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Oval Office
By Roy Lichtenstein
Located in Washington, DC
Artist: Roy Lichtenstein
Title: Oval Office
Medium: Screenprint in colors on Rives BFK paper
Year: 1992
Edition: 38/175
Frame Size: 42 3/4" x 52 1/4"
Sheet Size: 35 5/8" x 47 1/2"
Im...
Category
1990s Pop Art Interior Prints
Materials
Screen
American Nude from ¢ Life
By Tom Wesselmann
Located in Washington, DC
Artist: Tom Wesselmann
Medium: Lithograph in colors
Title: American Nude
Portfolio: 1¢ Life
Year: 1964
Edition: 2000
Framed Size: 20 3/4" x 28 1/2"
Signed: No
Category
1960s American Modern Figurative Prints
Materials
Lithograph
Silver Liner
By Nicholas Krushenick
Located in Washington, DC
Artist: Nicholas Krushenick
Medium: Screenprint
Title: Silver Liner
Year: 1977
Edition: 103/200
Framed Size: 33 3/4" x 27 3/4"
Sheet Size: 34" x 26"
Signed: Hand signed in pencil
Category
1970s Abstract Prints
Materials
Screen
Ahasuerus Sends Vashti Away
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: Ahasuerus Sends Vashti Away
Portfolio: Drawings for the Bible
Medium: Lithograph
Year: 1960
Frame Size: 20 3/4" x 17"
Sheet Size: 14 3/8" x 10 1/4"
Image ...
Category
1960s Figurative Prints
Materials
Lithograph
Flammes Interieures
By Marcel Gromaire
Located in Washington, DC
Artist: Marcel Gromaire
Medium: Lithograph
Title: Flammes Intérieures
Portfolio: Verve Vol VII No. 27-28
Year: 1952
Edition: 6000
Signed: Signed in the plate
Framed Size: 22" x 18 1/...
Category
1950s Realist Abstract Prints
Materials
Lithograph
Plate 3, from Derriere Le Miroir #173
By Alexander Calder
Located in Washington, DC
Artist: Alexander Calder
Medium: Original lithograph
Title: Plate 3, from Derriere le Miroir #173
Portfolio: Derriere le Miroir #173
Year: 1968
Edition: Unnumbered
Framed Size: 21 x ...
Category
1960s Abstract Prints
Materials
Lithograph
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Red with Green, 1990 print by OpArt Cleveland artist Richard Anuszkiewicz
By Richard Anuszkiewicz
Located in Beachwood, OH
Richard Anuszkiewicz (American, 1930-2020)
Red with Green, 1990
Silkscreen on paper
Signed and dated lower right, numbered 8/20 lower left
13.75 x 14.25 inches
23.75 x 24 inches, framed
Richard Anuszkiewicz was born in Erie, Pennsylvania to Polish immigrants. While at the Cleveland Institute of Art, he studied plein-air painting with Henry Hensche. After winning a Pulitzer Traveling Fellowship in 1953, Anuszkiewicz attended Yale University where he studied under Josef Albers. While at Yale he studied alongside fellow Cleveland Op artist Julian Stanczak. After receiving his M.F.A. at Yale, Anuszkiewicz went on to Kent State University where he graduated with a Bachelor of Science in Education.
At just age 23, his work was exhibited at the May Show at the Cleveland Institute of Art. He was given his first solo show in March 1960 in New York.
Because of his early success, Anuszkiewicz had the freedom to pursue his ideas creatively. Anuszkiewicz was one of the leading artists of the Op Art movement during the 1960s and 1970s. His style is distinctive for its high-intensity colors that he applies to geometric configurations. Many of Anuszkiewicz works are reminiscent of Josef Albers paintings...
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Still Life with Hans Maler Pop Art Serigraph Hand Signed
By Josef Levi
Located in Surfside, FL
On deckle edged watermarked Arches French paper. hand signed in pencil, dated and numbered. the edition size is 175.
there are three states of the same image image each with increasing detail and color. This is just for the one in the photo.
Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources.
Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997.
Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves.
In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York.
From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel.
In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas.
By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history.
Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work.
Most of the figures in his contemporary pieces are not paired with any others.
SELECTED COLLECTIONS
MUSEUM OF MODERN ART, NEW YORK, NY
ALBRIGHT- KNOX GALLERY, BUFFALO, NY
ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT
NATIONAL GALLERY OF ART, WASHINGTON, DC
BROOKLYN MUSEUM OF ART, BROOKLYN, NY
SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC
CORCORAN GALLERY, WASHINGTON, DC
UNIVERSITY OF NOTRE DAME ART...
Category
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Shepard Fairey Silksreen Icon Un-Cut Stickers Repetition With Variation Street
By Shepard Fairey
Located in Draper, UT
I started my sticker campaign in 1989 and I continue to value the power of a small but mighty source of disruption and expression. When I was younger and had few resources my strateg...
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Chris Ware New Yorker Cartoonist Limited Edition Thanksgiving Print NYC
By Chris Ware
Located in Surfside, FL
This is one print – printed in full color on 15" x 20" heavy cream-colored paper.
It is from a limited edition series of 175,
the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not.
The page with the hand signature is included here as a photo for reference only it is not included in this sale.
Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style.
Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'"
While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue.
Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb.
Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character.
Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012.
Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle.
In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul.
Awards and honors
Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories.
Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007.
Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...
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Shepard Fairey Revolutionary Love Box Set of 10 Silkscreen Prints Signed
By Shepard Fairey
Located in Draper, UT
Shepard Fairey limited edition silkscreen box set created in collaboration with Amplifier! This set includes ten 12"x12" signed and numbered screen prints featuring the Revolutionary Love series made from many of Shepard’s most famous symbols, in a foil embossed box and a certificate of authentication.
Numbered 84/250 on the outside of the box. Each of the ten prints are also all matching numbered 84/250. Signed and Numbered by the artist in pencil, Shepard Fairey.
Medium:
Print
Condition:
Prints are in great condition and have been stored flat since purchase.
Signature:
Hand-signed by artist, Hand signed and numbered by the artist, Shepard Fairey in pencil. Dated 2021
Certificate of authenticity:
Included (issued by authorized authenticating body)
Frame:
Not included
Series:
Revolution
Publisher:
Obey Giant Studio's Los Angeles California.
Each print is individually signed and numbered by the Artist, Shepard Fairey in pencil. Each print also features the same number 84 as it's a complete set. Please and thank...
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Located in Draper, UT
In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...
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David Studwell, Blue-Green Car, Bright Art, Turquoise Art, Automobile Art, Gifts
By David Studwell
Located in Deddington, GB
David Studwell
Blue-Green Car
Limited Edition Giclee Print
Edition of 25
Artwork Size: H 50cm x W 30cm
Sold Unframed
Please note that in situ images are purely an indication of how a...
Category
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