Heather James Fine Art

"Untitled" is an abstract mixed media on paper work by Carlos Luna in 2012. The artwork is 22 3/4 x 30 3/4 inches and is 31 5/8 x 39 1/2 x 2 1/4 inches with the frame, weighing less ...

"Mesitos" is an abstract mixed media on paper work by Carlos Luna in 2012. The artwork is 23 1/4 x 31 1/4 inches and 31 1/2 x 39 3/8 x 2 1/4 inches with the frame, weighing less than...

"Body Shan-Shui 4" is an edition 6/6 nude color c-print photograph by Huang Yan in 2001. The artwork is 39 x 32 inches and 49.25 x 42.5 x 1 inches with the frame, weighing less than ...

"Waterfall" is an abstract landscape natural pigments and platinum on Japanese mulberry paper mounted on board painting by Hiroshi Senju in 2021. The artwork is 36 x 46 inches and 36...

"Two White Peacocks" is an Impressionist animal oil on board painting by Jessie Arms Botke in c. 1925. The artwork is 29 1/4 x 24 1/2 inches and 39 3/8 x 34 1/2 x 2 inches with the f...

"Naturaleza Muerta" is an oil on canvas work painted by Rufino Tamayo in 1935. The artwork size is 29 1/4 x 58 3/4 inches. The framed size is 40 1/4 x 69 3/4 x 2 1/2 inches. The work...

A painting by Diego Rivera. "Portrait of Enriqueta G. Dávila" is a modern portrait, oil on canvas in a palette of whites, browns, purples, and reds by Mexican artist Diego Rivera. Th...

A painting by Willem de Kooning. "Woman in a Rowboat" is an abstract, oil on paper laid on masonite painting executed in a lush and swirling palette primarily of greens, whites, beiges and yellow and depicting an abstracted, nude woman in a boat by Post War artist Willem de Kooning. "Woman in a Rowboat" is a seminal work by de Kooning that has a new fluidity which relates to his next major series of Woman paintings which he began in 1964. Signed lower left, "de Kooning." Provenance: Allan Stone Gallery, New York Private Collection, New York Private Collection, Arizona Exhibition: North Hampton, Smith College Museum of Art; Cambridge, The New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, Willem de Kooning: a Retrospective from Public and Private Collections, April – June 1965 (Cambridge only) New York, Allan Stone Gallery, De Kooning/Cornell, February – March 1965 Rotterdam, Museum Boijmans Van Beuningen, American Paintings, September - October 1966, cat. no. 26 Dublin, The Royal Dublin Society, Rosc'67:The Poetry of Vision, November – December 1967, p. 201, illustrated Detroit, J.L. Hudson, Willem de Kooning: Three Decades of Painting, March – April 1968, no. 31 (exhibition checklist) Easthampton, Gild Hall...

"The Coming of the Mayflower in 1620" is a painting by American artist N.C. Wyeth. Before there was television and of a time when film was still in its infancy, N. C. Wyeth’s illustrations electrified the stories he visually shaped and annotated. As a young reader of “Treasure Island,” who can deny the urgency to read on to the next glossy illustration? Or, in excited anticipation, thumb through the pages repeatedly to the pictures ahead, so alive and vivid and full of bravado? In 1939, The Metropolitan Life Company offered Wyeth a commission of a different sort; a series of canvas murals that would rely less on bravado perhaps, but instead, a deep sense of time and place. They would offer an energetic and grand vision and express the spirit of national pride by celebrating the strong values that express what it means to be American. Wyeth was thrilled. The fourteen mural panels he agreed to produce would bring the world of Pilgrims to glowing life and “serve as a graphic and dramatic expression of the spirit of New England” (Douglas Allen, et al., N. C. Wyeth: The Collected Paintings, Illustrations, and Murals, pg. 169). Wyeth, an artist of unparalleled skill and fully invested in the authenticity of the characters that populate his narratives, relished the opportunity to convey the pride he felt toward his ancestral past. “The romance of early colonization, especially that of the Pilgrims in Massachusetts, had always excited me. My ancestor, Nicholas Wyeth...

"How Come" is a Modern surrealist oil on canvas painting by Irving Norman in 1968. The artwork is 90 x 60 inches and 91 1/4 x 61 1/2 x 1 5/8 inches with the fram, weighing less than ...

"Snapshots" is a modern surrealist oil on canvas painting by Irving Norman in 1986. The artwork is 40 x 90 inches and 41 3/8 x 91 1/4 x 1 5/8 inches with the frame, weighing less tha...

"Man and Time" is an American surrealist oil on canvas painting by Irving Norman in 1986. The artwork is 58 x 30 inches and 59 1/8 x 31 1/8 x 1 1/2 inches with the frame, weighing le...