Galen Galerie Landscape Prints

A rich and tonal image of an icon of Manhattan architecture. Etching with drypoint, 11 7/8 x 7 3/8 inches (300 ...

Published by Haddad's Fine Arts. Printed in USA Good Condition - slight dent in middle right (pictured). 23 x ...

Twentieth Century Limited Edition Screen Print entitled Vaux-Le-Vicomte, depicting a beautiful French Chateau. ...

70x70cm, print on canvas Edition 20 pcs.

This is an engraving of a tomb monument rubbing that has been highlighted with gold color on a dark grey to blac...

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

This is an exclusive handprinted limited edition cyanotype of a gorgeous blue bouquet. Details: + Title: Blue ...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 12.5 x 9.5 inches Inscription: Unsigne...

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper 5th or 8th edition print of "Que pico de...

70x70cm, print on canvas Edition 20 pcs.

Philadelphia-born Irving Guyer attended the Art Students League and worked in New Yo...

SOLD UNFRAMED Two Women by a River by Paulémile Pissarro (1884 - 1972) Wood engraving 12.5 x 17.3 cm (4 ⅞ x 6 ...