Helga Horner Inc. Drawings

Original Drawing, Circle of Giovanni Battista Tiepolo 1696-1770 Venice, Italy Although we offer this old master drawing as circle of Tiepolo, we are convinced, based on the composi...

Extra large Roman marble vase on a porphyry pedestal printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, umber highlights, and matte bla...

The Temple of Hercules Is the only surviving sacred structure in ancient Rome that was made of Greek marble. Located in on the eastern bank of Tiber, it is one of the oldest extant buildings in the city. Giovanni Piranesi memorialized this structure in his famed monumental etchings. This large black and white print...

Rare pen drawing by Giovanni Gariboldi for Paolo Buffa.

Neoclassical Etching of three ancient Roman candelabra by Giovanni Battista Piranesi (1720-1778) originally published in 1778 as Vasi, candelabri...

Three gorgeous early 19th century architectural prints by Louis-Pierre Baltard de la Fresque (1764 — 1846).

Neoclassical Etching of three ancient Roman urn on pedestal, two oil lamps and a vase by Giovanni Battista Piranesi (1720-1778) originally publis...

18th century German, a hand-colored engraving of a dressage horse and rider from Description du Manège Moderne by Friedrich Wilhelm, Baron Rais d' Eisenberg (German, ca. 1700-ca. 1770). Engraved by Bernard Picart (French, 1673-1733). Titled "Le Brillant", this dressage engraving is plate XXXIII. There is a gallery label verso. The print is matted and framed under UF-3 plexiglass, which offers the maximum amount of UV protection (approx. 97%). This print was originally part of an illustrated book Baron d'Eisenberg made describing the art of the cavaliers and depicting the different breeds of horses- The full title of the book is L'Art de Monter a Cheval: ou Description du Manége Moderne, Dans sa Perfection, published in Leipzig: Arkstée et Merkus, 1747). A set of 7 framed engravings from the same book sold at Sotheby's for $9,500 (plus tax and buyers premium). Reference: The author, a German horseman and artist, spent some of his youth at the manège of Saxe-Weimar before entering into the service of the Emperor. He then spent six years in Naples as the Master of Horse of the Viceroy before returning to Vienna where he studied under M. de Regenthal, the imperial Master of Horse. He participated in the coronation of the Emperor Charles V at Frankfurt in 1711, then spent some time in England, but was back in Germany before 1753. He probably died in Tuscany where he was Director and Master of the Horse at the Academy in Pisa. Brunet II, 957; Mennessier de la Lance I, p. 438. The Baron wrote several important and lavishly illustrated books on horses: his Description du manège moderne dans sa perfection, London 1727, and Dictionnaire des termes du manège moderne, 1747, being the best well-known. He dedicated Description du Manège Moderne to King George II and to his son, His Royal Highness the Prince of Wales. Subscribers to the book included royalty and nobility from all over Europe. The engraver was Bernard Picart, born in Paris in 1673. He gained honors at the Academy of Paris at the age of sixteen. He was a master designer and engraver and worked in Paris and Amsterdam until his death in 1733. Dimensions: 9"h x 12"w (sight), 16.5"h x 19.25"w (frame) Condition: Good, some rippling to sheet, not examined out of frame. Provenance: Lombard Antiquarian Maps & Prints, Cape Elizabeth...

Set of four etchings by American artist William Goodrich Beal, circa 1880s. Scenic Massachusetts coastal towns and beaches. All signed in ...

Basilius Besler (1561–1629) was a Nuremberg apothecary, chemist, healer and botanist whose magnificent etchings transformed drab documentations of plants into works of exquisite beau...

Large framed etching of a massive urn Francesco Piranesi in the style of his father, Giovanni Battista Piranesi, plate 549 #43, signed lower left on plate Cavalier Piranesi Delin, ed...

Early Giovanni Battista Piranesi Castel Sant'Angelo Veduti Di Roma Wall Décor . Large 18th Century Etching / Engraving Of The Views Of Rome An Early Print View...