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Creator: Francois Nicolas Martinet
Canard de Miclon (Old Squaw) /// Ornithology Martinet Bird Animal Art Duck
By François Nicolas Martinet
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800)
Title: "Canard de Miclon (Old Squaw)" (1008)
Portfolio: Histoire Naturelle Des Oiseaux
*Signed by Martinet in the plate (printed...
Category
1770s Realist Animal Prints
Materials
Engraving, Watercolor, Laid Paper, Intaglio
Sacelle male, de la cote de Coromandel /// Ornithology Martinet Bird Animal Art
By François Nicolas Martinet
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800)
Title: "Sacelle male, de la cote de Coromandel" (Plate 949)
Portfolio: Histoire Naturelle Des Oiseaux
*Signed by Martinet in the...
Category
1770s Realist Animal Prints
Materials
Intaglio, Laid Paper, Engraving, Watercolor
Le Harle Femell (The Female Merganser) /// Ornithology Martinet Bird Animal Art
By François Nicolas Martinet
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800)
Title: "Le Harle Femell (The Female Merganser)" (Plate 953)
Portfolio: Histoire Naturelle Des Oiseaux
*Signed by Martinet in the...
Category
1770s Realist Animal Prints
Materials
Engraving, Watercolor, Laid Paper, Intaglio
Le Canard a Longue Queue (The Long Tailed Duck) /// Ornithology Martinet Bird
By François Nicolas Martinet
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800)
Title: "Le Canard a Longue Queue (The Long Tailed Duck)" (Plate 954)
Portfolio: Histoire Naturelle Des...
Category
1770s Realist Animal Prints
Materials
Engraving, Watercolor, Laid Paper, Intaglio
Le Millouinan /// Ornithology Martinet Bird Animal Art Duck Natural History
By François Nicolas Martinet
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800)
Title: "Le Millouinan" (Plate 1002)
Portfolio: Histoire Naturelle Des Oiseaux
*Signed by Martinet in the plate (printed signatur...
Category
1770s Realist Animal Prints
Materials
Engraving, Watercolor, Laid Paper, Intaglio
Related Items
Portrait de Priscilla Le Petit Chien
By Mickalene Thomas
Located in New York, NY
Mickalene Thomas
Portrait de Priscilla Le Petit Chien, 2012
Pigment print on 100% cotton rag paper
Edition 148/150
Frame included with official COA affixed to the back
Hand numbered from the edition of only 150 with plate signed official Certificate of Authenticity on the verso of the frame.
This exquisite print, published in 2012, is based on an original collage made by the artist of her long-haired miniature dachshund (a gift from fellow artist Kehinde Wiley), Priscilla. Highly acclaimed contemporary art star Mickalene Thomas created this collage specifically for children- though adults will appreciate it as well - as will pet lovers!
Portrait de Priscilla Petit Chien features Priscilla, Thomas' own dog who frequently attends the artist's photoshoots. This limited edition archival pigment print is printed on cotton rag paper and accompanied by a plate (facsimile) signed and uniquely hand numbered certificate of authenticity. It is matted and comes in a 1"-deep wooden frame with Plexiglas®. Wired for hanging. Edition of 150. This professionally framed limited edition pigment print on 100% cotton rag paper is based on an original collage made by the artist of her long-haired miniature dachshund (a gift from fellow artist Kehinde Wiley), Priscilla. The print is matted and comes in a white wooden frame (16" x 19" x 1") with Plexiglas, wired for hanging. Dimensions: 11" x 14" sheet, 9-1/4" x 12" image.
Mickalene Thomas Biography:
Mickalene Thomas (b. 1971, Camden, NJ; lives and works in Brooklyn, NY) makes paintings, collages, photography, video, and installations that draw on art history and popular culture to create a contemporary vision of female sexuality, beauty, and power. Blurring the distinction between object and subject, concrete and abstract, real and imaginary, Thomas constructs complex portraits, landscapes, and interiors in order to examine how identity, gender, and sense of self are informed by the ways women are represented in art and popular culture. Rhinestones—the artist’s signature material and a symbol of femininity—serve as an added layer of meaning and a metaphor of artifice. Thomas uses rhinestones to shade and accentuate specific elements of each painting, while subtly confronting our assumptions about what is feminine and what defines women.
Thomas has drawn inspiration from multiple artistic periods and cultural influences throughout Western art history, particularly the early modernists such as Jean-Auguste-Dominique Ingres, Pablo Picasso, Henri Matisse, Edouard Manet, and Romare Bearden. She models her figures on the classic poses and abstract settings popularized by these modern masters as a way to reclaim agency for women who have been presented as objects to be desired or subjugated. Though Thomas draws from a number of time periods and genres, her use of pattern and domestic spaces often references various periods throughout the 1960s to the 1980s. This was a time of immense social and political conflict, change, and transformation—the civil rights movement, the black is beautiful movement, and the second wave of feminism—during which many women, particularly African-Americans, rejected and redefined traditional standards of beauty.
Thomas received a BFA from the Pratt Institute, Brooklyn, NY, in 2000 and an MFA from Yale University School of Art, New Haven, CT, in 2002. Solo exhibitions of her work have been organized at The Dayton Art Institute, OH (forthcoming, 2018); Henry Art Gallery, Seattle, WA (forthcoming, 2018); Pomona College Museum of Art, Claremont, CA (forthcoming, 2018); Georgia Museum of Art, Athens, GA (forthcoming, 2017); Newcomb Art Museum, Tulane University, New Orleans, LA (2017); Spelman College Museum of Fine Art, Atlanta, GA (2017); Museum of Contemporary Art, Los Angeles (2016); Aspen Art Museum, CO (2016); Aperture Foundation, New York (2016); George Eastman Museum, Rochester, NY (2014); Brooklyn Museum, New York (2012-13); Santa Monica Museum of Art (2012); Institute of Contemporary Art, Boston (2012); Hara Museum of Contemporary Art, Tokyo (2011); and La Conservera Centro de Arte Contemporaneo, Ceuti, Spain (2009). Select group exhibitions featuring her work include Third Space / Shifting Conversations About Contemporary Art, Birmingham Museum of Art, AL (2017); Constructing Identity: Petrucci Family Foundation Collection of African-American Art, Portland Art Museum, ME (2017); The Color Line: African American Artists and the Civil Rights in the United States, Musée du quai Branly, Paris (2016); SHE: International Women Artists, Long Museum, Shanghai (2016); No Man’s Land: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami, traveled to the National Museum of Women in the Arts, Washington, DC (2015); 30 Americans, Corcoran Gallery of Art, Washington, DC (2011), which has traveled extensively around the United States (2011-2017, ongoing); and Americans Now, National Portrait Gallery, Washington, DC (2010). Thomas’ work is in numerous international public and private collections, including The Museum of Modern Art, New York; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; Museum of Fine Arts, Boston; Art Institute of Chicago; MoMA PS1, New York; Brooklyn Museum, New York; Studio Museum in Harlem, New York; Yale University Art Collection, New Haven, CT; and Hara Museum of Contemporary Art, Tokyo.
Thomas has been awarded multiple prizes and grants, including the USA Francie Bishop Good & David Horvitz...
Category
2010s Realist Animal Prints
Materials
Digital Pigment, Permanent Marker, Laid Paper
George Edwards: 18th Century Engravings of Ducks And Wading Birds
By George Edwards
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761.
A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural Hi...
Category
18th Century Animal Paintings
Materials
Engraving, Watercolor
H 15.75 in W 13.75 in D 1 in
White Claw
Located in New York, NY
Walter Rogalski
White Claw, 1952
Engraving on antique-white laid Homere paper
Hand signed, numbered 6/25, dated and titled on lower front ; affixed to original matting
Publisher
The ...
Category
1950s Abstract Abstract Prints
Materials
Laid Paper, Engraving, Pencil
Hounds Gentlemen Please by Tom Carr - Engraving 26x31 cm
Located in Geneva, CH
Work on paper
Ed: 63/75
Category
Mid-20th Century Realist Animal Prints
Materials
Engraving
Tree with moth, caterpillar..., Plate 39, Metamorphosis Insectorum Surinamensium
By Maria Sibylla Merian
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 39; Unidentified tree with moth, caterpillar and pupa.
The Netherlands: 1705....
Category
Early 18th Century Naturalistic Still-life Prints
Materials
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The Natural History of Moths: An Antique Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored engraving depicting the natural history of Pinkunderwing Moths, Cream Spotted Tyger Moths, which is plate 4 from Moses Harris' publication "The Aurelian: or Na...
Category
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Materials
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Tortoise-shell Butterfly, Hawk Moth: Antique Hand-colored Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Privet Hawk Moth, Tortoise-shell Butterfly, which is plate 2 from Moses Harris' publication "The Aurelia...
Category
Mid-19th Century Realist Landscape Prints
Materials
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François Nicolas Martinet (1731-1800) Le pigeon ramier de Madacascar Engraving
By François Nicolas Martinet
Located in Meinisberg, CH
François Nicolas Martinet
(French, 1731 - c. 1800)
Le Pigeon Ramier de Madacascar
(The Wood Pigeon of Madagascar)
• 18th century hand colored Copper Plate engraving
• Plate No. 192 from : L' Histoir e des oiseaux, peints dans leurs aspects apparents et sensibles, published in 1790 (“The History of the Birds, painted in their appearing and sensitive aspects“)
• Glased & ebonized hardwood frame contemporary to the engraving, ca. 43 x 33 cm
Worldwide shipping is complimentary - There are no charges for handling & delivery.
A rare pigeon print...
Category
18th Century Naturalistic Animal Prints
Materials
Watercolor, Laid Paper, Ink
Free Shipping
H 16.93 in W 13 in D 1.19 in
Bird and Beetle - Etching and watercolor (Natural History of Birds, 1741)
By George Edwards
Located in Paris, FR
George EDWARDS
Bird and beetle ('The Gowry Bird')
Original engraving, enhanced with watercolor
Printed signature in the plate
Dated, 1741
28.8 x 23.3 cm
Created for Volume I of the...
Category
1740s Academic Animal Prints
Materials
Watercolor, Engraving
Tigre couché à l'entrée de son antre (Tiger Lying at the Entrance to its Lair)
By Eugène Delacroix
Located in Middletown, NY
Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...
Category
Early 19th Century Realist Animal Prints
Materials
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Natural History of Moths and a Beetle: A Hand-colored Engraving by Moses Harris
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This is a hand-colored engraving depicting the natural history of moths and a beetle, which is plate 22 from Moses Harris' publication "The Aurelian: or Natural History of English In...
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