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Self Portrait Sketch
By Ben Fenske
Located in Sag Harbor, NY
An early work on paper, by American Impressionist painter, Ben Fenske. It's rare to see a drawing like this from Fenske, especially of a self portrait. Fenske uses classical draftin...
Category
Early 2000s Academic Portrait Drawings and Watercolors
Materials
Paper, Conté
Nude Sketch #2
By Ben Fenske
Located in Sag Harbor, NY
A rare work on paper by Ben Fenske. A sketch of a female nude, posing. Drawn from direct observation using a live model. White chalk is used to create highlights. Not framed. Wrapped...
Category
Early 2000s Academic Nude Drawings and Watercolors
Materials
Paper, Charcoal
Portrait Sketch
By Ben Fenske
Located in Sag Harbor, NY
A portrait of a male head, in profile by BenFenske. The artist uses a variety of colors to convey a naturalist impression.
Artist Bio
Ben Fenske (b. 1978) although a native of Minn...
Category
21st Century and Contemporary Academic Portrait Drawings and Watercolors
Materials
Crayon, Paper, Conté
Study for Alyssa II
By Stephen Bauman
Located in Sag Harbor, NY
A charcoal portrait drawing of a young woman.
"The emotional intensity found in Bauman’s figurative work is astounding. A hallmark of Bauman’s character portraits is that, somehow,...
Category
2010s Academic Portrait Drawings and Watercolors
Materials
Archival Paper, Charcoal
Canal at Indian Mound Road
By Ben Fenske
Located in Sag Harbor, NY
Painted during the 2015 Winter Equestrian Festival in Wellington, Florida. A black and white depiction of a canal, is barely recognizable, due to Fenske's wild brushstrokes and lack...
Category
21st Century and Contemporary American Impressionist Landscape Paintings
Materials
Gouache, Paper
"Alpi Apuane, Italy" american impressionist watercolor painting of Swiss Alps
By Nelson H. White
Located in Sag Harbor, NY
Painted from life, the Swiss Alps as viewed from Italy. Framed in a thick grey wooden frame.
Dimensions framed: 12.5 x 19.25 inches
Nelson H. White was born in New London, Connectic...
Category
21st Century and Contemporary American Impressionist Landscape Paintings
Materials
Watercolor
Female Portrait Sketch #2
By Ben Fenske
Located in Sag Harbor, NY
A colorful sketch of a female bust, in the style of contemporary academic realism.
Artist Bio
Ben Fenske (b. 1978) although a native of Minnesota, and has been working and living ...
Category
21st Century and Contemporary Academic Portrait Drawings and Watercolors
Materials
Crayon, Paper, Conté
"Self Portrait Conte Sketch" rare Ben Fenske work on paper - academic study
By Ben Fenske
Located in Sag Harbor, NY
A colorful self-portrait from Ben Fenske, staring at the viewer straight-on. Hues of red dominate.
Unframed.
Ben Fenske (b. 1978) although a native of Minnesota, and has been worki...
Category
Early 2000s Academic Portrait Drawings and Watercolors
Materials
Paper, Conté
Nude Sketch No. 3
By Ben Fenske
Located in Sag Harbor, NY
An academic drawing of a female nude figure sitting atop a flat surface. He highlights the body with white chalk. She leans on one arm and the other rests behind her torso.
Artist B...
Category
21st Century and Contemporary Academic Nude Drawings and Watercolors
Materials
Paper, Charcoal
Viareggio, Italy
By Nelson H. White
Located in Sag Harbor, NY
Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his...
Category
21st Century and Contemporary American Impressionist Landscape Drawings ...
Materials
Watercolor
Beast of Burden
By Michael Kotasek
Located in Sag Harbor, NY
Awards
2013 Loring W. Coleman Award for Watercolor/ Allied Artists of America, 100th Annual Exhibition at the National Arts Club
2011 Mary Bryan Memorial Medal / Allied Artis...
Category
21st Century and Contemporary American Realist Animal Drawings and Water...
Materials
Graphite
Afternoon at Hortons Point
By Michael Kotasek
Located in Sag Harbor, NY
Awards
2013 Loring W. Coleman Award for Watercolor/ Allied Artists of America, 100th Annual Exhibition at the National Arts Club
2011 Mary Bryan Memorial Medal / Allied Arti...
Category
21st Century and Contemporary American Realist Landscape Drawings and Wa...
Materials
Graphite
Mansard Roof
By Michael Kotasek
Located in Sag Harbor, NY
Awards
2013 Loring W. Coleman Award for Watercolor/ Allied Artists of America, 100th Annual Exhibition at the National Arts Club
2011 Mary Bryan Memorial Medal / Allied Artis...
Category
21st Century and Contemporary American Realist Landscape Drawings and Wa...
Materials
Watercolor
Bowers
By Michael Kotasek
Located in Sag Harbor, NY
Awards
2013 Loring W. Coleman Award for Watercolor/ Allied Artists of America, 100th Annual Exhibition at the National Arts Club
2011 Mary Bryan Memorial Medal / Allied Artis...
Category
Early 2000s American Realist Landscape Drawings and Watercolors
Materials
Watercolor
Coast of Main
By Michael Kotasek
Located in Sag Harbor, NY
Awards
2013 Loring W. Coleman Award for Watercolor/ Allied Artists of America, 100th Annual Exhibition at the National Arts Club
2011 Mary Bryan Memorial Medal / Allied Artis...
Category
21st Century and Contemporary American Realist Landscape Drawings and Wa...
Materials
Watercolor
Big Red
By Michael Kotasek
Located in Sag Harbor, NY
Awards
2013 Loring W. Coleman Award for Watercolor/ Allied Artists of America, 100th Annual Exhibition at the National Arts Club
2011 Mary Bryan Memorial Medal / Allied Artis...
Category
21st Century and Contemporary American Realist Landscape Drawings and Wa...
Materials
Watercolor
Coastal Path
By Michael Kotasek
Located in Sag Harbor, NY
Awards
2013 Loring W. Coleman Award for Watercolor/ Allied Artists of America, 100th Annual Exhibition at the National Arts Club
2011 Mary Bryan Memorial Medal / Allied Artis...
Category
21st Century and Contemporary American Realist Landscape Drawings and Wa...
Materials
Watercolor
Dead of Winter
By Michael Kotasek
Located in Sag Harbor, NY
Awards
2013 Loring W. Coleman Award for Watercolor/ Allied Artists of America, 100th Annual Exhibition at the National Arts Club
2011 Mary Bryan Memorial Medal / Allied Artis...
Category
21st Century and Contemporary American Realist Landscape Drawings and Wa...
Materials
Watercolor
Fishing Boats I
By John Whorf
Located in Sag Harbor, NY
John Whorf was one of the most accomplished and esteemed watercolorists of the first half of the twentieth century. Creating realist depictions of urban and rural imagery, he worked ...
Category
1940s American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor
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"Train Station, " Max Kuehne, Industrial City Scene, American Impressionism
By Max Kuehne
Located in New York, NY
Max Kuehne (1880 - 1968)
Train Station, circa 1910
Watercolor on paper
8 1/4 x 10 1/4 inches
Signed lower right
Provenance:
Private Collection, Illinois
Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes.
Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work.
Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri.
A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him.
After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie.
Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically.
Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...
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Fine Antique French Impressionist Painting Landscape with River Cow & Figure
Located in Cirencester, Gloucestershire
The artist:
Henri Aime Duhem (1860-1941) French *see notes below, signed
Title: The River Landscape
Medium:
signed gouache on paper, loosely laid over card, unframed
card: 9.7...
Category
19th Century Impressionist Landscape Paintings
Materials
Gouache
Mountain Ranch, Modern Summer Colorado Mountain Landscape, Watercolor Painting
By Irene D. Fowler
Located in Denver, CO
Original signed watercolor painting of a ranch in the Colorado mountains in springtime or summer coloring of green, blue, yellow, white and brown by Denver artist, Irene Fowler. Presented in a custom frame with all archival materials, outer dimensions measure 17 ½ x 23 ½ x 1 ½ inches. Image size is 12 x 18 inches.
About the Artist:
An important figure in the development of Denver as an artistic city, Irene Fowler was a public school teacher and founding member of the Denver Artist’s Guild (now the Colorado Artist’s Guild) in addition to being a prolific artist.
She exhibited in Denver at the Schlier Gallery (where she had a solo exhibition), at the Chappell House, the University Club, and the Broadmoor Art Gallery in Colorado Springs. In 1950-1952 she served as president of the Denver Artist’s Guild.
Fowler painted in oil or watercolor and her paintings were almost exclusively done en plein air. Her landscapes of Colorado...
Category
Mid-20th Century American Impressionist Landscape Drawings and Watercolors
Materials
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H 17.5 in W 23.5 in D 1.5 in
Pt. Pinos California, Coastal Figural Landscape Watercolor
By Donald J. Phillips
Located in Soquel, CA
Pt. Pinos California, Coastal Figural Landscape Watercolor
Striking depiction of a lighthouse by Donald J. Phillips (American, 20th Century). Signed and dated "DONALD J. PHILLIPS WW/7-89" in the lower right corner. Tag on verso with artist and exhibition information. Presented in a double mat of white and cream, in a green metal frame with glass. Image size: 21"H x 15"W
Donald J. Phillips (American, 20th Century) is an artist from San Leandro, CA. He attended California College of Arts and Crafts in Oakland, where he met his wife. Phillips served in Marine Corps Reserve and was called to duty from 1950-1951 during the Korean War.
Exhibitions and Memberships:
21st Annual Santa Cruz Art Exhibit, 1950
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Silver Plume, Colorado, Framed Colorado Mountain Landscape Oil Pastel Drawing
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'Erika in Gesture I, ' by James Cobb, Drawing
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This framed 21" x 19" drawing by artist James Cobb, 'Erika in Gesture I,' captures the female model in a seated pose. The model is seated with her legs tuck...
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"Monhegan Island, Maine, " Edward Dufner, American Impressionism Landscape View
By Edward Dufner
Located in New York, NY
Edward Dufner (1872 - 1957)
Monhegan Island, Maine
Watercolor on paper
Sight 16 x 20 inches
Signed lower right
With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy.
In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines.
Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler.
During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...
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Materials
Paper, Watercolor