Harris Schrank Fine Prints
to
180
131
68
62
52
46
45
39
22
21
18
16
13
9
9
9
8
7
7
4
4
4
3
3
3
3
3
3
2
2
2
1
1
1
1
1
1
1
1
1
1
42
18
16
13
12
Returnable Items Only
Monsieur - Here's Your Handkerchief
By Honoré Daumier
Located in New York, NY
Honore Daumier (1808-1879), Monsieur – Here’s Your Handkerchief, lithograph, 1842. Daumier Register 670, third state (of 3), sur blanc, plate 47 from the series Moeurs Conjugales, pu...
Category
1840s Realist Figurative Prints
Materials
Lithograph
Oursikoff - including a copy of the Journal in which it appeared
By Honoré Daumier
Located in New York, NY
Honore Daumier (1808-1879), Oursikoff, lithograph, from Actualities, Plate number 72, published in Charivari, 1854. Reference: Daumier Register 2519, second state of two, a newsprint...
Category
1850s Realist Figurative Prints
Materials
Lithograph
L'Homme in naturalibus
By Honoré Daumier
Located in New York, NY
Honore Daumier (1808-1879), L'Homme in naturalibus, lithograph, from the Robert Macaire 2nd series, plate number 17. Published 1840-41. In generally good condition; a tiny hole lowe...
Category
1840s Figurative Prints
Materials
Lithograph
Loading Vraic St. Malo
By Edmund Blampied
Located in New York, NY
Edmund Blampied (1886-1966), Loading Vraic St. Malo, drypoint, c. 1926, signed in pencil lower right margin and numbered 50/100 lower left. Reference: Appleby 122. In very good condition, with margins, on an ivory laid paper; 6 7/8 x 10, the sheet 10 x 15 1/2 inches, archival mounting.
A fine impression, with substantial burr from the drypoint work.
Provenance: Collection: Albert M...
Category
1920s Realist Figurative Prints
Materials
Drypoint
L’Hiver a Paris ou La Neige a Paris
By Félix Hilaire Buhot
Located in New York, NY
Felix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint, roulette. [signed and dated in the plate Felix Buhot Par...
Category
1870s Realist Landscape Prints
Materials
Drypoint, Etching, Aquatint
Limehouse
By James Abbott McNeill Whistler
Located in New York, NY
James McNeill Whistler (1834-1903), Limehouse, etching, 1859. References: Glasgow 48, fifth state (of 6), Kennedy 40, third state (of 3), signed with the butterfly in pencil in the lower margin. [Also signed and dated in the plate.]With margins, 5 x 7 7/8 inches, the sheet 6 1/2 x 9 1/2 inches. Published as no. 12 in A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects, otherwise known as the Thames Set. In good condition apart from a soft diagonal fold in the sky.
A very fine impression, in black ink on a thin Japan paper.
Provenance: Dr. John W. Randall (cf. Lugt 2130), without his mark, annotated on the mat.
Limehouse, the entrance to the West Indies Docks, lies opposite the Surrey Commercial Docks in Rotherhithe, along the lower Thames.
It’s unusual to find the signed butterfly (or any pencil signature) on the early London etchings, but it is known that Whistler signed...
Category
1850s Realist Landscape Prints
Materials
Etching
The Traghetto
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 19...
Category
1870s Impressionist Landscape Prints
Materials
Drypoint, Etching
Hell Hole
By John Sloan
Located in New York, NY
John Sloan (1871-1951), Hell Hole, 1917, etching and aquatint, signed bottom right, titled bottom center, and inscribed “100 proofs”. Reference: Morse 186, second state (of 2). From ...
Category
1910s American Realist Prints and Multiples
Materials
Etching, Aquatint
Air
By Wenceslaus Hollar
Located in New York, NY
Wenzel Hollar (1606-1677), Air, 1647, after Petrus van Avont, from the Four Elements. [signed and dated W. Hollar 1647 lower right and inscribed P. van Avont inu lower left in the plate] Reference: Pennington 522, third state (of 3). In good condition (a thin spot upper left verso), on laid paper, trimmed outside of the borderline all around, 5 1/2 x 8 1/8 inches.
Provenance: the London firm of Craddock and Barnard, still in their mat, with the Barnard annotations.
A fine strong impression of this whimsical representation of the element Air.
Hollar (1607-1677) had learned etching as a gentlemanly pursuit before, as a Protestant, having to leave Catholic Prague when he was 20. For nine years he worked in various German towns, mostly producing topographical prints...
Category
1640s Old Masters Figurative Prints
Materials
Etching
Flying Concellos
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Flying Concellos, etching, 1936, signed in pencil lower right and annotated “40 Proofs” lower left. Reference: Sasowsky 163, fourth state (of 4). In excel...
Category
1930s American Realist Figurative Prints
Materials
Etching
Lassitude
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur, Lassitude, 1912, woodcut, signed and numbered (24/35) in pencil. Reference: Sylvain Laboureur 682, third state (of 3). From the edition of about 35, published b...
Category
1910s Cubist Portrait Prints
Materials
Woodcut
Jeunes Filles Sur le Port
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur, Jeunes Filles Sur Le Port, 1920, engraving, signed in pencil [also initialed and dated in the plate]. Reference: Godefry, Sylvain Laboureur 200, second state of...
Category
1920s Art Deco Figurative Prints
Materials
Engraving
Soaring New York
By Howard Norton Cook
Located in New York, NY
Howard Cook (1901-1980), Soaring New York, aquatint, soft0ground etching, roulette, 1931-2; signed, dated and annotated “imp” in pencil lower right, titled lower margin. Reference: D...
Category
1930s American Realist Landscape Prints
Materials
Etching
Tennis (Tennis Tournament)
By George Wesley Bellows
Located in New York, NY
George Bellows (1882-1925), Tennis (Tennis Tournament), lithograph, 1921, signed in pencil lower right, also signed and annotated by the printer Bolton Brown, imp lower left, and num...
Category
1920s American Realist Figurative Prints
Materials
Lithograph
Les Grandes Miseres de la Guerre
By Jacques Callot
Located in New York, NY
Jacques Callot (1592-1635), Les Grandes Miseres de la Guerre, etchings, 1633, the complete set of 18. Lieure 1339-56, the frontispiece third state (of 3), th...
Category
1630s Old Masters Figurative Prints
Materials
Etching
Gabled Roofs
By James Abbott McNeill Whistler
Located in New York, NY
James Abbot McNeill Whistler (1834-1903), Gabled Roofs, lithograph, 1893. Reference: Chicago (Spink et al) 64, only state. From the lifetime edition of 12 (there was also a posthumou...
Category
1890s Impressionist Landscape Prints
Materials
Lithograph
Kreuzende Segelschiffe 2 (Cruising Sailing Ships 2)
By Lyonel Feininger
Located in New York, NY
Lyonel Feininger, “Kreuzende Segelschiffe 2 (Cruising Sailing Ships 2)”
1919, Woodcut.
Prasse W175. Edition 275 unsigned for portfolio Die tunlte Jahresgabe des Kreises graphischer ...
Category
1910s Bauhaus Landscape Prints
Materials
Woodcut
The Dancer (Anais)
By Gerald Leslie Brockhurst
Located in New York, NY
Gerald Leslie Brockhurst (1891-1978), The Dancer (Anais), 1925, etching, signed lower right and dedicated by the artist (to F.L. Berry, Esq.) lower left [also signed and dated in reverse in the plate lower left]. Reference: Fletcher 52, seventh state (of 7). From the edition of 107. In good condition, with slightest toning, with full margins and as issued and (not archivally) matted, 9 1/4 x 5 1/2, the sheet 15 3/8 x 9 3/8 inches.
Provenance: F. L. Berry (not in Lugt, see note below)
Roddy Willis has graciously provided an extensive background note on this provenance, which I quote from with permission: “Francis Berry...
Category
1920s Realist Figurative Prints
Materials
Etching
Spanish Woman with Guitar
By Jan Matulka
Located in New York, NY
Jan Matulka (1890-1972), Spanish Woman with Guitar, lithograph, 1925, an unsigned proof impression. Reference: Flint 13, only a few impressions known...
Category
1920s American Modern Portrait Prints
Materials
Lithograph
The Black Hat (Emma in a Black Hat)
By George Wesley Bellows
Located in New York, NY
George Bellows (1882-1925), The Black Hat (Emma in a Black Hat), lithograph, 1921. Reference: Morse 113. From the edition of 55. Signed in pencil by the arti...
Category
1920s American Realist Portrait Prints
Materials
Lithograph
Black Magic
By Gerald Geerlings
Located in New York, NY
Gerald Geerlings (1897-1998), Black Magic, etching and aquatint, 1929, signed in pencil lower right, titled and annotated (New York, 1928) lower left margi...
Category
1920s American Impressionist Landscape Prints
Materials
Etching
Farm in the Woods
By Werner Drewes
Located in New York, NY
Werner Drewes (1899-1983), Farm in the Woods, woodcut, 1933, signed and dated in pencil lower right (also numbered 1-xxx and titled lower left). Reference: Rose 83. In very good cond...
Category
1930s American Realist Landscape Prints
Materials
Woodcut
The Virgin and the Unicorn
By John Buckland-Wright
Located in New York, NY
John Buckland Wright (1897-1954), The Virgin and the Unicorn (large version), wood engraving in colors, 1947, the original block and a proof, the...
Category
1940s Pre-Raphaelite Figurative Prints
Materials
Wood Panel, Woodcut
Two Models on a Bed
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Two Models on a Bed, lithograph, 1928, signed and inscribed “15 proofs” [also initialed and dated in the plate]. Reference: Saso...
Category
1920s American Impressionist Figurative Prints
Materials
Lithograph
Battersea Morn (also Battersea Dawn)
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1830-1903), Battersea Morn (also Battersea Dawn), drypoint, 1875, Kennedy 155, signed in pencil with the butterfly and inscribed “imp”. Kennedy 155, first state (of ...
Category
1870s Impressionist Landscape Prints
Materials
Drypoint
La Couseuse (The Seamstress)
By Jacques Villon
Located in New York, NY
Jacques Villon (1875-1963), La Couseuse (The Seamstress), drypoint, 1905, signed in pencil lower right margin. Reference: Ginestet and Pouillon 147, Aub...
Category
Early 1900s Post-Impressionist Portrait Prints
Materials
Drypoint
Romany Marye in Christopher Street
By John Sloan
Located in New York, NY
John Sloan (1871-1951), Romany Marye in Christopher Street, 1922, etching, signed in pencil lower right, titled, dated and inscribed 100 proofs bott...
Category
1920s American Realist Figurative Prints
Materials
Etching
French Cruiser
By Childe Hassam
Located in New York, NY
Childe Hassam (1859-1935), French Cruiser, lithotint, 1918, signed in pencil with the cipher lower right. Reference: Griffith 8. In very good condition, printed in black ink on cream...
Category
1910s American Impressionist Landscape Prints
Materials
Lithograph
Monseignor St. Thomas
By Cyril Power
Located in New York, NY
Cyril Power (1872-1951) color linoleum cut, Monseignor St. Thomas, circa 1931, signed and titled in pencil at the lower right, apart from the edition of 60. Reference: Redfern 24. In very good condition, on buff oriental laid tissue, conservation matted, with margins, 13 7/8 x 11 1/8, the sheet 15 x 12 5/8 inches.
A fine impression, with the colors fresh and vivid. Printed in four colors (yellow, red, blue and dark blue).
The prints of the Grosvenor School artists were created by applying colors with successive blocks. The margins show the colors of each of these blocks (see illustration of the margin).
The subject matter of this print relates to TS Eliot...
Category
1930s Futurist Abstract Prints
Materials
Linocut
Chrysler Building (Chrysler Building in Construction)
By Howard Norton Cook
Located in New York, NY
Howard Cook (1901-1980), Chrysler Building (Chrysler Building in Construction) – –1930, Wood Engraving.
Duffy 122. Edition 75, only 50 printed. 19...
Category
1930s American Modern Landscape Prints
Materials
Woodcut
Le Promenade au Phare
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Le Promenade au Phare, engraving, 1925, signed in pencil lower left and numbered lower right (24/70) [with the initial in the plate lower left]. Ref...
Category
1920s Cubist Landscape Prints
Materials
Engraving
Palace Court
By Frederick Landseer Griggs, R.A., R.E.
Located in New York, NY
Frederick Landseer Griggs (1876-1938), Palace Court, 1933, etching, signed and inscribed in pencil. Reference: Comstock 49, third state (of 3), from the printing of about 75. In exce...
Category
1930s Realist Landscape Prints
Materials
Etching
Connecticut Summer Fragments
By Lee Hall
Located in New York, NY
Lee Hall (1934-), Connecticut Summer Fragments, a portfolio of watercolor, 29 in all, each about 5 ¼ x 7 ¼ inches, on hand made paper attached to a backing, i...
Category
1970s American Modern Abstract Drawings and Watercolors
Materials
Watercolor
The Bridge, Santa Maria
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate). Kennedy 204, probably eighth (final) state; Glasgow 201, probably state 9 (of 9) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011), Lochnan 199. Trimmed to the platemark by the artist, h: 11.8 x w: 7.9 in / h: 30 x w: 20.1 cm.
A fine impression, printed with subtle tone.
The bridge theme occurs repeatedly in Whistler’s vistas. It is also the main focus of more than one of the Venetian prints. While some bridges are seen from below, from where one would see it if approaching in a gondola (for example Ponte del Piovan, Kennedy 209), The Bridge depicts the scene from a high perspective, opening up the view into the far distance. The small boat approaching the arch in the foreground is again, as in the earlier Thames prints, a stock motif that is probably ultimately derived from the Japanese woodcuts of Hokusai and Hiroshige. The bridge here is the Ponte de le Terese over the Rio de l’Arzere in the Santa Marta quarter.
The early biography of Whistler by Elizabeth and Joseph Pennell is essential for its “immense quantity of information” but also notorious for “the inherent hyperbole and misinformation” (Eric Denker, Annotated Bibliography, in Fine, p. 184). Still, it is worth quoting from the Pennels’ appraisal of The Bridge: “Simplicity of expression has never been carried further. Probably the finest plate, in its simplicity and directness, is The Bridge. Whistler now obtained the quality of richness by suggesting detail, and also by printing. In The Traghetto...
Category
1870s Impressionist Landscape Prints
Materials
Drypoint, Etching
Exterminating Angel
By James Ensor
Located in New York, NY
James Ensor (1860-1949), Exterminating Angel (L'Ange Exterminateur), etching with drypoint, 1889, signed and dated in pencil lower right, also titled and countersigned verso. Referen...
Category
1880s Symbolist Figurative Prints
Materials
Drypoint, Etching
La Parisienne, (tournee a gauche, petite planche)
By Jacques Villon
Located in New York, NY
Jacques Villon (1875-1963), La Parisienne, (tournee a gauche, petite planche), 1904, etching, roulette and aquatint, signed in pencil [also signed in pla...
Category
Early 1900s Impressionist Figurative Prints
Materials
Etching, Aquatint
Suite of 12 Views of Italy
By Franz Weirotter
Located in New York, NY
Franz Weirotter (1730-1771), Suite of 12 Views of Italy, etchings, 1759 [most signed in the plate by Weirotter]. Reference: Nagel 5. 10 printed in pairs on one sheet; one on a small...
Category
1750s Old Masters Landscape Prints
Materials
Etching
Loguivy le Soir (Loguivy at Evening)
By Henri Riviere
Located in New York, NY
Henri Rivière (French, 1864-1951), Loguivy le Soir (Loguivy at Evening), 1904,Plate 7 for Le Beau Pays de Bretagne. Published by Eugène Verneau, Paris. Color...
Category
Early 1900s Post-Impressionist Landscape Prints
Materials
Lithograph
A Jersey Vraic Cart
By Edmund Blampied
Located in New York, NY
Edmund Blampied (1886-1966), A Jersey Vraic Cart. 1939, etching, signed in ink lower margin [also signed and dated in the plate]. Reference: Appleby 183, the full sheet, on a J. Wh...
Category
1930s Realist Animal Prints
Materials
Etching
Tendres Stocks: The Complete Etchings
By Chas (Charles) Laborde
Located in New York, NY
Chas Laborde (1886-1941), Tendres Stocks: The Complete Etchings, c. 1924, etching, engraving, colored etching proofs before publication of the book. A suite of 13 impressions in black and white, and 13 in color; 26 in all; impressions printed before the book edition of Tendres Stocks by Paul Morand...
Category
1920s Art Deco Figurative Prints
Materials
Color, Engraving, Etching
Skyline from Pier 10, Brooklyn
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Skyline from Pier 10, Brooklyn, etching, 1931, signed in pencil [also signed in the plate]. Reference: Sasowsky 129. First state (of 4). In very good cond...
Category
1930s American Realist Landscape Prints
Materials
Etching
Hombre! Que Sin Vergeunza!
By George Biddle
Located in New York, NY
George Biddle (1885-1973), Hombre! Que Sin Vergeunza!, 1928, lithograph, signed and dated in pencil lower right, titled and numbered lower left [also signed in plate lower left ”Biddle/1928/44]. References: Pennigar 78, Trotter 44. Edition 100. In excellent condition (never framed, without light or time staining), with wide margins, the full sheet, 9 3/4 x 13 3/4, the sheet 15 1/2 x 20 1/2 inches. Printed by George C. Miller. On cream wove paper with the FRANCE watermark. Archival mounting (mylar unattached mounting between acid-free board).
A fine, fresh impression, in pristine condition.
According to Pennigar the title translates roughly to “Buddy! Aren’t you ashamed of yourself!” The title refers to the composition: the well-groomed man with his foot up in the carriage passes a group of naked little boys...
Category
1920s American Realist Landscape Prints
Materials
Lithograph
Reclining Nude
By Walt Kuhn
Located in New York, NY
Walt Kuhn (1877-1949), [Reclining Nude], c. 1920, etching, signed in pencil lower margin. In pristine condition, soft fold upper right, with no sign of prior framing or exposure, the full sheet on yellow/cream laid paper, 6 x 7 3/4, the sheet 9 3/8 x 11 3/4 inches, archival mounting.
A fine impression.
Walt Kuhn was born in Brooklyn, and after a period of study art in Europe, he returned to the US to work as a cartoonist; illustrator, and developing artist. Aware of the great surge of modernist artistic activity in Europe, he joined with others to encourage Arthur B. Davies to get behind the idea of bringing a great European modernist art...
Category
1920s American Realist Nude Prints
Materials
Etching
Westminster Abbey - the complete album of 13 etchings
By John Sloan
Located in New York, NY
John Sloan ((1871-1951), Westminster Abbey, c. 1891, the complete set of13 etchings, ribbon bound with ahand-painted gilt cover [many of the etchings...
Category
1890s American Realist Landscape Prints
Materials
Etching
Grand-mere (effet de lumiere)
By Camille Pissarro
Located in New York, NY
Camille Pissarro (1830-1903), Grand-mere (effet de lumiere), etching and drypoint, 1889, signed in pencil lower right, titled lower left, inscribed “No 3 – ...
Category
1880s Impressionist Figurative Prints
Materials
Drypoint, Etching
Chelsea Children, Chelsea Embankment
By Theodore Casimir Roussel
Located in New York, NY
Theodore Roussel (1847-1927), Chelsea Children, Chelsea Embankment, etching, 1889, signed in pencil on the tab and inscribed “imp” [also signed in the plate]. Reference: Hausberg 32, only state, from the total printing of about 30 impressions. Printed in a reddish brown ink on a thin laid paper. In very good condition, trimmed by the artist on the platemark except for the tab, 7 1/2 x 5 1/16 inches.
A fine impression, printed with a veil of plate tone, wiped a bit less toward the sky making the sky darker than the street scene.
Hausberg notes that this etching “depicts, in reverse, a stretch of Cheyne Walk...
Category
1890s Impressionist Figurative Prints
Materials
Etching
Mother Earth
By William Strang, R.A., R.E.
Located in New York, NY
William Strang (1859-1921), Mother Earth, 1897, etching, drypoint, aquatint ); signed in pencil lower right, and signed by the printer David Strang and...
Category
1890s Symbolist Figurative Prints
Materials
Drypoint, Etching, Aquatint
St. Germain-Des-Pres, Paris
By John Marin
Located in New York, NY
John Marin (1870-1953), St. Germain-Des-Pres, Paris, etching, 1906. Signed in pencil lower right and titled lower left [also signed and dated in the plate]. Zigrosser 47, only state,...
Category
Early 1900s American Impressionist Landscape Prints
Materials
Etching
A Street in Ventnor, Isle of Wight
By Theodore Casimir Roussel
Located in New York, NY
Theodore Roussel (1847-1926), A Street in Ventnor, Isle of Wight, etching, soft ground etching, drypoint, 1912, signed in pencil on the tab and inscribed...
Category
1910s Impressionist Landscape Prints
Materials
Drypoint, Etching
Kensington Gardens (The Small Plate)
By Sir Francis Seymour Haden, R.A.
Located in New York, NY
Sir Francis Seymour Haden (1818-1910), Kensington Gardens (The Small Plate), drypoint, 1859, signed in pencil lower right. References: Harrington 12...
Category
1850s Realist Landscape Prints
Materials
Drypoint
Study From the Nude of a Girl Lying Down
By Theodore Casimir Roussel
Located in New York, NY
Theodore Roussel (1847-1926), Study From the Nude of a Girl Lying Down, 1890, drypoint with plate tone, signed with the tab and inscribed “imp” [also ...
Category
1890s Impressionist Nude Prints
Materials
Drypoint
Two Trophies With a Cuirass Lower Left
By Enea Vico
Located in New York, NY
Enea Vico (1523-1567) engraving, Two Trophies With a Cuirass Lower Left, 1550, Bartsch 449, with the name of the publisher Ant[onio] Lafreri at bottom, first state (of 2) before numb...
Category
16th Century Old Masters Figurative Prints
Materials
Engraving
Chasseurs de Lion (The Lion Hunters)
By Charles Dufresne
Located in New York, NY
Charles Dufresne (1876-1938), Chasseurs de Lion (The Lion Hunters), etching, aquatint and drypoint, 1921, signed in pencil lower right and numbered (40/40) lower left [also signed in the plate lower center]. Reference: Thomas Dufresne 39. In very good condition, with full margins, on an ivory/tan laid Arches paper, with a (partial) Arches watermark. 11 3/4 x 14 7/8k, the sheet 14 5/8 x 21 3/4 inches.
Published by Editions Sagot, with the blindstamp of Edmund Sagot Lugt 2254) bottom margin.
A fine rich impression, printed in a brownish/black ink, with substantial drypoint burr.
The Lion Hunters is a tour de force of printmaking. Dufresne skillfully utilizes a range of techniques including etching, drypoint, aquatint and perhaps even soft-ground etching.
Dufresne’s stunning composition in The Lion Hunters of course shows the influence of both cubism and Parisian School – after all he was born in France and studied at the Edole des Beaux Arts – but it also shows the influence of the years he spent in Africa, and his origins as part of a seafaring family. In 1910 he won the Prix de l’Afrique du Nord...
Category
1920s Cubist Prints and Multiples
Materials
Drypoint, Aquatint
Un Charron (The Wheelwright)
By Alphonse Legros
Located in New York, NY
Alphonse Legros (1837-1911), Un Charron (The Wheelwright), etching, c. 1890, signed in pencil lower right. Reference: Bliss 267. In good condition, printed on a cream laid paper with...
Category
Late 19th Century Realist Figurative Prints
Materials
Etching
Les Moissonneurs (The Reapers)
By Alphonse Legros
Located in New York, NY
Alphonse Legros (1837-1921), Les Moissonneurs (The Reapers), etching, c. 1890, signed in pencil lower right margin. Reference: Bliss 464, third state (of 3)...
Category
19th Century American Realist Figurative Prints
Materials
Etching
Swing Boats
By Claude Flight
Located in New York, NY
Claude Flight (1881-1955), Swing Boats, circa 1919-1921, color linoleum cut on very thin Japan paper, signed and numbered by the artist lower left. In very ...
Category
Early 20th Century Abstract Abstract Prints
Materials
Linocut
Irving Place Burlesk
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Irving Place Burlesk, etching, 1929, signed in pencil lower right and numbered (18) lower left. Reference: Sasowsky 75, third state (of 3). In very good c...
Category
1920s American Realist Figurative Prints
Materials
Etching
Opera Box
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Opera Box, 1936, engraving, signed, numbered and annotated in pencil (State II 4/5, “to Dolsy and Eddie”); one of only 11 proofs....
Category
1930s Realist Figurative Prints
Materials
Engraving
Frauenprofil (Profile of a Woman)
By Emil Nolde
Located in New York, NY
Emil Nolde (1867-1956), Frauenprofil (Profile of a Woman), woodcut, 1917, signed in pencil lower right (also titled, numbered 8, and annotated III.10 lower left). Reference: Schiefle...
Category
1910s Expressionist Portrait Prints
Materials
Woodcut
Merry-Go-Round
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Merry-Go-Round, etching and engraving, 1938, signed in pencil lower right and inscribed Forty Proofs lower left, [also signed in the plate lower left and inscribed SC]. Reference: Sasowsky 179, fourth state (of 4). In good condition, with margins (a paper loss upper right corner well outside of the platemark, stains from prior hinging, notations in pencil lower margin edge). 10 x 8, the sheet 11 1/2 x 9 1/8 inches.
A very good impression, printed in black on a wove paper with a partial FRANCE watermark.
Sasowsky notes that Marsh printed 15 impressions of this state (and only one or two of the prior states), and considered only 10 of the 15 valuable. His notation “Forty Proofs” is therefore surely an expression of a hoped-for edition size, as opposed to an actual edition size. We have found this quite often the case with Marsh prints – he indicates an edition size but the actual number of impressions printed is considerably smaller.
There is an eerie, almost ominous note in this, as in several of Marsh’s merry-go-round prints...
Category
1930s American Realist Figurative Prints
Materials
Engraving, Etching
