Duane Reed Gallery Abstract Sculptures

"My process begins with a thought, a vision, a look, a trigger that draws me to the clay. Gone are the days of exhaustive preliminary sketches and maquettes, I simply visualize how I...

Paul McMullan's work combines the surreal with the sublime; referencing imagery and objects we encounter in our every day lives, but collaged together in such a way that prompts the ...

Glover did not begin her career as an artist. After receiving an MBA from Harvard Business School, she served as an international consultant in strategy, industry best practices, and...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American arts and crafts. He moved to Claremont, California, to attend college at Claremont Men’s College (now Claremont McKenna College.) Following his desire to make things by hand, he enrolled in a weaving class taught by Marion Stewart at Scripps College in 1970. His intrigue with the tools, systems and materials involved in weaving and other textile constructions led him to take other courses with Neda Al-Hilali a year later, also at Scripps. He did graduate work at the University of California, Los Angeles, where he studied with Bernard Kester and Vasa. Garrett has exhibited throughout the United States for over thirty years in hundreds of exhibitions, as well as in Europe, Africa and Asia. Garrett has worked simultaneously with two and three-dimensional formats to create his textile forms with a variety of materials. Visually unpredictable, his work may be woven, wrapped, plaited, riveted, painted, rusted, twined, nailed, stitched or tied. With an expansive repertoire of materials, each work of art is meticulously crafted, while achieving an energetic complexity; he moves gracefully from constructing wall pieces to baskets, breathing new life into discarded objects. Currently a full time studio artist, he teaches workshops on creativity and experimental basketry at schools nationwide. He was awarded a National Endowment for the Arts fellowships in 1983 and 1995 as well as elected a Fellow of the American Craft Council in 2010. Selected Museum Collections Albuquerque Museum, Albuquerque, NM Museum of Art and Design, New York, NY Arkansas Museum of Art, Little Rock, AR Carnegie Museum of Art, Pittsburgh, PA Detroit Institute of Art, Detroit, MI Erie Museum, Erie, PA High Museum, Atlanta, GA Minneapolis Institute of Arts, Minneapolis, MN Mint Museum of Craft and Design, Charlotte, NC Museum of New Mexico, Santa Fe, NM Museum of California, Oakland, CA Museum of International Folk Art, Santa Fe, NM Philbrook Museum, Tulsa, OK Renwick Gallery of the Smithsonian American Art Museum, Washington, DC Racine Art Museum, Racine, WI Contemporary Installation Sculpture...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Jeremy Lepisto’s Crate Series represents: “goods that are unorderable, unreceivable or undeliverable.” The first way Lepisto accomplishes this is to ma...

Pohlman and Knowles began their collaboration in 1992. They use a variety of materials in their rich assemblages, including hot-sculpted glass, various metal works, found objects and beads, achieving a fine sense of formal balance. Three notable research field trips...

"Orange Cyclone", Abstract, Glass, Sculpture, Vase, Form, Design

"Blue Cyclone", Abstract, Glass, Sculpture, Vase, Form, Design

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

Small’s work includes porcelain figurines and lace-like steel chandeliers inspired by branches and twigs he has documented during his travels. While in China, Small’s porcelain forms...

Small’s work includes porcelain figurines and lace-like steel chandeliers inspired by branches and twigs he has documented during his travels. While in China, Small’s porcelain forms developed as visual communicators, in a culture where he didn’t speak the language. Like tattoos, Small’s glaze imagery of colorful Chinese trucks, buses, traditional motifs, nature and ornament float on the skin of his two primary porcelain forms, Talk Bubbles and Ghosts. Small’s steel chandeliers contain echoes of the opulent past of the 17th & 18th century, but have been set free of function and the restraint of tradition. Constructed of filigreed steel cut by computer controlled machines, the chandeliers are composed of “fins” of metal lace, hinged around a central axis. Small’s chandeliers are suspended sculptures that question the origins of ornamental habits. Major stylistic revolutions such as Bauhaus or Pop demolish definitions and use of ornament, but many old habits slip through the cracks. Contemporary Porcelain Sculpture with Intricate Ceramic Decals, Colorful Pattern

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

My work explores transformation using the kiln as a vehicle for deconstruction. The porcelain grid systems become an architecture over which to stretch a fluid skin that warps or col...