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Front Room Gallery Figurative Prints

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Abstract Aerial Landscape Print "Beachview Bluffs"
By Ross Racine
Located in New York, NY
archival pigment print, edition of 10, signed and editioned by the artist. Ross Racine is an artist living in Montreal (Quebec), Canada, and New York. Racine's works are drawn freeha...
Category

2010s Contemporary Landscape Prints

Materials

Archival Ink

Moonscape II
By Thomas Broadbent
Located in New York, NY
22"X30" silkscreen on Arches 88 paper; signed limited edition of 20. This hand-pulled, silkscreen print depicts craters on the surface of the moon, with deep shadows and surface hi...
Category

2010s Contemporary Landscape Prints

Materials

Archival Paper, Screen

To The River
By Ross Racine
Located in New York, NY
edition of 5 available unframed image size: 23 1/2" x 31 1/2" Ross Racine is an artist living in Montreal (Quebec), Canada, and New York. Racine's works are drawn freehand on a ...
Category

21st Century and Contemporary Conceptual Landscape Prints

Materials

Archival Paper, Archival Pigment

Beachview Bluffs
By Ross Racine
Located in New York, NY
(15 3/8" X 20 1/2" ) archival pigment print, edition of 10 Ross Racine is an artist living in Montreal (Quebec), Canada, and New York. Racine's works are drawn freehand on a compute...
Category

2010s Contemporary Landscape Prints

Materials

Archival Ink

The White Garden
By Ross Racine
Located in New York, NY
edition of 5 available unframed image size: 23 1/2" x 31 1/2" Ross Racine is an artist living in Montreal (Quebec), Canada, and New York. Racine's works are drawn freehand on a ...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Paper, Archival Pigment

Bluff
By Ross Racine
Located in New York, NY
signed and editioned on reverse, limited edition of 5 This limited edition print is from Ross Racine's "Metropolitan Gardens,” series, in which the artist depicts realistic aerial ...
Category

2010s Contemporary Landscape Prints

Materials

Inkjet

Across the Lake
By Ross Racine
Located in New York, NY
edition of 5 available unframed image size: 31 1/2" x 31 1/2" Ross Racine is an artist living in Montreal (Quebec), Canada, and New York. Racine's works are drawn free...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Paper, Archival Pigment

Steel Punchings
By Stephen Mallon
Located in New York, NY
C Print Photograph, signed on reverse available as 20"x30" edition of 5 This is from Stephen Mallon's series, "American Reclamation" which captures the abstract beauty within det...
Category

2010s Contemporary Abstract Prints

Materials

C Print

Untitled
By Stephen Mallon
Located in New York, NY
C Print Photograph, signed on reverse available as 20"x30" edition of 5 This is from Stephen Mallon's series, "American Reclamation" which captures the abstract beauty within...
Category

2010s Contemporary Figurative Prints

Materials

C Print

Near the Plainview Beltway
By Ross Racine
Located in New York, NY
(15 3/8" X 20 1/2" ) archival pigment print, edition of 5 Ross Racine is an artist living in Montreal (Quebec), Canada, and New York. Racine's works are drawn freehand on a computer...
Category

2010s Contemporary Landscape Prints

Materials

Archival Pigment

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"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof
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"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a segment of a grave, with a headstone that has a skull and cross. There are two bright green plants flanking the headstone. Below the headstone and plants, there is a large arched blue shape, with a crescent moon and stars. A red leg, bent at the knee, cuts across the blue arch. Signed "Carol Summers" along the right edge of the blue shape. Numbered and titled "A/P Grave of Sant Anna's Leg" along the left edge of the blue shape. Presented in a silver colored aluminum frame. Frame size: 32.245"H x 27.25"W Paper size: 29.75"H x 24.5"W Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...
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