CAIAFA ARTE di MASSIMO CAIAFA Mixed Media
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BOTTLES - Mixed media on cardboard, signature illegible
Located in Napoli, IT
Mixed media on cardboard signed upper right and framed, outside measurement cm.47x32
Category
1970s Modern Mixed Media
Materials
Paper, Mixed Media
SPATIAL GEOMETRY - Watercolor and India ink on paper signed Afro
Located in Napoli, IT
Watercolor and India ink on paper signed Afro, wooden frame with double glass mis. cm. h.55x28x3
Category
1960s Modern Mixed Media
Materials
Paper, India Ink, Watercolor
FOR A CALM DAY - Mixed media on canvas signed Nino Ruju 2003
Located in Napoli, IT
Nino Ruju was born in Vomero in 1923. He trained at the Academy of Fine Arts in Naples with Vincenzo Ciardo, Manlio Giarrizzo and Antonio Bresciani. Stylistically, his work ventured ...
Category
Early 2000s Modern Mixed Media
Materials
Canvas, Acrylic
INTIMACY - Mixed media on canvas signed Nino Ruju 2003
Located in Napoli, IT
Nino Ruju was born in Vomero in 1923. He trained at the Academy of Fine Arts in Naples with Vincenzo Ciardo, Manlio Giarrizzo and Antonio Bresciani. Stylistically, his work ventured ...
Category
Early 2000s Modern Mixed Media
Materials
Canvas, Acrylic
ALLUMETTES SUR METAL - Homage to Bernard Aubertin
Located in Napoli, IT
Matches on aluminum plate, work by unknown artist inspired by Bernard Aubertin. W/frame
Category
Early 2000s Abstract Mixed Media
Materials
Wood, Mixed Media
LUCKY DAY - Massimo Caiafa Abstract Mixed Media on Canvas
By Massimo Caiafa
Located in Napoli, IT
LUCKY DAY - Mixed media on canvas cm.66x76 by Massimo Caiafa, Italy 2017
Category
2010s Abstract Mixed Media
Materials
Canvas, Mixed Media
NATURA MORTA OVALE CON VERDE ORIENTALE - Mixed Media on Canvas
By Bruno Donzelli
Located in Napoli, IT
Natura morta ovale con verde orientale - Bruno Donzelli Italia - Mixed media on canvas cm. 40 x 50- Wooden frame cm. 58 x 70
Signed in the lower center
Bruno Donzelli was born in Nap...
Category
Late 20th Century Modern Still-life Paintings
Materials
Canvas, Mixed Media
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Eat the Rotten Fruit of Your Love
Located in New York, NY
2015, Mixed media on paper
Category
2010s American Modern Mixed Media
Materials
Paper, Mixed Media
Moment of Reflections 1
Located in Ibadan, Oyo
In "Moment of Reflections," Olatunbosun transports the audience into a world of contemplation and self-discovery. The centerpiece of the artwork is a young man seated in a casual, relaxed manner. His pose conveys a sense of tranquility as if he has found solace in the moments of quiet contemplation. The attention to detail in the artwork is striking, with intricate brushwork bringing out the textures of the subject's clothing and the surrounding environment.
The setting of the artwork is deliberately minimalistic, allowing the viewer to focus entirely on the young man's expression and demeanor. The background is a subtle blend of soft colors, suggesting an ethereal space where thoughts roam freely. This simplicity further accentuates the theme of reflection, as the absence of distractions allows viewers to immerse themselves in their own thoughts while contemplating the emotions conveyed by the subject.
Olatunbosun's "Moment of Reflections" is a remarkable piece that resonates deeply with viewers from all walks of life. The young man's expression exudes a sense of inner peace, prompting viewers to ponder their own life experiences and contemplate the paths they have taken. This introspective quality of the artwork creates an intimate connection between the audience and the subject, allowing for a deeply personal and emotional experience.
The painting's title, "Moment of Reflections," is deliberately chosen to reinforce the idea of taking a moment for self-exploration and soul-searching. In the hustle and bustle of modern life, we often overlook the importance of pausing and reflecting on our journey. Olatunbosun's artwork serves as a gentle reminder to find time for introspection and to appreciate the beauty in moments of quietude.
What makes "Moment of Reflections" even more extraordinary is its ability to transcend cultural boundaries. The emotions depicted in the artwork are universal, touching the core of human experiences. Whether the viewer is from the artist's homeland or halfway across the world, the profound message remains relevant – we all share moments of contemplation and self-discovery in our lives.
In conclusion, Samson Olatunbosun's "Moment of Reflections" is a timeless masterpiece that captures the human spirit with its simplicity and emotional depth. Through his brilliant artistic skill, Olatunbosun creates an atmosphere of introspection, inviting viewers to engage in their own moments of contemplation and self-discovery. This extraordinary artwork serves as a poignant reminder of the power of art to connect us all through our shared humanity and emotions. As we gaze upon the young man seated in a relaxed manner, we are reminded to embrace the beauty of silence, to reflect on our past, and to seek meaning in the present – a truly profound and impactful journey offered by the artistic genius of Samson Olatunbosun.
Shipping Procedure
Ships in a well-protected tube from Nigeria
This work is unique, not a print or other type of copy.
Accompanied by a Certificate of Authenticity (Issued by the Gallery)
About Artist
Samson Olatubosun...
Category
19th Century Modern Figurative Paintings
Materials
Mixed Media, Photographic Paper, Acrylic, Oil, Canvas
Canadian Art Mixed Media Collage Assemblage Painting Hebrew Canada Stamp
Located in Surfside, FL
Canadian artist, designer, teacher and writer Stephen James Andrews was born in Saskatoon, Saskatchewan in 1922. Studied art at Winnipeg School of Art, Winnipeg, Manitoba, Camberwell School of Arts, London, England, privately with Martin Bloch in London, England, at the Académie Julian, Paris, France, and the Scuola del Mosaics, Ravenna, Italy. Died in Spain in 1995. A collage may sometimes include magazine and newspaper clippings, ribbons, paint, bits of colored or handmade papers, portions of other artwork or texts, photographs and other found objects, glued to a piece of paper or canvas. This is more of a photomontage. Modernist collage began with Cubist painters Georges Braque and Pablo Picasso. Many artists have used the technique including Enrico Baj, Joseph Cornell, Max Ernst, Man Ray, Mimmo Rotella and Kurt Schwitters. Drawings made by Stephen Andrews...
Category
20th Century Modern Mixed Media
Materials
Paint, Paper, Ink, Mixed Media
Nocturnal Nature (Still Life Painting of Colorful Flowers on Indigo Blue)
By Julia Whitney Barnes
Located in Hudson, NY
Realistic still life painting of bright flowers on dark blue
Hand-painted cyanotype by Julia Whitney Barnes
"Nocturnal Nature (Poppies, Clematis, Fennel)" made in 2023
Image dimensio...
Category
2010s Contemporary Still-life Paintings
Materials
India Ink, Watercolor, Gouache, Archival Paper
IInes Hildur German Artist Painter "Noir et Rouge" Mixed-Media on Wood
By Hildur Ines
Located in Paris, FR
"Art is transformation" Art is the purpose of art as love is the purpose of love.« Heinrich Heine
Ines Hildur starts her paintings intuitively, without any preconceived
programme. From the subconscious things occur, which she
cannot predetermine. The artist does not convert these inner pictures
to specific things.
With a special feeling for rhythm and through subtile color
sounds she tells about free, associative picture stories. The works
exude tranquillity, clarity and sensuality. The visible aesthetic sensitivity
has a suggestive power, which captivates the observer. If you
get involved in these pictures – in the colored moods, the symbolic,
fragile lines, symbols – they appear to be the beginning of a
story, which the observer can continue in his imagination. At the
trans-lation into the terms of language, however, something
mysterious remains, which cannot be translated.
The painter apparently leaves the processes for the creation of the
painting: color layers overlay each other, lines are covered and
released again, used papers are stuck onto the work.
The artist describes her way of painting like this: » violations at
places of change are connected, sewed, covered in a varnishing
way, shine through like under a wax layer or can still haptically be
realised. Special importance is attached to the picture passages,
which appear to be particularly successful, they support their environment
– are significant for fringe areas, however, can also lose
their function again during the working process and have to be
given up – sometimes this is quite painful like the loss of a good
friend.«
She discovers special beauty in apparently everyday things. This
can be a crumbling wall, moss between concrete slabs, traces of
transience.
Due to this special talent of perception the artist converts her
impressions to compact pictures, which sometimes remind me of
releasing layers, preserving a certain state, which could quickly
disappear: also the forms of cocoon are ambiguous, a cocoon for
wrapping something up, giving protection and security – or are
they projectiles reaching new shores?
In an environment of over-stimulation the artist wants to train our
ability of perception to see things in a new way. For several years
she has been communicating the interrelation between painting
and seeing at the private art school Wameling Richon in Baden
near Zurich. The painter and architect Ines Hildur – this is her
pseudonym – belongs to the cross-border artists, to whom one
attributes a special open view due to the different fields of
activity. Since 1991 she has intensively been occupying herself with
painting. By encountering the Berlin film-maker and painter Jürgen
Böttcher Alias Strawalde, the Vienna painter Gunter Damisch and
the artist couple Nancy Spero and Leon Golub at the renowned
Summer Academy of Fine Arts in Salzburg she received particularly
lasting ideas and stimuli.
In the meantime the artist, who presently lives in Leipzig, shows
her individual and group presentations in Germany, Austria,
Switzerland and France.
The paintings of Ines Hildur appear to be very open, they invite to
discuss about them. Perhaps it will be a dialogue between her
expectations and those aspects you can find here. You can take up
this trace if you want to come closer to the secret behind the
obvious things, which works of art always have for us.
Andrea Richter-Mahlo I Art Historian I Leipzig.
Ines Hildur is born in Freiberg / Saxonia in Germany
She studied architecture at the University Dresden from 1977 to 1982.
In 1991 she study Arts in the Arts School of Fine Arts & Design and in the International Summer Academies of Fine Arts Saarbrücken
Living and working in Leipzig as an Artist Painter she still working as an Architect and Interior Designer in Dresden, Saarbrücken, Salzburg and Leipzig since 1982 and Temporarily in Saint Paul De Vence - Cote d'Azur
Teaching free painting at serval academies of Fine arts since 2002 .
Selected Solo Exhibitions
1994 Galerie Filmhaus Saarbrücken
1995 Atelier Studio Silke Wagler Leipzig
Galerie Mittelsächsisches Theater Freiberg
1996 Galerie Alcatraz Hallein/Austria
1997 Galerie Hofhaus Saarlouis
Galerie Pro Arte Hallein/Austria
1998 Galerie Schubert Neunkirchen
Mdr-Galerie Leipzig
1999 City Managment/Galerie Spandow Berlin
Galerie Kunst + Objekte Leipzig
2000 Regierungspräsidium Dresden
Galerie Hanstein Saarbrücken
2001 Galerie Spandow Berlin
2002 Galerie Wameling Richon, Baden/Suisse
2003 Kunstverein Die Treidler, Frankenthal
Galerie Ferry, Paris
2004 Drive - Die Medienagentur, Hannover
2005 Galerie Ferry Paris
Galerie Wameling Richon Baden/Suisse
Galerie Victoria Wittek Schwalmtal/Rainrod/D
2006 Kunstverein Ebersberg
2007 Nexolab München
2010 Art und Ambiente Leipzig
Kunst und Justiz Karlsruhe
2013 Helmaxx Salzburg
2014 Werkschau Salzburg
2015
2018 Galerie Schöllerbank Salzburg
Galerie Katapult Basel
Galerie Mikhail Nefedov Nizza
Galerie der Havilandbank Monte Carlo
Selected Group Exhibitions
1994 Galerie Filmhaus Saarbrücken
1996 Galerie am Damm, Dresden
Galerie Hanstein, Saarbrücken
Galerie Pro Arte Hallein/Austria
1997 Landeskunstaustellung Saar, St. Ingbert
1999 Passages - House of Artists, Saarbrücken
Art in the Box - House of Artists, Saarbrücken
2001 Galerie Hanstein, Saarbrücken
House of Artists, Saarbrücken
2002 Galerie Hanstein, Saarbrücken
Galerie Pro Arte Hallein/Austria
2003 Galerie Hanstein, Saarbrücken
Galerie Ferry, Paris
2004 Galerie Wameling Richon, Baden/Suisse
Grosse Kunstausstellung, Wasserburg/Inn
Galerie Nicole...
Category
21st Century and Contemporary Abstract Mixed Media
Materials
Wood, Mixed Media, Acrylic
H 11.82 in W 11.82 in D 2.37 in
Untitled
By Michael Goldberg
Located in Austin, TX
Oil, pastel, and paper collage on canvas. Signed and dated verso.
52.75 x 47.75 in.
54 x 49 in. (framed)
Gilded floater frame.
Provenance
Compass Rose, Chicago
Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings.
From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League.
Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...
Category
1980s Abstract Expressionist Abstract Paintings
Materials
Canvas, Pastel, Mixed Media, Oil, Handmade Paper
Yoga Feelings On My Vintage Jacket
Located in Ibadan, Oyo
Alagbe's artwork draws attention to the man's jacket, which showcases his bare chest. The jacket, reminiscent of a vintage style, represents the layers we often wear to shield ourselves from the world. By revealing his bare chest, the man symbolizes a willingness to be vulnerable and open to self-exploration. The jacket becomes a canvas for introspection, encouraging viewers to reflect on their own inner journeys toward peace and self-discovery.
The quote by Geshe Kelsang Gyatso, "We all wish for world peace, but world peace will never be achieved unless we first establish peace within our own minds," resonates deeply with Alagbe's artwork. It highlights the idea that true peace cannot be attained externally unless we find serenity within ourselves. The artwork invites viewers to examine their own inner landscape and cultivate a sense of harmony, balance, and compassion toward themselves and others.
Embedded within the artwork is another profound quote, this time from The Bhagavad Gita...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Acrylic, Canvas, Pastel, Ink
Moment of Reflections 2
Located in Ibadan, Oyo
In "Moment of Reflections," Olatunbosun transports the audience into a world of contemplation and self-discovery. The centerpiece of the artwork is a young man seated in a casual, relaxed manner. His pose conveys a sense of tranquility as if he has found solace in the moments of quiet contemplation. The attention to detail in the artwork is striking, with intricate brushwork bringing out the textures of the subject's clothing and the surrounding environment.
The setting of the artwork is deliberately minimalistic, allowing the viewer to focus entirely on the young man's expression and demeanor. The background is a subtle blend of soft colors, suggesting an ethereal space where thoughts roam freely. This simplicity further accentuates the theme of reflection, as the absence of distractions allows viewers to immerse themselves in their own thoughts while contemplating the emotions conveyed by the subject.
Olatunbosun's "Moment of Reflections" is a remarkable piece that resonates deeply with viewers from all walks of life. The young man's expression exudes a sense of inner peace, prompting viewers to ponder their own life experiences and contemplate the paths they have taken. This introspective quality of the artwork creates an intimate connection between the audience and the subject, allowing for a deeply personal and emotional experience.
The painting's title, "Moment of Reflections," is deliberately chosen to reinforce the idea of taking a moment for self-exploration and soul-searching. In the hustle and bustle of modern life, we often overlook the importance of pausing and reflecting on our journey. Olatunbosun's artwork serves as a gentle reminder to find time for introspection and to appreciate the beauty in moments of quietude.
What makes "Moment of Reflections" even more extraordinary is its ability to transcend cultural boundaries. The emotions depicted in the artwork are universal, touching the core of human experiences. Whether the viewer is from the artist's homeland or halfway across the world, the profound message remains relevant – we all share moments of contemplation and self-discovery in our lives.
In conclusion, Samson Olatunbosun's "Moment of Reflections" is a timeless masterpiece that captures the human spirit with its simplicity and emotional depth. Through his brilliant artistic skill, Olatunbosun creates an atmosphere of introspection, inviting viewers to engage in their own moments of contemplation and self-discovery. This extraordinary artwork serves as a poignant reminder of the power of art to connect us all through our shared humanity and emotions. As we gaze upon the young man seated in a relaxed manner, we are reminded to embrace the beauty of silence, to reflect on our past, and to seek meaning in the present – a truly profound and impactful journey offered by the artistic genius of Samson Olatunbosun.
Shipping Procedure
Ships in a well-protected tube from Nigeria
This work is unique, not a print or other type of copy.
Accompanied by a Certificate of Authenticity (Issued by the Gallery)
About Artist
Samson Olatubosun...
Category
19th Century Modern Figurative Paintings
Materials
Canvas, Mixed Media, Oil, Acrylic, Photographic Paper
Bay Laurel #2
By Michael Mancarella
Located in Los Angeles, CA
Mancarella's sculptures are from the series titled "Elements". Formal design principles are the basis for Mancarella's work which is typically made of wood and metal. Taken individua...
Category
2010s Abstract Mixed Media
Materials
Steel
Chef Pasta - Vintage Illustration in Ink and Watercolor
By Irene Pattinson
Located in Soquel, CA
Chef Pasta - Vintage Illustration in Ink and Watercolor
A charming illustration, by Irene Pattinson (American, 1909-1999), shows a chef in an 1800's toque blanche, pouring oil from an ornate bottle over a bowl. His face, with spectacles, a moustache and goatee in fine line work, is painted in vibrant pink watercolor for an added splash of color.
Signed in the bottom right corner, "i.p."
Presented in a new white mat with foam core backing.
Mat size: 8.5"H x 11"W
Paper size: 6.75"H x 6.75"W
Image size: 4.13"H x 3.63"W
Irene Pattinson (American, 1909-1999) studied at the California School of Fine Art (now The San Francisco Art Institute), San Francisco State College and The Marion Hartwell School of Design. She was President of the San Francisco Woman Artists Association 1955-56.
Provenance: The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art.
Solo Exhibitions: Lucien Labaudt Gallery 1955; San Francisco Museum of Art, 1961 (39 works).
Selected Group Exhibitions: San Francisco Art Association Annual 1948, 54, 55; San Francisco Woman Artists, 1957-1960; Oakland Art Museum Annual, 1951, 58; California Palace of the Legion of Honor, 1960; Richmond Art Center, 1955, 56, 57, 58; San Francisco Art Institute 1959, 60. The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963.
Awards: First Place, San Francisco Woman Artists Assoc., 1957, 1959; San Francisco Art Festival 1957;Literature: San Francisco Art Institute - A catalog of the Art Ban 1962/63; San Francisco and the Second Wave: The Blair Collection
Exhibitions:
1963 The Art Bank of the San Francisco Art Association, San Francisco, CA
1963 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA
1962 The Art Bank of the San Francisco Art Association, San Francisco, CA
1961 San Francisco Museum of Art, San Francisco, CA
1960 California...
Category
1950s American Modern Figurative Drawings and Watercolors
Materials
Paper, India Ink, Watercolor, Pen
H 11 in W 8.5 in D 0.25 in
Autumn Biogram of the Nelson
By Kory Twaddle
Located in Kansas City, MO
Artist : Kory Twaddle
"Autumn Biogram of the Nelson"
Newsprint, graphite, conté crayon pastel, charcoal, beeswax, cardboard, paper, gingko leaves, stickers, and Mixed Media on drawi...
Category
2010s Abstract Mixed Media
Materials
Paint, Paper, Conté, Charcoal, Cardboard, India Ink, Newsprint, Acrylic,...
Ines Hildur German Artist Painter " Green and Black Field" Mixed Media on Canvas
By Hildur Ines
Located in Paris, FR
"" Green and Black Field"" , Mixed Media on Canvas 2019
signed on the back
Not framed
"Art is transformation" Art is the purpose of art as love is the purpose of love. “Heinrich Heine...
Category
21st Century and Contemporary Abstract Mixed Media
Materials
Canvas, Mixed Media
H 39.38 in W 39.38 in D 0.6 in