Greenwich Living Design Wall Clocks
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By George Nelson, Howard Miller
Located in Manhasset, NY
Mid-Century Modern kite wall clock by George Nelson, Howard Miller, Vitra Label
George Nelson (American, 1908-1986) Group of Table and Wall Clocks for Howard Miller, Vitra Design Museum, Poland/Germany, designed 1949-1954 Vitra Design Museum labels, With battery-operated mechanisms
The Kite clock...
Category
Mid-20th Century American Mid-Century Modern Wall Clocks
Materials
Metal, Enamel
By Lerolle Freres
Located in Manhasset, NY
Rare Bronze Cartel Clock Wall Sconce, Lerolle Freres, Paris
A large and impressi...
Category
Antique Early 1900s French Louis XV Wall Clocks
Materials
Bronze, Steel
Located in Manhasset, NY
A French Bronze Wall, Cartel Clock Late 19th Century, Solid Bronze, Figural
A fine solid bronze large and i...
Category
Antique Early 1900s French Louis XV Wall Clocks
Materials
Steel, Bronze
By Fritz Hansen
Located in Manhasset, NY
Stool seat wall clock, model 7512, c. 1957 by Fritz Hansen. This finely decorative wall clock is simply stunning and is certain to draw conversation in any room in the home.
Produced by George Nelson & Associates, USA, 1950s Stamped 'FH DENMARK...
Category
Vintage 1960s Danish Mid-Century Modern Wall Clocks
Materials
Teak
Located in Manhasset, NY
Louis XVI Dore bronze mantle clock, Conrad Felsing, Berlin. A finely cast d...
Category
Antique Mid-19th Century French Mantel Clocks
Materials
Porcelain
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Interestingly, while nearly all of the designs that came out of George’s studio were attributed to him, many were actually designed by him and his team. Some were even designed solely by someone else working at the studio.
Nelson famously recounted the story of how the Ball Clock came to life in an interview decades after it’s release:
“It was one of the really funny evenings. Noguchi came by, Bucky Fuller came by, and here was Irving, and here was I, and Noguchi - who can’t keep his hands off anything - he saw we were working on clocks and started making doodles. Then Bucky sort of brushed Isamu aside. He said, ‘This is a good way to do a clock’ and made some utterly absurd thing. Everybody was taking a crack at this, pushing each other aside and making scribbles. At some point we left – we were suddenly all tired, and we’d had a little bit too much to drink – and the next morning I came back, and here was this roll of paper, and Irving and I looked at it, and somewhere in this roll, there was a ball clock. I don’t know to this day who cooked it up.”
Nevertheless, whoever it was that came up with George Nelson’s designs, it’s almost certain that they would never have come to fruition if it wasn’t for George’s vision and forward-thinking approach.
Can you tell me more about his clocks?
George’s clocks were one of his most impressive bodies of work. In total, he and his team designed over 130 clocks in just three decades.
While it is widely accepted that Irving Harper was the lead designer for the Howard Miller Clock Company at George Nelson Associates, the collection arose after two insightful observations from George: one, that people no longer used the numbers to tell the time; and two, that since most people now used their wristwatch to tell the time, interior clocks were now free to become more decorative in nature.
The clocks were designed and released in batches of 8 and were initially only given numbers for names. The Sunflower Clock was simply ‘Clock 2261’, the Flock of Butterflies Clock was 'Clock 2226’, and so on.
The Ball was the first clock designed by George and his team and it was followed shortly after by the Star, Sunburst, Spindle, Asterisk, Turbine, Flock of Butterflies, Eye and others. The clocks were purposefully abstract and were designed to complement the modernist furniture emerging at the time.
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