Graves International Art

Artist: Henri Le Sidaner (French, 1862-1939) Title: "Le Perron (The Porch)" Portfolio: Gazette des Beaux-Arts *Issued unsigned, though signed by Sidaner in the plate (printed signature) lower right Year: 1911 Medium: Original Lithograph on soft-cream Simili Japon paper Limited edition: approx. 1,500 Printer: Maison Fortier and Marotte, Paris, France Publisher: Gazette des Beaux-Arts, Paris, France Reference: Sanchez and Seydoux 1911, No. 12 Sheet size: 10.75" x 7.13" Image size: 7.5" x 5.75" Condition: Light toning to sheet. It is otherwise a strong impression in excellent condition Notes: Printed in one color: blue. This lithograph was published by Gazette des Beaux-Arts. The Gazette des Beaux-Arts was a French art review, found in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editor under the direction of George Wildenstein from 1928 until 1960. Her papers, which include all editions of the Gazette from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The Gazette was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The review closed in 2002. Biography: Sidaner, (7 August 1862 – July 1939), an intimist painter, born to a French family in Port Louis, Mauritius. In 1870 he and his family settled in Dunkirk. Le Sidaner received most of his tutelage from the École des Beaux-Arts under the instruction of Alexandre Cabanel but later broke away due to artistic differences. Between 1885 and 1894 Le Sidaner lived the year round at the Etaples art colony and was joined there by his childhood friend Eugène Chigot (1860–1923), who shared his interest in atmospheric light. Later Le Sidaner traveled extensively throughout France. He also visited many cities around the globe, as well as villages throughout Europe. He exhibited at the Salon, the Galeries Georges Petit in Paris and the Goupil Gallery in London, and settled in Gerberoy. Marcel Proust's mention of Le Sidaner's work in his novel In Search of Lost Time confirms its later reputation. In Sodom and Gomorrah...

Artist: Henri Le Sidaner (French, 1862-1939) Title: "La Balustrade (The Railing)" Portfolio: Gazette des Beaux-Arts *Issued unsigned, though signed by Sidaner in the plate (printed s...

Artist: Artist: Dan May (American, 1955-) Title: "Living Room" *Signed and numbered by May in pencil lower left Year: 1981 Medium: Original Screenprint on unbranded white wove paper ...

Artist: Dan May (American, 1955-) Title: "Sun Therapy" *Signed and numbered by May in pencil lower left Year: 1982 Medium: Original Screenprint on unbranded white wove paper Limited edition: 1/150 Printer: the artist May himself, Oakland, CA Publisher: the artist May himself, Oakland, CA Sheet size: 30.88" x 29.13" Image size: 23.13" x 23.13" Condition: Minor wear to lower right corner. In excellent condition Notes: Titled and dated by May in pencil lower right. The paper is white wove, however the entire recto sheet is screenprinted with color. The margins are screenprinted in red which connect throughout the central image. Biography: Dan May is an American painter and printmaker born on March 11, 1955 in San Francisco, CA. Raised in aesthetic surroundings heavily influenced by his architect father, May grew up learning to view all things with an eye for design, color, and shape. At age 5, he remembers his father cutting up a book of drawings by Henri Matisse and hanging them on the walls of their home. The French master Matisse as well as Richard Diebenkorn and David Hockney are his favorite art influences. He began his first attempts at painting at age 15, and later began to experiment with printmaking, teaching himself various techniques such as woodblock printing, etching, silkscreen printing, and monoprinting. Monoprinting soon became May's medium of choice due to its wide range of expression and spontaneity that he felt other techniques lacked. May - "With monoprinting, you can only work a piece for as a long as the paint stays wet, so the resulting print has a feeling of movement and immediacy. I also like how monoprinting allows the brush strokes to transfer a transparent light quality to the print. For me, this is a technique that bridges drawing...

Artist: Dan May (American, 1955-) Title: "Nudes on Towels" *Signed and numbered by May in pencil lower left Year: 1983 Medium: Original Screenprint on unbranded cream wove paper Limited edition: 104/150 Printer: the artist May himself, Oakland, CA Publisher: the artist May himself, Oakland, CA Sheet size: 31.75" x 29.63" Image size: 24.13" x 24.13" Condition: Light wear to lower right corner. In excellent condition. A fantastic image Notes: Titled and dated by May in pencil lower right. Biography: Dan May is an American painter and printmaker born on March 11, 1955 in San Francisco, CA. Raised in aesthetic surroundings heavily influenced by his architect father, May grew up learning to view all things with an eye for design, color, and shape. At age 5, he remembers his father cutting up a book of drawings by Henri Matisse and hanging them on the walls of their home. The French master Matisse as well as Richard Diebenkorn and David Hockney are his favorite art influences. He began his first attempts at painting at age 15, and later began to experiment with printmaking, teaching himself various techniques such as woodblock printing, etching, silkscreen printing, and monoprinting. Monoprinting soon became May's medium of choice due to its wide range of expression and spontaneity that he felt other techniques lacked. May - "With monoprinting, you can only work a piece for as a long as the paint stays wet, so the resulting print has a feeling of movement and immediacy. I also like how monoprinting allows the brush strokes to transfer a transparent light quality to the print. For me, this is a technique that bridges...

Artist: Eileen Alice Soper (English, 1905-1990) Title: "Spring Song" *Signed by Soper in pencil lower right Year: 1924 Medium: Original Etching on cream laid paper Limited edition: 178 Printer: Likely printed by Eva Soper, London, UK Publisher: H C Dickens, London, UK Reference: "The Catalogue Raisonne of Prints and Etchings of George and Eileen Soper" - Beetles No. 83, page 119, 141, 157 Sheet size: 8.13" x 10.13" Image size: 6.63" x 9.63" Condition: Paper trimmed in the margins. A few faint areas of discoloration. It is otherwise a strong impression in very good condition Notes: Provenance: private collection - Boulder, CO. Biography: Eileen Soper was born in 1905 in the Municipal Borough of Enfield and moved to the house where she was to spend the rest of her life in Harmer Green, Welwyn in the Hertfordshire countryside in 1908. The house she later named "Wildings" was built by her father, the artist George Soper...

Artist: (after) Fritz Scholder (Native American, 1937-2005) Title: "The Art Wagon Galleries: Fritz Scholder (Reclining Woman)" *Signed by Scholder in purple marker lower right Circa:...

Artist: Dan May (American, 1955-) Title: "Reading a Book" *Signed and numbered by May in pencil lower left Year: 1982 Medium: Original Screenprint on unbranded white wove paper Limit...

Artist: Dan May (American, 1955-) Title: "Dogs and Bones" *Signed and numbered by May in pencil lower left Year: 1986 Medium: Original Screenprint on unbranded white wove paper Limited edition: 15/25 Printer: the artist May himself, Oakland, CA Publisher: the artist May himself, Oakland, CA Sheet size: 34.13" x 29.88" Image size: 25.88" x 24" Condition: Some moderate edge wear around, and heavy wear with a repaired tear at lower right corner. In otherwise good condition with strong colors and clean paper. Will look great once framed and with its marginal imperfections covered Notes: Titled and dated by May in pencil lower right. Biography: Dan May is an American painter and printmaker born on March 11, 1955 in San Francisco, CA. Raised in aesthetic surroundings heavily influenced by his architect father, May grew up learning to view all things with an eye for design, color, and shape. At age 5, he remembers his father cutting up a book of drawings by Henri Matisse and hanging them on the walls of their home. The French master Matisse as well as Richard Diebenkorn and David Hockney are his favorite art influences. He began his first attempts at painting at age 15, and later began to experiment with printmaking, teaching himself various techniques such as woodblock printing, etching, silkscreen printing, and monoprinting. Monoprinting soon became May's medium of choice due to its wide range of expression and spontaneity that he felt other techniques lacked. May - "With monoprinting, you can only work a piece for as a long as the paint stays wet, so the resulting print has a feeling of movement and immediacy. I also like how monoprinting allows the brush strokes to transfer a transparent light quality to the print. For me, this is a technique that bridges drawing...

Artist: Salvador Dali (Spanish, 1904-1989) Title: "Le Nu à la Guitarre (The Nude on the Guitar) (Serenade)" Portfolio: Nudes *Signed by Dali in pencil lower right Year: 1970 Medium: Original Lithograph on white Rives paper Limited edition: 104/120 Printer: Desjobert, Paris, France Publisher: E.G.I., Beverly Hills, CA Reference: "The Official Catalog of the Graphic Works of Salvador Dali" - Field No. 70-8-D, page 158 Beautifully framed in handmade real gold-leaf moulding with raw silk matting and gold filet Framed size: 30.25" x 38.25" Image size: 20" x 28.25" Condition: Light toning to sheet in margins and some minor handling creases. Some minor cosmetic wear to framing. It is otherwise a strong impression in very good condition Rare Notes: Provenance: private collection - Philadelphia, PA. Numbered by Dali in pencil lower left. Comes from Dali's 1970 "Nudes" portfolio of 8 lithographs from original drawings. Printed in light yellow-brown on pale green panel. Note: We are specialists in Salvador Dali's printmaking oeuvre, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our examples to be authentic. Biography: Salvador Dalí (May 11, 1904 – January 23, 1989), was a prominent Spanish Catalan surrealist painter born in Figueres, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes...

Artist: Dan May (American, 1955-) Title: "Woman with Fruit" *Signed and numbered by May in pencil lower left Year: 1994 Medium: Original Screenprint o...

Artist: Dan May (American, 1955-) Title: "I Need Him but I Should Leave Him" *Signed and numbered by May in pencil lower left Year: 1984 Medium: Original Screenprint on Rives BFK pa...

Artist: Dan May (American, 1955-) Title: "Roller Coaster" *Signed and numbered by May in pencil lower left Year: 1982 Medium: Original Screenprint on un...

Artist: Walasse Ting (Chinese-American, 1929-2010) Title: "Galerie Adrien Maeght I (Bleue)" *Issued unsigned Year: 1974 Medium: Original Lithograph, Exhibition Poster on wove paper L...

Artist: (after) Jasper Johns (American, 1930-) Title: "Flag I" Series: Facsimile Catalogue of Jasper Johns Prints *Issued unsigned Year: 1975 Mediu...

Artist: Hendrik Paulides (Dutch, 1892-1967) Title: "Zittend Naakt (Seated Nude)" *Monogram signed and dated by Paulides in pencil lower left Year: 1958 Medium: Original Graphite Pencil Drawing on cream wove paper Framing: Recently exquisitely framed in a heavy gold Art Deco moulding...

Artist: Manuel Robbe (French, 1872-1936) Title: "Le Bouquet de Violettes (The Bouquet of Violets)" *Signed by Robbe in pencil lower right Year: 1903 Medium: Original Hand-Colored Etc...

Artist: Ron Louque (American, 1952-) Title: "Barrow's Goldeneye" *Signed by Louque lower left Year: 1989 Medium: Original Acrylic Painting on Board...

Artist: Gene Davis (American, 1920-1985) Title: "Yankee Doodle" *Signed and numbered by Davis in pencil lower right Year: 1972 Medium: Original Screenprint on wove paper, laid down t...

Artist: Josef Albers (German-American, 1888-1976) Title: "Variant III" Portfolio: Ten Variants *Unsigned edition Year: 1967 Medium: Original Screenprint on Rives BFK paper Limited ed...

Artist: (after) Frank Stella (American, 1936-) Title: "Casino Knokke" Series: Casino Knokke Posters *Signed by Stella in black marker lower center Year: 1991 Medium: Original Offset-Lithograph, Exhibition Poster on glossy wove paper Limited edition: Unknown Printer: Unknown Publisher: Casino Knokke, Knokke, Belgium Sheet size: 24.5" x 16.63" Condition: Some minor handling creases. In excellent condition Very rare Notes: Provenance: private collection - Paris, France; acquired directly from the exhibition at Casino Knokke, Knokke, Belgium. Poster produced for a special exhibition of Stella's work at Casino Knokke, Knokke, Belgium from June 23 - September 1, 1991. The artwork featured on this poster is Stella's 1991, 133" x 87" x 75" stainless steel, bronze, copper, aluminum and carbon steel sculpture "Raft of the Medusa, Part IV". Comes with its rare 56 page softcover exhibition catalogue "Frank Stella: Casino Knokke" featuring 18 artworks. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Frank Stella (1936-) is an American artist best known for his use of geometric patterns and shapes in creating both paintings and sculptures. Arguably one of the most influential living American artists, Stella’s works utilize the formal properties of shape, color, and composition to explore non-literary narratives, as seen in his work Harrar II (1967) from the Protractor series. “Abstraction didn't have to be limited to a kind of rectilinear geometry or even a simple curve geometry. It could have a geometry that had a narrative impact. In other words, you could tell a story with the shapes,” he explained. “It wouldn't be a literal story, but the shapes and the interaction of the shapes and colors would give you a narrative sense. You could have a sense of an abstract piece flowing along and being part of an action or activity.” Born on May 12, 1936 in Malden, MA, Stella went on to study history at Princeton University before moving to New York in 1958. Having moved to the city, Stella was immersed in the heyday Abstract Expressionism, but it was the work of Jasper Johns that inspired Stella’s Black...

Artist: Dan May (American, 1955-) Title: "Dog Dreams" *Signed and numbered by May in pencil lower left Year: 1985 Medium: Original Screenprint on unbranded turquoise wove paper Limited edition: 7/75 Printer: the artist May himself, Oakland, CA Publisher: the artist May himself, Oakland, CA Sheet size: 24" x 21.38" Image size: 18" x 18" Condition: Minor edge wear at upper left corner and some minor scuffing to image. In excellent condition Notes: Titled and dated by May in pencil lower right. Biography: Dan May is an American painter and printmaker born on March 11, 1955 in San Francisco, CA. Raised in aesthetic surroundings heavily influenced by his architect father, May grew up learning to view all things with an eye for design, color, and shape. At age 5, he remembers his father cutting up a book of drawings by Henri Matisse and hanging them on the walls of their home. The French master Matisse as well as Richard Diebenkorn and David Hockney are his favorite art influences. He began his first attempts at painting at age 15, and later began to experiment with printmaking, teaching himself various techniques such as woodblock printing, etching, silkscreen printing, and monoprinting. Monoprinting soon became May's medium of choice due to its wide range of expression and spontaneity that he felt other techniques lacked. May - "With monoprinting, you can only work a piece for as a long as the paint stays wet, so the resulting print has a feeling of movement and immediacy. I also like how monoprinting allows the brush strokes to transfer a transparent light quality to the print. For me, this is a technique that bridges drawing...

Artist: Dan May (American, 1955-) Title: "Tossing the Bone" *Signed and numbered by May in pencil lower left Year: 1999 Medium: Original Screenprint on unbranded black wove paper Lim...

Artist: Dan May (American, 1955-) Title: "A Woman and Her Pets" *Signed and numbered by May in pencil lower left Year: 1991 Medium: Original Screenprint on unbranded white wove paper...

Artist: André Masson (French, 1896-1987) Title: "Le Fil d'Ariane (Ariadne's Clew)" Portfolio: For Meyer Schapiro *Signed by Masson in pencil lower right Year: 1973 Medium: Original Etching with Aquatint on Rives BFK paper Limited edition: 15/100 Printer: Atelier Crommelynck, Paris, France Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro at Columbia University, New York, NY Sheet size: 18" x 13.5" Image size: 11.5" x 8.5" Condition: Never framed, has been professionally stored away for decades. In excellent condition Rare Notes: Numbered by Masson in pencil lower left. Comes from the 1974 "For Meyer Schapiro" portfolio of twelve print editions by various artists. The "For Meyer Schapiro" portfolio consisted of four lithographs (one with embossing), three screenprints (one with stamp additions), two lithographs and screenprints (one with embossing), two etching and aquatints, and one duplicated drawing. Various printers were used. In addition to Masson, the following artists also contributed to the portfolio: Stanley William Hayter, Jasper Johns, Ellsworth Kelly, Alexander Liberman, Roy Lichtenstein, Robert Motherwell, Claes Oldenburg, Robert Rauschenberg, Saul Steinberg, Frank Stella, and Andy Warhol. Biography: André Masson (b. Balagny-sur-Thérain 1896 - Paris 1987) was a French artist. He was brought up in Belgium. He began his study of art at the age of eleven in Brussels, at the Académie Royale des Beaux-Arts under the guidance of Constant Montald, and later he studied in Paris. He fought for France during World War I and was seriously injured. His early works display an interest in cubism. He later became associated with surrealism, and he was one of the most enthusiastic employers of automatic drawing, making a number of automatic works in pen and ink. Masson experimented with altered states of consciousness with artists such as Antonin Artaud, Michel Leiris, Joan Miró, Georges Bataille, Jean Dubuffet, and Georges Malkine, who were neighbors of his studio in Paris. By the end of the 1920s, however, he was finding automatic drawing rather restricting, and he left the surrealist movement and turned instead to a more structured style, often producing works with a violent or erotic theme, and making a number of paintings in reaction to the Spanish Civil War. Under the German occupation of France during World War II, his work was condemned by the Nazis as degenerate. With the assistance of Varian Fry in Marseille, Masson escaped the Nazi regime on a ship to the French island...

Artist: Albrecht Steinert (German, 1925-?) Title: "Ettal Abbey" *Signed and dated by Steinert in pencil lower right Year: 1984 Medium: Original Etching on unbranded heavy white wove paper Limited edition: Unknown Printer: likely the artist Steinert himself, Germany? Publisher: likely the artist Steinert himself, Germany? Sheet size: 10.25" x 15.5" Image size: 7.75" x 11.75" Condition: In excellent condition Notes: Titled by May in pencil lower left. The first word within the inscribed title is illegible. Ettal Abbey (German: Kloster Ettal) is a Benedictine monastery in the village of Ettal close to Oberammergau and Garmisch-Partenkirchen in Bavaria, Germany. With a community (as of 2005) of more than 50 monks, with another five at Wechselburg, the Abbey is one of the largest Benedictine houses and is a major attraction for visitors. Biography: Albrecht Steinert (1925-?) was a German painter and printmaker. He was the son of German artist Fritz...

Artist: Ken Burton (English, 1946-) Title: "Greatford, Somerset" *Signed by Burton lower right Year: 1988 Medium: Original Watercolor on heavy wove paper Framing: Not framed, but beautifully matted with hand decorated archival French matting Matted size: 18" x 20" Image size: 9.5" x 12.5" Condition: Never framed, has been professionally stored away for decades. In mint condition Notes: Provenance: acquired directly from the artist Burton himself in the 1980's. Somerset is a county in South West England which borders Gloucestershire and Bristol to the north, Wiltshire to the east, Dorset to the south-east and Devon to the south-west. It is bounded to the north and west by the Severn Estuary and the Bristol Channel, its coastline facing southeastern Wales. Biography: Born in Peterborough in 1946, Ken Burton's interest in art began at school and led him to an initial choice of career in design and engraving, in which he trained with Joseph Hules, in London. He left in 1970 to enter public service (The British Police...

Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Unité, Planche 8" (Set of 2) Portfolio: Unité *Signed by Le Corbusier in pencil lower right. It is ...

Artist: Kazuhide Yamazaki (Japanese-American, 1951-) Title: "Pitcher III" *Signed and dated by Yamazaki in pencil lower right Year: 1981 Medium: Original Monotype on Arches paper Limited edition: (1/1) Printer: likely Perma Press, New York, NY Publisher: likely Perma Press, New York, NY Sheet size: 30.25" x 22.25" Image size: 24" x 18" Condition: Light UV stain to sheet. In otherwise very good condition with strong colors Rare Notes: Titled lower center and the medium inscribed lower left by Yamazaki in pencil. Arches watermark lower right. Kazuhide Yamazaki was commissioned to create elaborate and colorful stage artwork by The Rolling Stones for their 1981 American tour from September 25 - December 19, 1981, (see final photo for reference). Also known as the most painterly method among the printmaking techniques, a monotype is essentially a printed painting. The characteristic of this method is that no two prints are alike; although images can be similar, editioning is not possible. Biography: Kazuhide Yamazaki is a Japanese born artist who studied printmaking in San Francisco now living in New York City. The artist is best known for his work for The Rolling Stones. On their 1981 American tour, he designed the sets, tour poster, t-shirts, and record cover of the tour album. His unique hand painted monotypes can be found in many important collections including The Brooklyn Museum and the J.P. Morgan Chase Art Collection. From an article by Rolling Stone magazine on Yamazaki and his artistic contribution to The Rolling Stones' 1981 Tour: "Designed by Japanese artist Kazuhide Yamazaki, the stage was the largest mobile concert set ever built: sixty-four feet wide, with eighty-foot ramps stretching out from the right and left sides, and another 150 feet of fluttering silk strips streaming into the bleachers. The massive scrims surrounding the stage — painted with post-modernist pastel...

Artist: Dagmar Mezricky (Czech, 1944-) Title: "Act III with Portrait" *Signed by Mezricky in pencil lower right Circa: 1988 Medium: Original Lithograph on unbr...

Artist: Joan Miró (Spanish, 1893-1983) Title: "Untitled (page 20, 21)" Portfolio: Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght (No. 250) *Issued u...

Artist: James Coignard (French, 1925-2008) Title: "Les Voiles (The Sails)" *Signed by Coignard in pencil lower right Year: 1984 Medium: Original Hand-Embellis...

Artist: Dan May (American, 1955-) Title: "A Man and His Dreams" *Signed by May in pencil lower left Year: 1991 Medium: Original Screenprint on unbranded white wove paper Limited edit...

Artist: Dan May (American, 1955-) Title: "Picnic" *Signed and numbered by May in pencil lower left Year: 1989 Medium: Original Screenprint on unbranded white wove paper Limited editi...

Artist: Dan May (American, 1955-) Title: "Milk and Teddy Time" *Signed and numbered by May in pencil lower left Year: 1986 Medium: Original Screenprint on unbranded white wove paper ...

Artist: Dan May (American, 1955-) Title: "Reclining Nude (Black)" *Signed and numbered by May in pencil lower left Year: 1995 Medium: Original Screenprint on unbranded white wove paper Limited edition: 45/50 Printer: the artist May himself, Oakland, CA Publisher: the artist May himself, Oakland, CA Sheet size: 20.25" x 24" Image size: 11.38" x 17.13" Condition: In excellent condition Notes: Titled and dated by May in pencil lower right. Biography: Dan May is an American painter and printmaker born on March 11, 1955 in San Francisco, CA. Raised in aesthetic surroundings heavily influenced by his architect father, May grew up learning to view all things with an eye for design, color, and shape. At age 5, he remembers his father cutting up a book of drawings by Henri Matisse and hanging them on the walls of their home. The French master Matisse as well as Richard Diebenkorn and David Hockney are his favorite art influences. He began his first attempts at painting at age 15, and later began to experiment with printmaking, teaching himself various techniques such as woodblock printing, etching, silkscreen printing, and monoprinting. Monoprinting soon became May's medium of choice due to its wide range of expression and spontaneity that he felt other techniques lacked. May - "With monoprinting, you can only work a piece for as a long as the paint stays wet, so the resulting print has a feeling of movement and immediacy. I also like how monoprinting allows the brush strokes to transfer a transparent light quality to the print. For me, this is a technique that bridges drawing...

Artist: Dan May (American, 1955-) Title: "Baker" *Signed and numbered by May in pencil lower left Year: 1994 Medium: Original Screenprint on unbranded white wove paper Limited editio...

Artist: Lee Krasner (American, 1908-1984) Title: "Ashawagh Hall: The Springs Artists' Exhibition" Series: Ashawagh Hall Posters *Signed and numbered by Krasner in pencil lower center. It is also signed in the plate (printed signature) lower right Year: 1974 Medium: Original Lithograph, Exhibition Poster on heavy wove paper Limited edition: 1/25, (there was also an unsigned edition of approx. 500) Printer: Unknown Publisher: Ashawagh Hall, East Hampton, NY Framing: Recently framed in a contemporary dark brown wood moulding with frame space. All archival Framed size: 29.88" x 23.75" Sheet size: 28.5" x 22.63" Image size: 28" x 22.13" Condition: Colors are attenuated. Some mild water staining that has caused discoloration and general wear lower right. In otherwise good condition will full margins Extremely rare Notes: Provenance: private collection - Pompano Beach...

Artist: Lee Krasner (American, 1908-1984) Title: "Ashawagh Hall: The Springs Artists' Exhibition" Series: Ashawagh Hall Posters *Signed by Krasner in the...

Artist: Anders Zorn (Swedish, 1860-1920) Title: "Dance at Gopsmor" *Signed by Zorn in pencil lower right. It is also signed and dated in the plate (printed signature) lower left Year: 1906 (second state of two) Medium: Original Etching on cream Van Gelder Zonen laid paper Limited edition: approx. 50 impressions Printer: the artist Zorn himself, Mora, Sweden Publisher: the artist Zorn himself, Mora, Sweden Reference: Asplund No. 197; Hjert & Hjert No. 205; Loys Delteil No. 192 Framing: Recently framed in a gold ornate moulding and fabric matting from Holland. All archival Framed size: 22.75" x 18.25" Sheet size (irregular margins): 16.5" x 11" Image size: 11.88" x 7.75" Condition: A strong impression in very good condition Very rare Notes: Provenance: private collection - Chicago, IL; acquired from Rothschild & Company, Chicago, IL in the early 1900's. Fleur-de-lis shield with text underneath (Van Gelder Zonen) watermark in center of sheet. "Towards the end of the nineteenth century and at the beginning of the twentieth century, Anders Zorn became increasingly interested in the history and ancient traditions of his native town Mora and its wider cultural territories which at the time, as a result of industrialisation and urbanisation, were begining to disappear. In 1904, Anders Zorn purchased an ancient farmhouse which he moved to the parish of Gopsmor, situated by the river Dal, North-West of Mora. The simple ritualistic lifestyle of its people, with whom he felt affinity, and Gopsmor's geographical isolation, became for Zorn, a place of refuge for the cosmopolitan artist". - Christie's, London, UK Biography: Anders Leonard Zorn...

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Untitled (page 8, 9)" Portfolio: Derrière Le Miroir (No. 149) *Issued unsigned Year: 1964 Medium: Origina...

Artist: Eileen Alice Soper (English, 1905-1990) Title: "The New Pupil" *Signed by Soper in pencil lower right Year: 1925 Medium: Original Etching on unbranded white wove paper Limited edition: Unknown Printer: Likely printed by Eva Soper, London, UK Publisher: H C Dickens, London, UK Reference: "The Catalogue Raisonne of Prints and Etchings of George and Eileen Soper" - Beetles No. 93, page 121, 141, 157 Sheet size: 11" x 9" Image size: 6" x 3.5" Condition: Never framed, has been professionally stored away for decades. In mint condition Notes: H C Dickens chop mark/blind stamp lower left. The Art Institute of Chicago has an example of this work within their permanent collection. Biography: Eileen Alice Soper (26 March 1905 – 18 March 1990) was an English etcher and illustrator of children's and wildlife books. She produced a series of etchings, mainly of children playing, and illustrated books for other writers, notably for Enid Blyton and Elizabeth Gould. She also wrote and illustrated her own children's book. Some of her illustrations of children and animals were used in a china series for children by Paragon China...

Artist: Emilia Castañeda (Spanish, 1943-) Title: "Nude in Negligee" *Signed by Castaneda in pencil lower right Circa: 1980 Medium: Original Pen & Ink and Watercolor Drawing on wove paper Framing: Recently framed in a contemporary gold moulding from Spain and double matting from Holland. All archival Framed size: 23.75" x 20" Image size: 12.25" x 8.5" Condition: In excellent condition Biography: Emilia Castañeda Martínez (born 7 November 1943) is a Spanish painter. She was born in Madrid, but moved to Barcelona with her family as a child. She began training in 1956 at the academy of the painter Víctor Esteban Ripaux and at Escola de la Llotja in 1959 and Escuela Massana in 1969. By the 70s she had finished her studies and became a professional painter. Her works focus on the nude, generally placed in an abstract and dreamlike background that include objects that offer clues to the story told by the central figures. Her work has been compared with that of modernists such as Gustav Klimt, Anglada Camarasa...

Artist: Dan May (American, 1955-) Title: "Crazy Dog" *Signed and numbered by May in pencil lower left Year: 1996 Medium: Original Screenprint on unbranded white wove paper Limited ed...

Artist: Dan May (American, 1955-) Title: "Reading Pig" *Signed and numbered by May in pencil lower left Year: 1984 Medium: Original Screenprint on unbranded white wove paper Limited ...

Artist: Dan May (American, 1955-) Title: "Dog Face (Purple)" *Signed and numbered by May in pencil lower left Year: 1986 Medium: Original Screenprint on unbranded white wove paper Li...

Artist: Ellsworth Kelly (American, 1923-2015) Title: “Blue/Red-Orange” *Signed by Kelly in pencil lower right Year: 1972 Medium: Original Lithograph on Special Arjomari paper Limited...

Artist: Josef Albers (German-American, 1888-1976) Title: "JHM - II" Portfolio: Josef Albers Honors the Hirshhorn Museum and Sculpture Garden *Monogram signed and dated by Albers in p...

Artist: Roy Lichtenstein (American, 1923-1997) Title: "Entablature IV" Portfolio: Entablature Series *Signed and dated by Lichtenstein in pencil lower right Year: 1976 Medium: Original Screenprint and Collaged mat pink Metallic Foil with Embossing on Rives BFK paper Limited edition: 14/30, (there were also 9 artist's proofs) Printer: Tyler Graphics Ltd., Bedford Village, NY Publisher: Tyler Graphics Ltd., Bedford Village, NY Reference: "The Prints of Roy Lichtenstein: A Catalogue Raisonné 1948-1997" - Corlett No. 141, page 144; PCN 7 (July-August 1976); "Tyler Graphics Catalogue Raisonné 1974-1985" - Tyler No. 337:RL5, page 210 Framing: Framed in a contemporary white moulding with plexiglass and matted with a custom hand-wrapped 8 ply linen mat Framed size: 39.5" x 55" Sheet size: 29.19" x 44.82" Image size: 20.19" x 38" Condition: Some light cosmetic wear to frame; presently no hanging wire. The artwork is in mint condition Very rare Notes: Provenance: private company collection - Miami, FL, acquired directly from the publisher Tyler Graphics Ltd., Bedford Village, NY in the 1970's. Numbered by Lichtenstein in pencil lower left. Comes from Lichtenstein's 1976 "Entablature Series" portfolio of 11 prints, (Corlett No. 138-148). Printed in six colors, in seven runs, from five screens, and one embossing plate. Collaboration: Kenneth Tyler (project supervision, plate/screen preparation, proofing, collage, and embossing); Kim Halliday (screen preparation and processing, proofing, and edition printing); Betty Fiske (proofing and edition printing). Swan Engraving processed the magnesium plate. Tyler Graphics Ltd. chop mark/blind stamp lower right. Workshop number inscribed in pencil lower left on verso: "RL75-197". Comes with its original Tyler Graphics "Entablature Series" booklet. Between 1971 and 1976 Lichtenstein produced two series of "Entablature" paintings, using photographs of architectural ornament he had taken in New York as the starting point for his compositions (see Cowart [1981]). The first "Entablature" paintings (1971-72) were black and white. The second group used color and were produced at roughly the same time the "Entablature" series of prints were in production at Tyler Graphics Ltd., 1974-76. The first discussions between Lichtenstein and Ken Tyler concerning the "Entablature" prints took place in May, 1974. As recorded in the Tyler catalogue raisonne, technical research for the project began in September 1974 and production was completed in April 1976. Lichtenstein produced one or more collages for each print in the series to serve as models for the plates and screens. Both the "Entablature" paintings and prints are intimately concerned with texture - the metallic paint and sand of the paintings, the foils and embossing/debossing techniques employed in the prints. The imagery itself - machined architectural ornament - takes technology as its subject. As Barbara Rose suggests, "That industrialism disrupted our notion of style as much as reproduction altered our conception of representation appears to be the subjects of Lichtenstein's "Entablatures". For each print in this series, the Tyler Graphics Ltd. catalogue raisonne gives exact method and press types, as well as the initials of the printers for each run. To complete certain phases of the project, Tyler employed the following companies: Drake Engineering, Danbury, CT (for machining of the metal die); Swan Engraving, Bridgeport, CT (for plate processing); Tallix Foundry, Beacon, NY (for bronze casting); and Tompkins Tooling, Gardena, CA (for machining of the metal die). The ten embossing plates for the series are now in the collection of the National Gallery, Canberra, Australia. Biography: American artist Roy Lichtenstein was born in New York City on October 27, 1923, and grew up on Manhattan's Upper West Side. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. Inspired by advertisements and comic strips, Lichtenstein's bright, graphic works parodied American popular culture and the art world itself. He died in New York City on September 29, 1997. Lichtenstein was committed to his art until the end of his life, often spending at least 10 hours a day in his studio. His work was acquired by major museum collections around the world, and he received numerous honorary degrees and awards, including the National Medal of Arts in 1995. In 2013 the painting "Woman with Flowered Hat" set another record at $56.1 million as it was purchased by British jeweler Laurence Graff from American investor Ronald O. Perelman. This was topped in November of 2015 by the sale of "Nurse" for 95.4 million dollars at Christie's auction. Subsequently, that was topped with the private sale of his 1962 painting...

Artist: Anders Zorn (Swedish, 1860-1920) Title: "Gulli I" Series: Gulli *Signed by Zorn in pencil lower right. It is also signed and dated in the plate (printed signature) lower right Year: 1914 (second state of two) Medium: Original Etching on cream Van Gelder Zonen laid paper Limited edition: approx. 50 impressions Printer: the artist Zorn himself, Mora, Sweden Publisher: the artist Zorn himself, Mora, Sweden Reference: Asplund No. 265; Hjert & Hjert No. 162 Sheet size (irregular margins): 12.88" x 10.13" Image size: 5.13" x 3.5" Condition: Faint UV stain. Minor toning to sheet and minor paper loss at bottom center margin. It is otherwise a strong impression in excellent condition Very rare Notes: Provenance: private collection - Santa Fe, NM. Fleur-de-lis shield (Van Gelder Zonen) watermark at left center margin. Pencil inscribed "Gulli No. 1" lower right in margin. Retains old paperwork from previous framing. Biography: Anders Leonard Zorn...

Artist: Robert Motherwell (American, 1915-1991) Title: "Signs on Copper" *Signed and numbered by Motherwell in pencil lower right Year: 1981 Medium: Original Lift-Ground Etching with Aquatint on German Etching paper Limited edition: 45/53, (there were also 10 artist's proofs) Printer: Catherine Mosley in the artist's studio, Greenwich, CT Publisher: The artist Motherwell himself, Greenwich, CT Reference: "Catalogue Raisonné 1943-1990 - The Prints of Robert Motherwell" - Belknap No. 252, page 249; Engberg No. 286 Framing: Not framed, but matted with a custom hand-wrapped 8 ply linen mat Matted size: 28.25" x 33.75" Sheet size: 27" x 31.75" Image size: 17.75" x 23.5" Condition: Light mat stain in margins and a light water stain to lower right corner in margin. It is otherwise a strong impression in very good condition with rich colors; the printed image is pristine Very rare Notes: Provenance: private collection - Palm Beach, FL. Released by Petersburg Press, London, UK and New York, NY. Artist's chop mark/blind stamp lower right. Printed in 2 colors in 3 runs from 2 zinc plates and 1 copper plate: 1. burnt sienna - zinc plate (aquatint); 2. burnt sienna - copper plate (aquatint); 3. black - zinc plate (lift-ground etching and aquatint). Biography: Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...

Artist: Tom Wesselmann (American, 1931-2004) Title: "Nude (Lithograph)" *Signed, dated, and numbered by Wesselmann in pencil lower right Year: 1976 Medium: Original Lithograph and Screenprint with Embossing on Rives BFK paper Limited edition: 49/75, (there were also 12 artist's proofs) Printer: Styria Studio, New York, NY Publisher: Multiples Inc., New York, NY Reference: "Tom Wesselmann" - Stealingworth page 285; "Synthesis and Tension: Tom Wesselmann's Editions" - Cristea Roberts Gallery No. 9, page 36-37 Sheet size: 22.5" x 30.13" Image size: 13.5" x 23.63" Condition: A superior example in mint condition Rare Notes: Provenance: one owner ever - private collection - Chicago, IL; acquired from van Straaten Gallery, Chicago, IL in 1979, retaining their original gallery label. This work is also sometimes referred to as "Nude with Rose". Printed in thirty-four colors. Styria Studio chop mark/blind stamp lower right. Multiples Inc. chop mark/blind stamp lower left. Rives BFK watermark lower left. Some pencil inscribed reference numbers on verso. Our example here is in mint condition with strong colors as the day it was printed having been previously archivally framed and properly stored. For reasons unknown, most all examples of "Nude (Lithograph)" that appear today, their colors have greatly attenuated (faded) over the past 45 years. Also, the printer and publisher of this edition are almost always incorrectly defined backwards, as Styria Studios as the publisher and Multiples Inc. as the printer. William (Bill) van Straaten (1937-2013) founded van Straaten Gallery in Chicago in 1969, a contemporary art gallery with an international reputation. He served as president of the Chicago Art Dealers Association. He ran the gallery at 646 North Michigan Avenue for 33 years until 2002. In 2003, van Straaten moved his operations to Steamboat Springs, Colorado establishing Riverhouse Editions, a fine art publisher. In 2008, van Straaten moved to Denver and acquired the Sandy Carson Gallery on Santa Fe Drive, which operated as the van Straaten Gallery for five final years before closing in 2012. Biography: Thomas K. Wesselmann (February 23, 1931 – December 17, 2004) was an American artist associated with the Pop Art movement who worked in painting, collage and sculpture. Born on February 23, 1931, in Cincinnati, Ohio, cartoonist and collagist Tom Wesselmann eventually moved to New York City to become one of the founding figures of the Pop Art movement, making waves with his "Great American Nude" series. He later became well known for his huge canvas...

Artist: Louis LeGrand (French, 1863-1951) Title: "La Loge (The Lodge)" Portfolio: Gazette des Beaux-Arts *Issued unsigned, though signed by LeGrand in the plat...

Artist: Tom Whitehead (English, 1886-1959) Title: "A Windy Day ... Blackstone Edge" *Signed by Whitehead in green watercolor on verso Circa: 1920 Medium: Original Watercolor on paper, laid down to thin board Framing: Not framed, but beautifully matted with hand decorated French matting Matted size: 16.25" x 20.25" Image size: 9.25" x 13.75" Condition: A few cosmetic surface marks on lower margin of mat. In excellent condition Notes: Retains partial original gallery label with pencil inscriptions upper left on verso. Blackstone Edge is a gritstone escarpment at 1,549 feet (472 m) above sea level in the Pennine hills surrounded by moorland on the boundary between Greater Manchester and West Yorkshire in England. Biography: Tom Whitehead (English, 1886-1959) was born in Leeds and died in Halifax in 1959. He studied at the Halifax School of Art and the Royal College of Art in Paris, France. In addition to his printmaking primarily in etching, Whitehead, a member of the Society of Yorkshire Artists...

Artist: (after) Karl Schmidt-Rottluff (German, 1884-1976) Title: "Kunsthandel Wolfgang Werner KG (Nudes)" Year: 1984 Medium: Original Offset-Lithograph, Exhibition Poster on yellow wove paper Limited edition: Unknown Printer: Unknown Publisher: Kunsthandel Wolfgang Werner KG, Bremen, Germany Framing: Recently framed in a contemporary black moulding with frame space Framed size: 29.25" x 19.5" Sheet size: 27.25" x 17.75" Image size: 9.5" x 12" Condition: In excellent condition Extremely rare Notes: Poster produced for a special posthumous exhibition of Rottluff's early watercolors and printmaking "Schmidt Rottluff" at Kunsthandel Wolfgang Werner KG, Bremen, Germany from March 8 - May 12, 1984, in tribute to the artist's, would have been, 100th birthday. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died August 9, 1976, West Berlin [now Berlin]), German painter and printmaker who was noted for his Expressionist landscapes and nudes. In 1905 Schmidt-Rottluff began to study architecture in Dresden, Germany, where he and his friend Erich Heckel met Ernst Ludwig Kirchner and Fritz Bleyl, two other architecture students who shared their passion for painting. Together they formed the organization of Expressionist artists known as Die Brücke...

Artist: Maud Hollyer (English, 1867-1910) Title: "Cotswold Village, England" *Signed by Hollyer lower left Circa: 1900 Medium: Original Watercolor on paper Framing: Not framed, but beautifully matted with hand decorated archival French matting...

Artist: Alfred Sale Watson (English, Late 19th Century - Early 20th Century) Title: "Bridge at Sonning on Thames" *Signed and dated by Watson lower left Year: 1905 Medium: Original Gouache/Watercolor Painting on thin Illustration Board Framing: Recently framed in a gold brush and rope-motif moulding with hand decorated archival French matting Framed size: 26" x 31.88" Matted size: 20.25" x 26.25" Image size: 15" x 21" Condition: Has been professionally stored away for decades. In excellent condition Notes: It is also titled and dated on verso, likely by a previous dealer. Sonning is a village and civil parish in Berkshire, England, on the River Thames, east of Reading. The village was described by Jerome K. Jerome in his book Three Men in a Boat...

Artist: Andre Masson (French, 1896-1987) Title: "Interieur Vénitien (Venetian Interior)" *Signed by Masson in pencil lower right Year: 1975 Medium: Original Lithograph on Arches paper Limited edition: 45/125 Printer: Atelier Mourlot, Paris, France Publisher: Galerie Louise Leiris, Paris, France Reference: "Andre Masson Graphik" - Passerson page 177 Sheet size: 26" x 20" Condition: Never framed, has been professionally stored away for decades. Some light handling creases in left margin. In excellent condition Notes: Numbered by Masson in pencil lower left. Arches watermark right center margin. Biography: André Masson (b. Balagny-sur-Thérain 1896 - Paris 1987) was a French artist. He was brought up in Belgium. He began his study of art at the age of eleven in Brussels, at the Académie Royale des Beaux-Arts under the guidance of Constant Montald...

Artist: Dan May (American, 1955-) Title: "Nude and Cat" *Signed and numbered by May in pencil lower left Year: 1987 Medium: Original Screenprint on unbranded w...

Artist: Dan May (American, 1955-) Title: "Devil" *Signed and numbered by May in pencil lower left Year: 1999 Medium: Original Screenprint on unbranded white cotton rag laid paper Lim...