Guy Lyman Fine Art Paintings

Charles Collins is a true Renaissance man. From a family of New Orleans artists, he chose to pursue a career as a pathologist, attending medical school in New Orleans and becoming pa...

We originally had the name of the actual bay in Canada this fine painting depicts, but have been unable to dig it up. At any rate, it shows a number of sailboats with sails lowered, ...

A charming little realist painting of marbles in a sundae glass. Turned up in our inventory, new and never owned. Custom framed and ready to hang. Measures 6" x 6" without the frame,...

Charles Collins is a true Renaissance man. From a family of New Orleans artists, he chose to pursue a career as a pathologist, attending medical school in New Orleans and becoming pa...

Charles Collins is a true Renaissance man. From a family of New Orleans artists, he chose to pursue a career as a pathologist, attending medical school in New Orleans and becoming pa...

(Sorry for reflections in the glass.) A fine Alexander Drysdale oil wash out of an estate here in New Orleans. A classic Drysdale in every way, of good size, in fabulous condition. ...

Comes framed and ready to hang. Artist’s Statement: “This is part of a series of paintings I am working on now involved with the slight off-balancing of forms and dissonance between...

Louis Braquet is a top-selling artist in New Orleans, and as his paintings sell out quickly at the Royal Street gallery that represents him we are thrilled to have been chosen to sho...

Artist's Statement: "An elegiac tribute to Antoni Tapies, a profound influence on my work to this day. The darker grey paint over the lighter is actually iron metallic paint, in hon...

“Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture ...

Comes framed and ready to hang. Artist’s Statement: “I did some paintings years ago incorporating simple, meditative iconic forms, and they had a quiet, brooding formality about the...

Please note that this is an original, one-of-a-kind painting, and not a reproduction or giclee as is the case with most of Kerri McCabe's work you see around. It's a painting I took ...

Wish we knew more about this artist, but we have only a name. At any rate, it is an image of a still, calm lake over which the sun is rising, with lilies in the foreground. Perfect f...

An original marker-and-ink painting by one of New Orleans' most iconic artists, Robert Gordy. His works are at the Met, the Whitney and other major museums around the world. He was ...

An abstract composition in primarily red and black, with small flashes of accenting color here and there and pentimento in the negative space. Restrained and edgy at the same time. J...

There is a bit of Cy Twombly going on here, but with a bit less gravitas and more whimsy. Wonderful use of color, a sort of playground of line, color and form. John is a New Orleans ...

A stunning rendering of water lilies with flowers and reeds, by a Russian artist whose name I cannot make out on the back of the canvas - I was buying these from Ukraine - so I have ...

Comes framed and ready to hang in black floater frame. (Note: photographed in natural light which gave the painting a bluish cast; it's more white in person. The picture shot at an ...

Every now and then, even we dealers get fooled. This painting was sold to me as by George Gardner Symons. It bears his signature. At some point, the FBI (yes!) showed up at my door t...

Artist's Statement: "Part a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years -- ...

Artist's Statement: "Part a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years -- ...

Artist's Statement: "A tribute to Donald Sultan, who influenced me long ago (along with Sam Gummelt, Michael Whitehead and others) to incorporate industrial and 'homely' materials i...

A dynamic oil-on-panel by New Jersey landscape painter George Holloway. A very convincing depiction of big waves smashing against a rocky shore, with l...

Artist's Statement: "Part a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years -- ...

Artist's Statement: "Part of a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years ...

A gentle Impressionist scene of a pretty young woman on a trail in the forest in dappled light. Written on the back is "M. Graves 48" but the canvas and stretcher seem a lot older th...

Artist's Statement: "The first in a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the y...

Artist's Statement: "Having a good time with metaphor and all kinds of odd media. To me, harkens back a bit to late 50's/early 60's Rauschenberg, Johns and Dine, some of my all-time...

A lovely rural Impressionist scene, of an old farmhouse with terra cotta roof and complete with chickens in the yard. The painter Anton Funke is listed as both German and Dutch (born...

A bright, delightful painting of the Isle of Capri by Swedish/French painter Gustaf (Gustave) Svensson. I'm guessing that based on the dealer label (pictured), it was purchased by a ...

What talent is apparent here! The accurate foreshortening of the nude figure and body proportions alone were enough to get my attention. But the rendering of light is also wonderful, and I love the confident pastel strokes that he has left clearly visible. I have done figure painting myself and am so impressed by the few artists who can do it at this level. Measures 31" x 25" with frame, 24" x 18" without. Proudly presented by Guy Lyman Fine Art...

What is she dreaming about? Something in the book that is open in front of her? And who are the other characters in this moody, quiet, lovely scene? Not only a wonderful painting, but really captures that WPA period feel. A pensive painting sure to bring you peace. With frame it measures 33" x 27"; canvas measures 30" x 24". Frame has some weathering (probably original) but is still serviceable. The following is some bio information about the artist I pulled from AskArt: "Born in Swerzen, Russia, Bernard Green came to the US at a young age and settled in the New York City area. He studied art at the National Academy of Design, the Art Students League, the College of the City of New York and NYU, exhibiting at the NAD as early as 1910, where he won a prize both in 1910 and 1913, as well as at the ASL, winning another prize in 1914. Highly accomplished both as painter and etcher, Green continued exhibiting at the NAD throughout the years 1913-1946, at the Pan-Pacific Exposition in California in 1915, and at various galleries and other venues including a solo show at the Roerich Museum in 1930. His style was early 20th-century American Impressionist, and his interests covered a wide range from landscapes and still life to portraiture, including black subjects...

From the dealer: Marianna Canu grew up in Italy and became a very successful artist and jewelry designer both there and later, in the U.S. (see bio below...

If you've clicked on this painting, you probably already know about Hunt Slonem, and his iconic "bunnies" in particular. So I will not belabor the descrip...

Artist's Statement: "I typically paint abstractly, but this is part of a recent series of paintings that is loosely figurative. They harken back to 80s neo-Expressionism and Figurat...

From the dealer: Marianna Canu grew up in Italy and became a very successful artist and jewelry designer both there and later, in the U.S. (see bio below). Her paintings completely sell out to those familiar with her work, so they have not had a chance for broader (national and international) exposure. We suggested she begin showing them here to provide an opportunity for international collectors to see and collect her extraordinary work. Artist's Statement - about this series: "Imagine taking a walk through a garden, but instead of couples dancing under the trees or people playing with their kids, it is your whole life. The moment you came into this world, the moment you gained consciousness, and the further you go, you go deeper into your life. This is Rebus." Artist's Statement - about this painting: Rebus: The Garden, Day 6 "This is how I envision one of the many days in the garden of Rebus. Bright and colorful and happy. Nature and music together almost as if it is a grand symphony." From the artist: about my work “I communicate with my canvas. I consider the canvas as a whole and I don’t stop painting until I have nothing else to say. I take a few steps back and I immediately know if I have fully expressed myself or not. I’m an Impressionist; everything I paint is a feeling or a product of my imagination. All my work is created with the brush and oils, and I like to incorporate texture and create my own color palette. I can’t imagine my life without a canvas. Art makes me conscious of the things that I cannot see. Art is my oxygen.” Biography Marianna Canu is an Italian painter, jewelry designer and writer. She was born in 1971 on the island of Sardinia, Italy into a family of painters, metal smiths and architects. She grew up living and breathing art. At the age of five, she began handcrafting jewelry and experimenting with colors and paintings. Roman architecture and geometric forms inspired her, resulting in stunning and unique jewelry designs and patterns. In 1990 she began her career as a jewelry designer, but never abandoned her true passion: painting. Her designs provoked the attention and enthusiasm of a very involved audience and soon she found herself designing and producing jewelry for upscale boutiques and jewelry stores in the elite tourist resorts of Sardinia. “Designing jewelry is an art form, it is a perfect marriage of emotional expression and craftsmanship,” she says. Marianna’s experience extends beyond the canvas and jewelry. She has worked on TV as a show host for a Sardinian channel, and she has also been in TV commercials and held a role in the American movie “Baretta’s Island.” In 1999, after spending three years in New York, Marianna made the decision to move to New Orleans to establish her jewelry company and galleries. It was shortly after introducing her designs to the American market that she was noted for her collections such as Galaxy, Aphrodite, Connectivity and Libellula, the latter inspired by her son Riccardo. Her work was carried in more than 200 stores across America, and has been purchased by TV stars, politicians and Hollywood celebrities including Catherine Zeta-Jones, Jane Seymour, Nicolas Cage, Blake Lively, Claire Danes, Sarah Jessica Parker and Sharon Stone. She designed the jewelry for the Krewe of Excalibur for two years and for local clothing designers. In 2005 Marianna received an award nomination for best jewelry design at the Alpha Awards in Las Vegas. Her work was considered “unique, dramatic and edgy.” Between 2002 and 2010, Marianna opened four jewelry stores. Her paintings were incorporated in the décor of each gallery. Her creative streak kept leading her attention to her paintings. In 2011 she began dedicating her time to painting and writing. She has worked with mixed media and acrylic, but her focus is oil on canvas. She is a modern Impressionist painter with an edgy twist. Her paintings are colorful and dynamic. She is best known for her skylines and trees. Her work has been represented in several New Orleans galleries and has been commissioned by art collectors in Europe and United States to bring their vision to life. In 2018 she was commissioned by Louis Vuitton to paint unique custom artwork for the special Mother’s Day Event. Her colors have a unique intensity and warmth; every color used in her paintings is altered several times to achieve this end, and her painting process involves six or seven layers of paint. “I like to add a certain amount of texture to my paintings,” she says. “I see harmony in it. Colors give me comfort. Everything I transfer into my paintings is what I am and what I see. I leave a part of myself in each of my paintings. I have used everything from paint brush, to pallet knife, to my hands, and even at times have dipped the ends of my hair for a wispy personal touch. I feel one with the canvas.” Marianna believes art is the way to express her inner emotions. “I communicate with my canvas; I consider the canvas as a whole and I don’t stop painting until I have nothing else to say. I take a few steps back and I immediately know if I have fully expressed myself or not. I don’t like to copy from nature because I feel that it interferes with my imaginative process. Everything I paint is a feeling or a product of my imagination. I am very passionate. I believe passion is the key to everything. I don’t believe in imperfections: when I’m painting, I see only beauty. I can’t imagine my life without a canvas. Art is my oxygen.” Exhibitions include: Creason’s Fine Art Dee Dee Martin Gallery Steve Martin Fine...

Artist's Statement: "I typically paint abstractly, but this is part of a recent series of paintings that is figurative and symbolic. They harken back to 80s neo-Expressionism - my favorite contemporary art movement. I tend not to beat collectors over the head with fatuous "meanings" of my work, but this one does have a subtext, a rather personal one. But you are welcome to read whatever you want into it." Comes framed in a professional high-profile float frame. “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

This splendid early Modernist painting by Edgar Scauflaire ended up in an auction WAY undervalued and I jumped on it. (I have included a pictu...

A lovely, richly colorful portrait painted with Impressionistic daubs by Polish artist Casimir Caziel (AKA Zielenkiewic). His style evolved over time to be more graphic and Cubistic,...

Artist's statement: "Separate from the tar paintings I have been doing, I am creating a series of work in which I am channeling some of the things I have always loved about Cy Twombly along with qualities of a painting I saw in a local collection by a Cuban painter that I really admired and have thought about a lot since. Of course both share a graffiti quality; Twombly was the first to work with a sort of automatic drawing, beginning in the 1950s, and what he did opened up this new language for countless painters. You still see traces of it in so much contemporary art. Antoni Tapies has been a big influence on me as well, and you can see some of him in this work as well. I limited the color palette in this one as a sort of exercise in discipline, since it is easy to let color get away from you in a painting like this one. There are areas of three-dimensional paint that help flatten the picture plane and restrict the eye from reading depth into the painting; they function in the same way as Barnett Newman's 'zips' and Susan Rothenberg's lines across some of her horse images...

A stunningly dramatic and well-rendered oil on canvas painted by French artist Antoine Marie Roucole in 1884. With the ornate antique gilt plaster frame, and with its size, it has t...

The first serious painting I bought as a collector, when I was around 30, was by William Anzalone of Texas. I saw it at the venerable Meredith Long Galle...

Not only a famous old New Orleans mansion on Prytania Street, but now an institution dear to the hearts of many New Orleanians -- an all-girl school that goes back over a hundred years. This is a large, nicely-framed oil on canvas of the main building of the Louise S. McGehee school by David Dillard, who came out of the famous Newcomb College art program that goes back to the Woodwards, Newcomb Pottery and the southern art renaissance. The provenance is the Jean Bragg Gallery, the preeminent gallery while in existence for traditional New Orleans art...

For lovers of the Big Apple, a scene that really captures the pulse of the city! Original acrylic on canvas. Proudly presented by Guy Lyman Fine Art...

(Comes framed in a deep-profile maple or black floater frame, ready to hang.) Artist's Statement: "This painting harkens back to my 'Gridish' series but with more negative space, a broader array of media and more complexity to the oval forms. I have tried to create tension between these iconic forms through the divergence of dissonant and unusual materials, colors and textures. These ovals keep reappearing in my work; they seem almost like groups of silent but sentient beings to me." “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

A complex and stunning mixed-media work by notable Illinois artist Christine Ilewski-Huelsmann, not only a fixture in the arts establishment widely rep...

A complex and stunning mixed-media work by notable Illinois artist Christine Ilewski-Huelsmann, not only a fixture in the arts establishment widely rep...

Sandor Mohi (1902 - 2001) was a very widely-listed Hungarian painter, known primarily for his Cubist works such as this fine example. His brilliant u...

An absolutely lovely portrait of a young woman relaxed on a couch that perfectly captures the slackness in her relaxed body, much harder to achieve than it looks. Portrait/figure pai...

Artist's Statement: "This painting harkens back to a series called "Gridish" that I created over the past couple of years, comprising similar rectangular shapes with complex surfaces incorporating tar, house paint, enamel safety paint and other materials. Here, though, the forms are isolated in negative space rather than stacked in a grid, which gives them a more iconic quality." “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

(Comes framed and ready to hang in a high-profile maple frame.) Artist’s Statement: “I have been working on more formal and restrained paintings lately, and decided to loosen up by ...

(Comes framed in a deep-profile maple floater frame, ready to hang.) Artist's Statement: "I was working on my loose, almost graffiti-like "Rosetta" series when this painting took a turn towards formality, and instead of trying to wrench it back into the Rosetta mold I just let it go where it wanted to. Has my usual insane assortment of mediums . . . " “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

The list of what goes into the making of these large and complex paintings includes everything from precious small-batch oil paints to common house paint, along with tar, acrylic pai...

(Comes framed in a maple floater frame, ready to hang.) This is one of a series we have posted on 1stDibs. The first got more clicks and saves on its first day than any of the many hundreds of artworks we have ever posted. If you search on "G. Campbell Lyman" on 1stDibs you can see others in this series. Here's a recent message from a 1stDibs buyer of a painting in this series, a seasoned collector: "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

(Comes framed in a maple floater frame, ready to hang.) This is one of a series we have posted on 1stDibs. The first got more clicks and saves on its first day than any of the many hundreds of artworks we have ever posted. If you search on "G. Campbell Lyman" on 1stDibs you can see others in this series. Here's a recent message from a 1stDibs buyer of a painting in this series, a seasoned collector: "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

Bold colors and confident impasto application of oil paint characterize this sunny, wonderful post-Impressionist style painting. It includes a pineapple, traditional symbol of hospit...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

(NOTE: if you enter "Gridish" into the 1stDibs search field you will see others in this series come up) ALSO: the camera insists on adding a bluish tint to these paintings, which isn...

A charming painting of a boy and girl walking down a country lane. Wonderful rendering of the trees and sky. The painting has two repairs (I have included a photo of the patches on t...

A superb oil-on-wood Impressionistic scene of a Mediterranian country house, with the sun slanting in on the patio from overhead. One of those scenes that can’t help but make you hap...