David Barnett Gallery Art

This is an excellent example of one of Sylvia Spicuzza's rare 'finger paintings': not only is it remarkably large, but it also shows her mastery of the...

11.88 x 8.88 inches (sheet), 11.75 x 8.88 inches (block) Framed 16.50 x 19.38 in Linoleum block on honey laid paper. SIgned in plate

9.25 x 12 inches (sheet), 8.75 x 12 inches (block) Linoleum block print on laid paper Framed 16 x 18.88 in Signed to lower margin

This piece is an original linoleum block print created and printed by George Raab. The lower margin is titled and signed by the artist in graphite. The lower left has the title. The ...

Linoleum block print with ink additions on orange laid paper Framed 18.88 x 15.88 in Signed in plate

7.25 x 12.25 inches (sheet), 5 x 11.88 inches (block) Framed 12.63 x 19.50 in Linoleum block print on laid paper Unsigned

9.75 x 12.63 inches (sheet), 9 x 11.88 inches (block) Framed 20 x 17.25 in linoleum block print on laid paper Signed and titled to lower margin

Linoleum block print with ink additions on mustard laid paper 9 x 11.88 inches (sheet), 8.88 x 11.75 (block) Framed 16.82 x 19.75 Signed in plate

Framed 16.25 x 18.75 in 11.38 x 8.75 inches (sheet), 11.25 x 8.75 inches (block) Linoleum block print on laid paper. Signed in plate

Framed 19.38 x 16.50 in 8.88 x 12 inches (sheet), 8.88 x 11.88 inches (block) linoleum block print on green laid paper signed in plate

Albert Victor Eugene Brenet was born June 25, 1903 in Harfleur, France, near Le Havre. He died at the age of 102 on July 4, 2005 in Paris. He painted primarily in gouache. Brenet is ...

John Steuart Curry "Cockfight in Cuba," 1946 oil on canvas Image: 38.25 x 46.25 in Frame: 43.75 x 51.5 in Signed on reverse with initials JSC on lower right stretcher bar John Steu...

"First Steps" is an original lithograph created by Jean Charlot. This is a wonderful piece with hispanic styling, showing a mother teaching her child how to walk. The mother is shown standing behind the child holding it in a fabric sling. The child is shown in the foreground leaning into the fabric sling as it starts to take its first steps. The artist signed this work in the lower right. Image Size: 13 7/8" x 9 3/4" Paper Size: 17 1/2" x 12 5/8" Frame Size: 23" x 19" Artist Bio: Louis Henri Jean Charlot was a French-born American painter and illustrator, active mainly in Mexico and the United States. Charlot’s mother’s family originated from Mexico City, and the artist was fascinated with Mexican manuscripts and pre-Columbian artifacts...

"Fishing Boats Gloucester" is a soft ground etching created by Joseph Margulies. The artist signed this piece in the lower right margin with graphite. This piece depicts several fish...

"The Free Press-Composition" is a watercolor street scene created by Joseph Ferrara. The street is dark, evoking the feeling of night and cold. There are white rings expanding from t...

"Rapids (Yosemite National Park, CA" is an original black and white photograph created by Thomas Ferderbar. This piece is printed using archival inkjet printing. It is signed by the artist Thomas Ferderbar in the lower right. It depicts waves against black rocks. Artwork Size: 40" x 50" Frame Size: 44" x 54" Artist Statement: "I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box...

"El Capitan (Yosemite National Park, CA)" is an original black and white archival pigment print. Using the original photograph taken in 1958. This is signed by the artist Thomas Ferderbar in the lower right and titled on the lower left using silver sharpie. It is a vast expanse landscape photograph. Artwork Size: 50" x 40" Frame Size: 54" x 44" I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box...

"Yosemite Falls Close Up" is an original black and white archival pigment print. Using the original photograph taken in 1958. This is signed by the artist Thomas Ferderbar in the lower right and titled on the lower left using silver sharpie. A view from down stream of Yosemite Fall, so that the viewer feels as if they are there comparing human size to the large waterfall. Boulders and trees frame the view making it all the more impressive. Paper Size: 50" x 40" Frame Size: 54" x 44" Artist Statement: "I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box...

"Rock, Mirror Lake, California (Yosemite)" is an original photograph by Thomas Ferderbar. The image is printed as an archival inkjet print on premium luster paper. The artist signed this piece in the lower right. This piece depicts a rock emerging from a smooth body of water that reflects the rock and forest behind it. Framed to conservation standards in a flat modern silver finish with a black inlaid accent. Glazed in Museum Glass. Artwork Size: 50" x 40" Frame Size: 54" x 44" Artist Statement: I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box...

"If You're Going to Use My Minnows for Your Fishing, Nothing but the Biggest!" is an original watercolor by Chiang Er-Shih. The artist signed the piece lower right "To John Siedel Yo...

"En Auto" is an original color lithograph by Singils. The artist signed the piece in stone and wrote the title in the lower left. The edition number, also written lower left, is 46/5...

"Tree & Half Dome (Yosemite National Park, CA" is a black and white photograph signed by Thomas Ferderbar. This photo shows a vista in the Yosemite National Park in California. The center of the piece is a evergreen with asymmetrical limbs. In the distance, one can see the mountains, valley, and clouds...

Printed in 1943, by the U.S. Government Printing Office for the U.S. Department of Agriculture Forest Service. The poster features the beloved Disney characters, Bambi (deer), Thumper (rabbit), and Flower (skunk) in wide-eyed shock leaning towards fear. With the slogan "Please, Mister, don't be careless" the poster is designed to tug at the heartstrings of the viewer and make them consider what actions they could take in their own lives to prevent forest fires. Poster: 20" x 14 1/4" Frame: 30" x 22 1/2" Framed to conservation standards with a 100% cotton fiber matboard border and UV clear glass that filters 99% of UV Rays. UV Rays can be especially damaging and cause fading to the inks used in poster making. All of these features are housed in a contemporary natural wood frame. Smokey Bear...

"Lake Michigan Shore" is an original oil painting on board by Francesco Spicuzza. The artist shows the impact of Impressionism in his landscapes from around 1930. "Lake Michigan Shor...

John Steuart Curry "Sketching Wisconsin," 1946 oil on canvas 31.13 x 28 inches, canvas 39.75 x 36.75 x 2.5 inches, frame Signed and dated lower right Overall excellent condition Presented in a 24-karat gold leaf hand-carved wood frame John Steuart Curry (1897-1946) was an American regionalist painter active during the Great Depression and into World War II. He was born in Kansas on his family’s farm but went on to study art in Chicago, Paris and New York as young man. In Paris, he was exposed to the work of masters such as Peter Paul Rubens, Eugène Delacroix and Jacques-Louis David. As he matured, his work showed the influence of these masters, especially in his compositional decisions. Like the two other Midwestern regionalist artists that are most often grouped with him, Grant Wood (American, 1891-1942) and Thomas Hart Benton (American, 1889-1975), Curry was interested in representational works containing distinctly American subject matter. This was contrary to the popular art at the time, which was moving closer and closer to abstraction and individual expression. Sketching Wisconsin is an oil painting completed in 1946, the last year of John Steuart Curry’s life, during which time he was the artist-in-residence at the University of Wisconsin in Madison. The painting is significant in Curry’s body of work both as a very revealing self-portrait, and as a landscape that clearly and sensitively depicts the scenery of southern Wisconsin near Madison. It is also a portrait of the artist’s second wife, Kathleen Gould Curry, and is unique in that it contains a ‘picture within a picture,’ a compositional element that many early painting masters used to draw the eye of the viewer. This particular artwork adds a new twist to this theme: Curry’s wife is creating essentially the same painting the viewer is looking at when viewing Sketching Wisconsin. The triangular composition of the figures in the foreground immediately brings focus to a younger Curry, whose head penetrates the horizon line and whose gaze looks out towards the viewer. The eye then moves down to Mrs. Curry, who, seated on a folding stool and with her hand raised to paint the canvas on the easel before her, anchors the triangular composition. The shape is repeated in the legs of the stool and the easel. Behind the two figures, stripes of furrowed fields fall away gently down the hillside to a farmstead and small lake below. Beyond the lake, patches of field and forest rise and fall into the distance, and eventually give way to blue hills. Here, Curry has subverted the traditional artist’s self-portrait by portraying himself as a farmer first and an artist second. He rejects what he sees as an elitist art world of the East Coast and Europe. In this self-portrait he depicts himself without any pretense or the instruments of his profession and with a red tractor standing in the field behind him as if he was taking a break from the field work. Here, Curry’s wife symbolizes John Steuart Curry’s identity as an artist. Compared with a self-portrait of the artist completed a decade earlier, this work shows a marked departure from how the artist previously presented and viewed himself. In the earlier portrait, Curry depicted himself in the studio with brushes in hand, and with some of his more recognizable and successful canvases behind him. But in Sketching Wisconsin, Curry has taken himself out of the studio and into the field, indicating a shift in the artist’s self-conception. Sketching Wisconsin’s rural subject also expresses Curry’s populist ideals, that art could be relevant to anyone. This followed the broad educational objectives of UW’s artist-in-residence program. Curry was appointed to his position at the University of Wisconsin in 1937 and was the first person to hold any such position in the country, the purpose of which was to serve as an educational resource to the people of the state. He embraced his role at the University with zeal and not only opened the doors of his campus studio in the School of Agriculture to the community, but also spent a great deal of time traveling around the state of Wisconsin to visit rural artists who could benefit from his expertise. It was during his ten years in the program that Curry was able to put into practice his belief that art should be meaningful to the rural populace. However, during this time he also struggled with public criticism, as the dominant forces of the art market were moving away from representation. Perhaps it was Curry’s desire for public acceptance during the latter part of his career that caused him to portray himself as an Everyman in Sketching Wisconsin. Beyond its importance as a portrait of the artist, Sketching Wisconsin is also a detailed and sensitive landscape that shows us Curry’s deep personal connection to his environment. The landscape here can be compared to Wisconsin Landscape of 1938-39 (the Metropolitan Museum of Art), which presents a similar tableau of rolling hills with a patchwork of fields. Like Wisconsin Landscape, this is an incredibly detailed and expressive depiction of a place close to the artist’s heart. This expressive landscape is certainly the result of many hours spent sketching people, animals, weather conditions and topography of Wisconsin as Curry traveled around the state. The backdrop of undulating hills and the sweeping horizon, and the emotions evoked by it, are emphatically recognizable as the ‘driftless’ area of south-central Wisconsin. But while the Metropolitan’s Wisconsin Landscape conveys a sense of uncertainty or foreboding with its dramatic spring cloudscape and alternating bands of light and dark, Sketching Wisconsin has a warm and reflective mood. The colors of the foliage indicate that it is late summer and Curry seems to look out at the viewer approvingly, as if satisfied with the fertile ground surrounding him. The landscape in Sketching Wisconsin is also revealing of what became one of Curry’s passions while artist-in-residence at UW’s School of Agriculture – soil conservation. When Curry was a child in Kansas, he saw his father almost lose his farm and its soil to the erosion of The Dust Bowl. Therefore, he was very enthusiastic about ideas from UW’s School of Agriculture on soil conservation methods being used on Wisconsin farms. In Sketching Wisconsin, we see evidence of crop rotation methods in the terraced stripes of fields leading down the hillside away from the Curry’s and in how they alternate between cultivated and fallow fields. Overall, Sketching Wisconsin has a warm, reflective, and comfortably pastoral atmosphere, and the perceived shift in Curry’s self-image that is evident in the portrait is a positive one. After his rise to favor in the art world in the 1930’s, and then rejection from it due to the strong beliefs presented in his art, Curry is satisfied and proud to be farmer in this self-portrait. Curry suffered from high blood...

"Catching A Fish" is an original gouache and watercolor painting on illustration board. It is signed in the lower left by the artist Tom Rost. 25" x 20 5/8" art 30 5/8" x 24 3/4" framed with museum glass Tom Rost spent most of his life in Wisconsin, graduating from the Milwaukee State Teacher's College (now the University of Wisconsin-Milwaukee). He began his artistic career as an illustrator for the Civilian Conservation Corps, the Works Progress Administration, and the Treasury Department. Later, he began illustrating for the Milwaukee Journal and then left to work in New York with the Field...

"La Plage de la Panne" is an original etching by James Ensor. The artist signed the piece in plate in the lower right and signed, titled, and dated it below t...

"Yosemite Falls" is a black and white photograph signed by Thomas Ferderbar. This view of the waterfall is from the side, not a center view. One can see how far the water falls down and where it creates mist as well. An evergreen tree balances the piece. Archival inkjet print on archival Epson Premium Luster paper. Camera that was used was an 8x10 Ansco View with a Goerz lens. And was scanned in the early 2000's with a drum scanner prior to achivally digitally printed. Signed by artist in lower left corner. Paper: 50 x 40 in Frame: 54 x 44 in Interview with the Artist: I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box...

An original color silkscreen print by Ruth Grotenrath. A lovely assortment of different foods both vegetable and animal alike. The photos do not do this piece justice. The dark color...

This is a drypoint and aquatint artwork by Jacques Villon. The artist signed in pencil on the lower right. As well as signed in plate at the top right of the image. This is a wonderful artwork of different intaglio processes being brought together in a beautiful almost seamless harmony. The thin pencil like markings and hair detailing are made using the Drypoint printmaking method. Whilst the color details around the girls are made using the Aquatint etching method. Jacques Villon shows his skills as a printmaker with the way these pieces line up perfectly and with how clean the rest of the plate is around the girls. An unnumbered impression, apart from the numbered edition of 50. Catalogue Raisonne E101, pg. 66-67 (Ginestet & Pouillon. It depicts two young girls. 15" x 11 1/2" art 25 1/8" x 20" frame French painter, printmaker and illustrator. The oldest of three brothers who became major 20th-century artists, including Raymond Duchamp-Villon and Marcel Duchamp, he learnt engraving at the age of 16 from his maternal grandfather, Emile-Frédéric Nicolle (1830-94), a ship-broker who was also a much appreciated amateur artist. In January 1894, having completed his studies at the Lycée Corneille in Rouen, he was sent to study at the Faculty of Law of the University of Paris, but within a year he was devoting most of his time to art, already contributing lithographs to Parisian illustrated newspapers such as Assiette au beurre. At this time he chose his pseudonym: Jack (subsequently Jacques) in homage to Alphonse Daudet’s novel Jack (1876) and Villon in appreciation of the 15th-century French poet François Villon...

"Art Deco Sailboat in Abstract Landscape #740" is an original colorful crayon drawing on paper by Sylvia Spicuzza, signed in pencil in the lower right corner. The sailboat of the title is in the center, set against a deep blue sky upon a dark green sea. It is framed by a abstract shapes of bright color that flow into one another in curving lines. The horizon line is maintained throughout the composition, and the effect is something like looking through a kaleidoscope. Art size: 8 1/2" x 7 1/4" Frame size: 16 1/4" x 14 1/2" Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff Elementary School in Shorewood, WI. During this time Sylvia produced a magnificent body of work that was undiscovered until her death. Sylvia's work is rich, diverse and fascinating collection of drawings...

"Art Deco Sailboat in Abstract Landscape #740" is an original colorful crayon drawing on paper by Sylvia Spicuzza, signed in pencil in the lower right corner. The sailboat of the title is in the center, set against a deep blue sky upon a dark green sea. It is framed by a abstract shapes of bright color that flow into one another in curving lines. The horizon line is maintained throughout the composition, and the effect is something like looking through a kaleidoscope. Art size: 8 1/2" x 7 1/4" Frame size: 16 1/4" x 14 1/2" Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff Elementary School in Shorewood, WI. During this time Sylvia produced a magnificent body of work that was undiscovered until her death. Sylvia's work is rich, diverse and fascinating collection of drawings...

Art: 9-1/2"x12-1/2" Frame: 17-1/4"x 20-1/4" Abstract black marker on cream sketchbook paper. Signed Sylvania lower right. Silk lined matting and glazed in UV Clear Glass that filte...

Art: 5 1/2 x 4 3/8" Frame: 10 1/8 x 8 1/8" Original color woodcut on paper, signed in block. Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff...

Art: 10-3/4"x 8-1/4" Frame: 17-3/4"x15-3/8" Watercolor, stamped signature Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff...

"Rock, Mirror, Lake, Yosemite" is an original photograph created by Thomas Ferderbar. Ferderbar shows us a striking photo of a large rock sitting in a mirror still lake. The flow of nature takes the viewers eyes all around the image and back again with it's beautiful features. Ferderbar signed and dated the piece. This work is archivally framed with acid free foam board backing, museum glass, and a silver finished frame. Art: 34.63" x 24.88" Frame: 42.5" x 32.5" Titled, dated, and signed by the artist Interview With the Artist: "I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box Brownie camera...

"Yosemite Valley" is an original photograph by Thomas Ferderbar. This is an expansive landscape show of the yosemite valley. An amazing black and white view that emulates Ferderbar's...

"Derrière le Miroir (Terres de Grand Feu)" from the exposition "Terres de Grand Feu Miró-Artigas" at Galerie Maeght June-July 1956. This is an original color lithograph on Arches paper, with three works on one sheet from the catalogue for the exhibition of ceramic work produced by Joan Miró and Llorens Artigas...

Signed with stamp, J.V. 7-5/8" x 4-3/4" art 19" x 15-1/4" frame Jacques Villon (French, 1875 - 1963) French painter, printmaker and illustrator. The oldest of three brothers who became major 20th-century artists, including Raymond Duchamp-Villon and Marcel Duchamp, he learnt engraving at the age of 16 from his maternal grandfather, Emile-Frédéric Nicolle (1830-94), a ship-broker who was also a much appreciated amateur artist. In January 1894, having completed his studies at the Lycée Corneille in Rouen, he was sent to study at the Faculty of Law of the University of Paris, but within a year he was devoting most of his time to art, already contributing lithographs to Parisian illustrated newspapers such as Assiette au beurre. At this time he chose his pseudonym: Jack (subsequently Jacques) in homage to Alphonse Daudet’s novel Jack (1876) and Villon in appreciation of the 15th-century French poet François Villon...

In this painting, Sylvia Spicuzza demonstrates her skill as an illustration artist, representing the Milwaukee character Billie the Brownie with a growing spring of a tree. An illustration like this could grace the pages of a children's book or illustrated magazine, or as an advertisement for Schuster’s Department Store. Watercolor, gouache and graphite on paper 8 x 5.75 inches, artwork 14 x 12 inches, frame Stamped with artist signature, below image, lower left. Presented in a new custom frame with a gold-finish neoclassical wood moulding, archival matting and mounting materials; and UV glass to inhibit fading. Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff Elementary School in Shorewood, WI. During this time Sylvia produced a magnificent body of work that was undiscovered until her death. Sylvia's work is rich, diverse and fascinating collection of drawings, watercolors and prints from the 1920's to the 1990's. Her style ranges from early figurative drawings to regionalism, Art Deco, lyrical abstractions of every conceivable subject (both real and imagined), as well as figurative paintings that reflect the work of Picasso, Kandinsky and Max Ernst in the 1930's and 1940's. Biomorphic and organic, Modernist images are presented with Sylvia Spicuzza's own unique sense of style, humor and fantasy. Billie the Brownie was a multi-media star of Christmas in Milwaukee from the 1920s to the 1950s. Years earlier, the writer and artist Palmer Cox...

'O'Tannenbaum' (Artist's #30129) is an original color silkscreen print by Ruth Grotenrath, signed by the artist on verso. Influenced by the works of Expressionists like Henri Matisse and the woodblock prints of early modern Japanese artists like Katsushika Hokusai, Ruth Grotenrath's 'O'Tannenbaum' combines the expressive use of color of the former with the precision of the latter to create a Christmas card that is as vibrant as it is subtle. Depicting a pine tree decked with ornaments and stockings, Grotenrath has rendered the tree-topping star as a ball of flames to analogize the warmth and spirit of the holiday season. Original color silkscreen 6.625 x 4 inches, silkscreen 14.375 x 11.375 inches, frame Signed in screen on verso inside-letter Framed to conservation standards using archival materials including 100 percent rag matting and mounting materials, Museum Glass to inhibit UV damage and reduce glare, and housed in a gold finish wood frame. "The paintings of Ruth...

"Fir Tree" (Artist's #1516) is an original color silkscreen by Ruth Grotenrath. The artist signed the piece with her initials lower left. This artwork depicts a white fir tree branch in white on red. 4 1/4" x 5 3/8" art 12" x 13" frame "The paintings of Ruth...

'Lobsterman's Wharf, Maine' is an original lithograph signed by Malvin Marr "Zsissly" Albright. While Malvin Marr – along with his better-known identical twin Ivan Albright – was known for his meticulous and unsettling magic realist compositions, he and his brother were also prolific in capturing landscapes of the coast of Maine where the two spent several consecutive summers away from Chicago over their lives. Sometimes these Maine landscapes and views would be painterly and seemingly antithetical to the careful realism of his other work; but in this example, however, the wharf is treated with the same macabre decay as his human subjects. In the composition, the shack...

This early work by American artist Sylvia Spicuzza is an excellent example of Regionalism: in the foreground, a farmer in blue stands before a herd of cattle. Beyond the fence of the...

With the invention of the halftone print process, photographic postcards like this became inexpensive to produce and became widely distributed in the first decades of the 20th centur...

In this image, Howard Thomas presents the viewer with a domestic interior. The image is dominated by the figure of a black woman, resting her arm on an ironing board. To the right, the tool of her task dangles a chord above a checker tiled floor. Beyond, though a window, neighboring homes fill the landscape. The careful line-work of the linocut adds a sense of expressionism to the scene, but the image nonetheless falls into the Social Realism that captivated most American artists during the Great Depression. This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints – one for each week of the year. 6 x 5 inches, image 10 x 7.13 inches, sheet 12.37 x 12.43 inches, frame Entitled "Monday in Wick Haven" lower left (covered by matting) Inscribed "Linoleum Cut" lower center (covered by matting) Artist name "Howard Thomas" lower right (covered by matting) Framed to conservation standards using 100 percent rag matting and museum glass, all housed in a silver gilded moulding. Quaker-born in Ohio, Thomas trained in the Midwest at Ohio State University and the Chicago Art Institute. He taught in the Art Department of the Milwaukee State Teachers College (now University of Wisconsin-Milwaukee) where he became good friends with Carl Holty, Edward Boerner, Robert von Neumann...

Joan Miró produced this original lithograph especially for the catalogue for an exhibition of his and Josep Llorens Artigas' collaborative work at the Pierre Matisse Gallery, New Yo...

"Coupe Gordon Bennett 1909 — Curtiss le Gagnant" is an original Lithograph with Pochoir created by Marguerite Montaut (GAMY). Gamy presents the viewer w...

In 'The Rabbit,' Wisconsin artist Clarice George Logan presents the viewer with a multi-figural scene: under a wood-frame structure, four children crouch on the ground, gathered around a young woman who presents a rabbit. Under normal circumstances, such an image of children with a bunny would recall childhood storybooks. In this case, however, the image is more ambiguous and suggests the unfortunate economic circumstances many children suffered during the interwar years. Nonetheless, the group could also be interpreted as a nativity play, with the rabbit taking the place of the Christ child, shining light on the children like in a painting by the Italian Renaissance artist Correggio. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression. This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints - one for each week of the year. Clarice George Logan was born in Mayville, New York in 1909 but moved to Wisconsin in 1921. She attended the Milwaukee State Teachers College from 1927 to 1931 where she studied with Robert von...

The present work, drawn with black Conté crayon on a calendar sheet, Sylvia Spicuzza presents the viewer with a rhythmic vision. The scene is dominated by the figure of a woman in a ...

"Greetings, 'Starflower'" is a linocut with white ink on blue paper by Sylvia Spicuzza. A smiling star is centered in the piece with Greetings written bellow them. Art: 4.88 x 3.88 ...

"Les Artistes du Cirque" is an original painting in ink, watercolor, and gouache on paper by leading Fauvist artist Kees Van Dongen, signed in the lower right. In the piece, two circus performers stand against against a wall. On the left, a pale woman in a blue leotard with red flowers on the shoulder stands with her arms crossed, looking out at the viewer. The painter fills in her tights with delicate white brushstrokes, lending them an almost iridescent appearance. Her strawberry blond hair is piled on top of her hair according to the fashion of the period. On the right, an African man stands in a vivid orange toga, looking somewhere off to the left. His feet are clad in bright white shoes...

"Merry Christmas" is an original color woodcut on paper by Sylvia Spicuzza. The artist stamped her signature lower right. This artwork features the an abstracted figure on orange p...

"Noel" is an original linocut on blue paper by Sylvia Spicuzza. The artist stamped her signature lower center. This artwork features the Virgin Mary holding the baby Jesus. Both figu...

"Skiing Near Holy Hill" is an original silkscreen print by Schomer Lichtner. The artist initials are lower right, and the title is along the lower edge. This print depicts people skiing near Holy Hill, Wisconsin. The artist used a muted blue, a deep and dark purple, and accents of red to create this piece. 4 7/8" x 6 7/8" art 11 7/8" x 13 7/8" frame Milwaukee artist, Schomer Lichtner passed away on May 9, 2006 at the age of 101. He continued to amaze and create with his whimsical paintings of ballerinas and cows. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Schomer Lichtner was well known for his whimsical cows and ballerinas, such as his "Ballerina Dancing on Cow" sculpture below. The late James Auer, art critic for the Milwaukee Journal Sentinel referred to Lichtner as the artist laureate of Milwaukee, Wisconsin. He was the official artist of the Milwaukee Ballet. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre, " joy of life," and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows and elegant ballerina dancers. Lichtner also painted all sorts of combinations of beautiful women, flowers and country landscapes. James Auer, former Milwaukee Journal Sentinel art critic, said that his art eventually "exploded into expressionistic design elements with bold, flat areas of color and high energy that anticipated Pop Art." Auer went on to describe Lichtner’s work as full of "wit, vigor and virtuosity." As early as 1930, Lichtner’s work was shown at the prestigious Carnegie International Exhibition in New York and at museums throughout the Midwest. As a student, he was a protégé of another icon of 20th century American art, Gustave Moeller...

"Barbisio (Dog & Hat)" is an offset color lithograph poster by Giovanni Mingozzi, this example coming from the original printing of the poster. It features a white dog surrounded by ...

"Navajo Indians At Home" is a color lithograph postcard by Joseph Roy Willis. A number of American Natives of varying ages and genders are depicted in the brightly colored clothing a...

"Milwaukee Harbor" is an original watercolor by Joseph Ferrara. The artist signed the piece lower right. It depicts a view of the water and skyline of Milwaukee, Wisconsin. 15" x 2...

"Boy With Book Looking Out Window" is an original lithograph print by James Ormsbee Chapin. The artist signed the piece in pencil lower right. This piece depicts a boy looking out th...

"Calla Lily" is an original watercolor by Sylvia Spicuzza. The artist signed the piece "Miss Spicuzza" in the lower right. This piece depicts a calla lily blooming in various greens....