived with his family at 18 Warrington Road, Croydon and took a studio nearby at Alipore, Duppas Hill, where he began specialising in historical genre and portraits. His work portrayed life in seventeenth and eighteenth century England, depicting figures in tavern interiors, gentlemen discussing affairs of State or at leisure in their homes. He wanted his works to be historically accurate and used authentic props and antiques. He also accrued a large collection of costumes, some of which were later given to the Platt Hall Museum, Manchester and the Museum of London. He also developed an interest in historical architecture, particularly Tudor and made many sketches of buildings...
Category
Early 20th Century Victorian Figurative Paintings
Materials
Oil, Canvas
H 20.25 in W 26.25 in D 2.75 in
Historical genre oil painting of two gentlemen playing a game of cards
By Marcel Brunery
Located in Moreton-In-Marsh, Gloucestershire
Marcel Brunery
French, (1893-1982)
A Good Hand
Oil on panel, signed
Image size: 18.75 inches x 23.5 inches
Size including frame: 26.75 inches x 31.5 inches
Provenance: Frost & Reed
...
Category
Early 20th Century Victorian Figurative Paintings
Materials
Oil, Panel
H 26.75 in W 31.5 in D 2.5 in
19th Century genre oil painting of a woman spinning wool
By Jonathan Pratt
Located in Moreton-In-Marsh, Gloucestershire
Jonathan Pratt
British, (1835-1911)
Spinning Wool
Oil on canvas, signed
Image size: 12 inches x 17.75 inches
Size including frame: 17.25 inches x 23 inches
A pleasing genre paintin...
Category
19th Century Victorian Figurative Paintings
Materials
Oil, Canvas
H 17.25 in W 23 in D 2.25 in
18th century oil sketches for a Baroque interior - a pair
Located in London, GB
A FEAST OF THE GODS WITH VENUS AND BACCHUS
Collections:
With Appleby Brothers, London, June 1957;
Hazlitt, Gooden & Fox, London, 1961;
John and Eileen Harris, acquired from the above, to 2015.
Literature:
Jacob Simon and Ellis Hillman, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, cat. no.12 (as by Louis Laguerre);
Elizabeth Einberg (ed.), Manners and Morals: Hogarth and British Painting, 1700-1760, exh. cat., London (Tate Gallery), 1987, cat. no.10 (as by Louis Laguerre);
Tabitha Barber and Tim Bachelor, British Baroque: Power and Illusion, exh. cat., London (Tate Britain), 2020.
Exhibited:
Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, no.12 (as by Louis Laguerre);
London, Tate Gallery, Manners and Morals: Hogarth and British Painting, 1700-1760, 1987, no.10 (as by Louis Laguerre);
London, Tate Britain, British Baroque: Power and Illusion, cat. no 92, 2020.
CUPID AND PSYCHE BEFORE JUPITER
Collections:
With Appleby Brothers, London, June 1957;
Hazlitt, Gooden & Fox, London, 1961;
Anthony Hobson, acquired from the above, to 2015.
These recently re-united paintings are the most ambitious surviving baroque ceiling sketches made in Britain in the early eighteenth century. From the Restoration until the rise of Palladianism in the 1720s decorative history painting formed the preeminent artistic discipline in Britain. It was a field dominated by Continental artists including the Italian Antonio Verrio and the Frenchmen Louis Laguerre and Louis Chéron...
Category
Early 18th Century Baroque Figurative Paintings
Materials
Canvas, Oil
VAN BIESBROECK Jules. Snake charmer. Oil on panel. Signed.
By Jules Pierre van Biesbroeck
Located in Paris, FR
Algerian women in an interior. Oil on panel. Signed.
This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation.
Jules Van Biesbroeck...
Category
1920s Figurative Paintings
Materials
Oil
H 19.69 in Dm 15.75 in
Jules Rene HERVE, Maternity, Oil on Panel, 1935-1940
By Jules René Hervé
Located in Saint Amans des cots, FR
Oil on panel by Jules René HERVE, France, 1935-1940. "Maternity". Panel mounted on chassis. with frame: 39,5x34.2x5 cm - 15.6x13.4x2 inches - without frame: 27x22 cm - 10.6x8.7 inches. Signed lower left "Jules R Hervé...
Category
1930s Post-Impressionist Figurative Paintings
Materials
Oil, Panel
H 13.47 in W 15.56 in D 1.97 in
Woman and guitar oil on board painting fauvism
By Jordi Curos
Located in Barcelona, Barcelona
Jordi Curós Ventura (1930-2007) - Woman - Oil on board.
Work measurements 46x38 cm.
Frame size 64x56 cm.
Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter.
He ...
Category
1980s Fauvist Figurative Paintings
Materials
Oil, Board
Blessing of the Tzadik (Rebbe) Rare Hungarian Judaica Oil Painting
By Anton Peczely
Located in Surfside, FL
Rare Pre World War II (Pre Holocaust) Judaica Art. European Judaic art from this period is exceedingly rare.
Péczely Antal Anton 1891 - 1963
Known for his Jewish genre scenes, Chess scenes and other early 20th Century salon style paintings. In the tradition of Moritz Oppenheim...
Category
Early 20th Century Post-Impressionist Figurative Paintings
Materials
Oil, Board
Woman Playing the Piano Forte
By Marguerite Stuber Pearson
Located in Lawrence, NY
Marguerite Stuber Pearson was a firm proponent of the Boston School tradition, characterized by her mastery of academic technique and the selection of traditional subjects of portraiture, figures in interiors and still lifes. In her debut exhibition at the Guild of Boston Artists in 1931, one reviewer happily reported that her paintings were “executed in the best Boston School tradition.” Upon seeing the show, Edmund Tarbell...
Category
1930s American Impressionist Interior Paintings
Materials
Oil
Fine 19th Century Country Cottage Interior Young Family Enjoying Meal Together
By German School
Located in Cirencester, Gloucestershire
The Family Meal
German School, mid 19th century
oil on canvas, unframed
canvas : 10.75 x 11.75 inches
provenance: private collection
condition: very good and sound condition
Category
Mid-19th Century Victorian Figurative Paintings
Materials
Oil, Canvas
No Reserve
H 10.75 in W 11.75 in
Woman from behind oil painting
By Rafael Duran Benet
Located in Barcelona, Barcelona
Rafael Duran Benet (1931-2015) - Woman from behind - Oil on canvas cardnoard
Oil measurements 55x46 cm.
Frameless.
Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan...
Category
1990s Post-Impressionist Figurative Paintings
Materials
Canvas, Oil, Cardboard
Corner of AS, Original Oil Painting, Landscape
By Raphaël Renaud
Located in AIX-EN-PROVENCE, FR
Work : Original Oil Painting, Handmade Artwork, Unique Work. Ready to Hang.
Medium : Oil on coated wood.
Artist : Raphaël Renaud
Subject : Coin de AS (Title), (EN : Corner of AS). T...
Category
21st Century and Contemporary Contemporary Interior Paintings
Materials
Oil, Wood Panel
