High Style Deco Abstract Sculptures

"The ideal state is not one which everyone has access to the same amount of wealth, but in proportion to their contribution to the general wealth" This piece was handmade in the hea...

Wonderful rendition of a "Mad Potter of Biloxi George Ohr" style vase by Hamilton Achille Wolf (American, 1883 - 1967). Size: 6" H x 4" W. A Post War Cali...

Raul Diaz (Argentina, b.1950). Abstract Figure, ca. 1970s. Canved Walnut. Measures 17 inches tall including wood base. Carved signature in lower region. Excellent condition. An ear...

An extraordinary group of Ibeji "triplets" sculpted by the same master sculptor. Ibeji is name of a very specific type of carved wooden figure from Yoruba in Nigeria. Ibejis repre...

The artwork is a patinated bronze on a marble base. It features a dancing couple. The bronze itself is 10"25 H. It is signed in the cast: S. Carl Overall excellent condition with minor scuffs and oxidation to bronze commensurate with age. Joan Strauss Carl...

Gorgeous abstract ceramic sculptural vase shaped into a unique organic yet modern form, with turquoise and earth-toned glazes that naturally blend together an catch the light at diff...

Abstract wall sculpture featuring three dimensional geometric shapes painted with bright blue paint. The uniqueness of this blue does not derive from the ultra...

Samuel Latour - Eclipse - Original Ceramic Sculpture 19 x 34 x 21 cm Edition of 8 Signed Samuel LATOUR Formed at Boulle arts and craft school in Pari...

Medium: Wood, steel, pigment (Wall hung) As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as ...

"She Carried Water", 2019 (Abstract Free Standing Tabletop Sculpture in Shades of White, Grey and Black) 31 x 12 x 8 inches Precision board, Venetian plaster, pigments, beeswax The ...

"Structure Relief 254" is an abstract structural relief painted in earth tones. Throughout his life Barr was interested in engineering, structure, mathematics and nature. Although i...

Zofia Butrymowicz (1904-1987, Warsaw, Poland) was one in a select group of Polish textile artists who were first introduced in Chicago, USA in the 1970s by legendary dealers Anne and Jacques Baruch. Butrymowicz's body of work continues to influence the fiber art world to this day. "New experiments in art have always been of interest to me" Butrymowicz once observed, "whether I agree with them or not, and therefore I never pass by and I am never indignant at any expression in art. I strongly believe that in the wide range of experiments there will also be some elements of the development of culture." During the post-war period, when the countries of Eastern Europe were locked down behind the Iron Curtain, weavers there found materials in short supply. As a result, many of these artists turned to unconventional materials such as metal, paper and reeds. Zofia Butrymowicz, of Poland, recognized for innovative works in 60s and 70s, used heavy, irregular wools, barely spun at all. In 1969, she visited Canadian weaver, Mariette Rousseau-Vermette and her husband, painter and ceramicist, Claude Vermette, outside Montreal where the couple lived and worked. Zofia and Mariette had both been participants in International Tapestry Biennials in Lausane, Switzerland in the 60s and in Wall Hangings at the MoMA in New York in 1969. Butrymowicz stayed with the Vermettes for several months, using Mariette’s looms to create tapestries that were displayed with Claude’s ceramics at a local gallery. Butrymowicz used wool from Mariette’s source. Mariette was particular about the color and intensity of her wool — she worked with technicians to perfect the spinning and dyeing so that the wool had a silky luster and dyed “more beautifully” than mechanically spun wool. The wool was a marked departure from the material Butrymowicz had access to in Poland. She “painted” her weavings with colors and shadings of yarns, including only a shimmering suggestion of a shape, often a circle, as she had done in the past, but the glisten and sumptuousness of the yarn in these works set them apart from her previous weavings. Selected exhibitions: Central Museum of Textiles, Lodz, Poland; Museum of Contemporary Art, Chicago, Illinois; National Museum, Poznan, Poland; National Museum, Warsaw, Poland; Skopje Museum of Contemporary Art, Poland; Exempla, Munich, Germany; Museum of Modern Art, Pasadena, California; Pierre Pauli...