Gallery 1261 Landscape Prints

"Home from the Fair" Wagon and Horses Print on Canvas Colorful print on canvas with additional oil brush strokes for detail by Texas artist Jack Terry (American, Born 1952). Limited hand signed edition of 108/250 hand embellished canvas prints. Hand signed in gold pen lower right "Jack Terry 108/250" Also signed in print "Jack Terry 1988" Ink Stamp on Canvas "Jack Terry hand Painted Canvas Print" Brass plaque center on linen "Home From the Fair" Image, 16"H x 20"W Frame, 24"H x 28"W x 2.5"D Jack Terry’s paintings evoke emotion in the viewer encompassing subject matter, use of color, mood and grace of light. He is one of the most collected artists of our time. Jack was born in the west Texas town of Sweetwater in 1952 and began his art career as a young child, winning his first of many awards at the age of nine. A fourth-generation Texan, he credits much of his inspiration to his maternal Grandfather, Bill Mason, a rancher who cowboyed on some of the last cattle drives of the west and his paternal Grandmother, Etna Terry, who began painting late in life and welcomed young Jack to participate in the fun. Six-time world champion Cowboy Larry Mahan has said of Jack, “Terry captures the West the way it was and the way it should be. He is one of the finest artists of our day and a pretty good cowhand to boot…”. A graduate of the University of Texas, Jack studied studio art, anatomy, design and journalism while displaying his paintings in various galleries throughout the state. Upon graduation, he began painting full-time, taking every opportunity to day-work on various ranches in search of inspiration, new subject matter and authenticity. In 1976, at the young age of 24, Jack Terry was named Bicentennial Artist in Texas. He was honored with a one-man show in the state Capitol Rotunda. His portrait of President Lyndon Johnson was commissioned for publication on the Texas Bicentennial Calendar that same year. In 1999, Harvest House Publishers invited Jack to write and illustrate his first book. “The Great Trail Ride”, a collection of 14 inspirational short stories. The great success of that first title led to eight more books which sold over one million copies. In 2008 First Lady Laura Bush invited Jack to the White House for the Holiday Celebration. He painted a Christmas tree ornament representing the state of Texas. In 2010 the United States Army commissioned a painting honoring the First Air Calvary Division and the brave men and women who have served from the historic beginning of the U.S. Calvary, Viet Nam and the Middle East. Limited edition reproductions were signed by Jack, Medal of Honor Recipient Bruce Crandall from the Viet Nam War, and General Dick Cody, Vice Chief of Staff, U.S. Army. Jack responded about this special occasion in 2010, “After months of research, flying time and researching films and most importantly sitting at the same table with these heroes whose commitment, loyalty and sacrifice to our great nation have made this the most meaningful painting I have ever done”. Jack Terry’s paintings hang in prominent collections throughout the country. The King Ranch...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

The graphic is already framed. About Andrzej Juchniewicz - 1967–1972 Secondary School of Fine Arts in Gdynia-Orłowo. 1978–1983 studies at the Acad...

This Edition is one of the Summer Bloom series Shizico Yi started in 2022. Veronica and Hydrangea (in the painting) are the summer elements in her garden, Shizico cultivated these de...

Martin Creed Everything's Going to be Alright (Work No. 3531), 2022 Color giclee print; unframed and housed in a bespoke archival box from Hauser & Wirth 11 3/4 × 16 1/2 inches Pencil signed, titled and numbered 141/200 Makes a perfect gift! Accompanied by original receipt from the Fife Arms (Beaemar) and gallery issued Certificate of Guarantee A wonderful print with an affirmation worth seeing in any room in the house! Note: this work is pencil signed and numbered from the limited edition of 200, and it comes inside of a bespoke box, as it was first issued by Hauser & Wirth. The number shown in the image here may not be the number you receive. In 2020, as part of the post-lockdown re-opening celebrations for Scotland's Fife Arms, Hauser & Wirth's owners unveiled a specially commissioned temporary neon installation, ‘Work No. 3435: EVERYTHING IS GOING TO BE ALRIGHT’ by one of their favorite artists, Turner Prize-winner Martin Creed. This colorful installation was situated on the grounds of nearby Braemar Castle. The message resonates well beyond the pandemic. It makes a terrific gift. (Martin Creed, who grew up in Glasgow, is particularly known in Scotland for the much-loved Scotsman Steps in Edinburgh, a public staircase joining two streets made with more than a hundred different types of marble. A work in blue neon, ‘Work No. 975: EVERYTHING IS GOING TO BE ALRIGHT’, has been on view since 2012 on the facade of the National Gallery of Scotland in Edinburgh. The phrase ‘Everything is going to be alright’ has been used by the artist in a series of large-scale neon works since 1999 and draws on the comforting words Creed was offered by a friend. He explains, “If you are upset and someone speaks to you to try to help you, even if the words are empty because no one knows what is going to happen in the future, it can still feel like a comfort. No-one can really tell you everything is going to be alright, but despite that, many times in my life I have been very comforted by people saying something like that to me.”) And all this brings us back to the present work, a limited edition 2022 color giclee print, pencil signed and numbered by Martin Creed, which depicts Creed's pandemic-era temporary light installation with the neon words Everything is Going to Be Alright, against the backdrop of Braemar Castle at nightfall. This edition was originally sold by Hauser & Wirth via the Fife Arms to raise funds to restore Braemar Castle - and it quickly sold out. It's a poignant message that continues to resonate, perhaps now more than ever - and it would look beautiful in any home or office. But the question remains: Should we really believe Martin Creed's message? The answer is a resounding Yes. Coming from some of the most successful and lucky people on earth (Martin Creed and Manuela and Iwan Wirth) and carrying the magical energy and history of Braemar Castle, the odds are looking pretty good that everything is indeed going to be alright with all that positivity! By the way, just for fun (because why not?) keep scrolling (right arrow to the right of the main image) to view a 2019 photograph of King Charles and Queen Camilla (then officially known as the Duke and Duchess of Rothesay when in Scotland) attending the opening of The Fife Arms, with Manuela and Iwan Wirth standing next to them on the left - all in Highland dress. More about Martin Creed: British sculptor and installation artist. He was born in Wakefield, grew up in Scotland, and studied at the *Slade School of Art. His works are generally sparse in their material form and are identified only by numbers so as not to impose associations. (For this reason his numbering system avoids the portentous No. 1.) He is best known for the work for which he was awarded the *Turner Prize in 2002, Work no. 227 (2000, MoMA, New York). An entire room is alternately lit and darkened by electric light. It is a way of making a work of art which has no material existence: the light and the darkness are not themselves the art, only the change between them. This is a work which has entered the mythology of ‘modern art’ stories: the river boat guide tells the tourists (quite incorrectly) as they pass *Tate Modern: about the empty room...

Ed Ruscha Some Los Angeles Apartments (Unsigned), 1965 True First Edition Artist Book: Stated Limited Edition of only 700 7 × 5 1/2 inches Unframed A rare and elusive 1960s Artist Book. Makes a terrific gift. This is a TRUE 1965 1st Edition of only 700 stated copies. (NOT to be confused with the second edition in 1970 which was published in a much larger edition of 3000 and NOT to be confused with an eponymous 1990 Whitney Museum publication.) A must have for Ruscha Fans. SOME LOS ANGELES APARTMENTS. Los Angeles: Self-Published, 1965. True First Edition Printed Wrappers with Glassine. Original Artist's Book. This marvelous vintage 1965 48 page book features 34 black and white illustrations and is in surprisingly fine condition. "Some Los Angeles Apartments" is Ed Ruscha's third artist book - a wry yet heartfelt photographic survey of the subtle beauty of the post-war Southern California rental property construction boom. A spectacularly bright, most handsome example of the uncommon 1965 first edition (entry B3 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") limited to seven hundred unnumbered copies. This is an exceptional example of this important little gem that is often confused with the 1990 Whitney Museum exhibition catalogue of virtually the same title. "In the 1960s, Ed Ruscha more or less reinvented the artist’s book. By turning away from the craftsmanship and luxury status that typified the livre d’artiste in favor of the artistic idea or concept, expressed simply through photographs and text, Ruscha opened the genre to the possibilities of mass-production and distribution. Some Los Angeles Apartments, with its straightforward presentation of modern California domestic buildings, celebrated the vernacular architecture of Southern California." The Getty Museum "....It's perhaps fitting that Ed Ruscha - one of the central figures in late 20th century photography - does not consider himself a photographer. "I think photography is dead as a fine art," he told John Coplans...

September 13, 1918. St. Mihiel [The Great Black Cloud]. 1934. Etching, aquatint and sandpaper ground. Giardina catalog 182 state iv. 10 3/8 x 16 (sheet 13 1/8 x 18 1/4). Edition 100. Illustrated: Prints vol. VI, no. 2, 1935, page 85; Print Collector's Quarterly 26 (1939): 82; Fine Prints of the Year, 1935; Eby. War. Provenance: Frederick Keppel & Co. A rich, beautifully wiped impression on cream-colored wove paper. Signed and annotated 'imp' and 'Edition 100' in pencil, indicating a proof printed by the artist. This is Eby's most famous etching...

Bold woodblock print by Byron Randall (American, 1918-1999). Titled "Schooner + Doryman", numbered "1st ed.", and signed and dated "Byron Randall '62" along the bottom edge. Small am...

Dusk at Morston – Large Canvas Print Limited edition canvas prints by Michael Sanders. These stunning prints are created using fine art archival quality inks and canvas with three la...

Deluxe hand embellished enhanced canvas. Hand signed and numbered on front by the artist. Stretched. Artwork is in excellent condition. Certificate o...

Unique UV pigment print on a 6-colour silkscreen printed background 410gsm Somerset Tub-sized Radiant white 100% cotton paper, finished with hand-applied 24 carat gold leaf and ink. Hand signed lower left by Pejac. Hand numbered 723/1000 lower right corner. Artwork size 31.49 x 21.65 inches. Frame size 38 x 28 inches. The artwork is in excellent condition. Certificate of authenticity by Pejac included. All reasonable offers will be considered. HOPE was born in 2020 when, at the height of the pandemic, Pejac painted a mural on a hospital in his hometown – Santander. Seen from afar, thousands of figures formed the illusion of large crevice. The artwork quickly went viral online, and became a symbol of hope for many. Begun in the middle of 2023, our collaboration is centered on the question of how hope is found or created. To create the original work, Pejac undertook a month-long residency at Make-Ready in London. HOPE is an unprecedented collaboration between artist and printmaker. With the edition, Pejac reinterprets his iconic crevice which, seen up close, you will be surprised to see is made up from a multitude of tiny, individually-painted people. Each one plays their part in an overarching story of humanity. In the first print, just three figures appear, in the second, there are six and so on until the final print in the series of 1000, which features several thousand figures – each one unique. About the Artist: Pejac, born in Santander in 1977 is a Spanish street artist known for his minimalist style whilst exploring sensitive social, environmental and political issues. His work is powerful and deliberately provocative about real-world issues and he uses a range of artistic styles and mediums to get his often critical message across. Pejac studied art in Barcelona and Milan where he became disillusioned with the elitist attitude of the art world he was studying; he left formal education and embarked on his street art career. To label Pejac as a street artist is only capturing one element of his work. Pejac works to such fine detail and is technically highly skilled; he is quite capable at getting his message across with silhouette paintings on a wall or floor as he is at producing work in a classical style with exquisite fine detail. Pejac’s art...

Giclee on canvas. Hand signed and numbered on front by the artist. Edition of 325. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included...