Instantdreams Landscape Paintings
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Wonder Valley (Sidewinder) - Polaroid, 21st Century, Contemporary
By Stefanie Schneider
Located in Morongo Valley, CA
Wonder Valley (Sidewinder) - 2005
Edition of 5,
156x125cm.
Archival C-Print based on the Polaroid.
Signature label and Certificate.
Artist Inventory No. 3094.
Not mounted.
"...
Category
Early 2000s Contemporary Landscape Paintings
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Wonder Valley (Sidewinder) - Polaroid, 21st Century, Contemporary
By Stefanie Schneider
Located in Morongo Valley, CA
Wonder Valley (Sidewinder) - 2005
Edition of 5,
156x125cm.
Archival C-Print based on the Polaroid.
Signature label and Certificate.
Artist Inventory No. 3094.
Not mounted.
"...
Category
Early 2000s Contemporary Landscape Paintings
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Wonder Valley (Sidewinder) - Polaroid, 21st Century, Contemporary
By Stefanie Schneider
Located in Morongo Valley, CA
Wonder Valley (Sidewinder) - 2005
Edition of 5,
156x125cm.
Archival C-Print based on a Polaroid.
Signature label and Certificate.
Artist Inventory No. 3094.
Not mounted.
"pr...
Category
Early 2000s Contemporary Landscape Paintings
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Brooklyn Bridge Sunset (Stay) - Polaroid, 21st Century
By Stefanie Schneider
Located in Morongo Valley, CA
Stefanie Schneider's artwork was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie...
Category
Early 2000s Contemporary Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Cross - Town Rivals
By Patrick Wilson
Located in Morongo Valley, CA
PATRICK WILSON (b. 1970, Redding, CA) received his Bachelor of Arts degree at the University of California, Davis in 1993 and his Masters of Fine Art degree at Claremont Graduate University in Claremont, CA in 1995.
For abstract painter Patrick Wilson, aesthetic beauty and visual pleasure are primary concerns. Using drywall tools, paint rollers, and masking tape, Wilson layers lines, squares, and rectangles in meticulously balanced compositions that, with the use of vivid color, evoke a palpable sense of light. Despite Wilson’s assiduous process, he also works intuitively, responding to his compositions as they evolve. “The key value of abstraction to me is its openness,” he explains. “The best abstraction isn’t didactic, it’s experiential.”
He has had numerous solo exhibitions, including Miles McEnery Gallery, New York, NY; Susanne Vielmetter Los Angeles Projects, Culver City, CA; “Evolving Geometries: Line, Form, and Color,” Center for the Arts at Virginia Tech, Blacksburg, VA; “Steak Night,” Susanne Vielmetter Los Angeles Projects, Culver City, CA; “Patrick Wilson: Pull,” University Art Museum, California State University Long Beach, Long Beach, CA; “Slow Motion Action Painting,” Marx & Zavattero, San Francisco, CA; and “Slow Food,” Curator’s Office, Washington, D. C.
Recent group exhibitions include "Do You Think it Needs a Cloud," Miles McEnery Gallery, New York, NY; “20 Years Anniversary Exhibition,” Vielmetter Los Angeles, Los Angeles, CA; “The Responsive Eye Revisited: Then, Now, and In-Between,” Miles McEnery Gallery, New York, NY; “Michael Reafsnyder & Patrick Wilson”, Miles McEnery Gallery, New York, NY; “Pivotal: Highlights from the Collection,” Orange County Museum of Art, Newport Beach, CA; “On the Road...
Category
Early 2000s Abstract Abstract Paintings
Materials
Oil, Acrylic, Alkyd
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